Podcast De La Vida# 96 El Yonki

Las Locuras de Miguelin1:54:21

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0:00

foreign I'm gonna go get a glass of water. But you look good in that. Life is hard.

0:26

3, 2, 1.

0:30

Ready?

0:32

As you wish.

0:34

Hey, dude. I wish you the best.

0:36

Hey, crazy people. Welcome to a new episode, episode, show. As you want to call this podcast... De La Vida!

0:44

With a toast to the beer can. foreign

1:03

foreign foreign I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna say it. I'm gonna tell you. I'm gonna tell you. I'm gonna tell you.

1:46

I'm gonna tell you. I'm gonna tell you. I'm gonna tell you.

2:04

I'm gonna tell you. I'm gonna tell you. He said, no, but you don't know us, right? We have a show called Life Podcast. Look, look for it here. Heaven.

2:05

Heaven.

2:05

And yesterday I went with Bebe to a place.

2:08

You know how it is?

2:08

Look, no, but yesterday I got caught. Yesterday I went with Bebe to a place. And I told the man, because the man had me offended. I said, sir, you don't know me? He said, no. I wanted to say, look for me on YouTube, look for the best podcast of your life and look for it.

2:29

While the guy was doing the paperwork, he was looking at all the podcasts and he said, I see that they are famous, it seems that someone sent them to him. And the friend replied and said, it seems that he knew us. They say, yes, my friend says that she sees them. They already answered me in another way. She changed the level of the video. I know, I know.

2:48

He changed the level of attention. That's a letter of identification.

2:50

And when I was in Punta Cana...

2:51

And I told him to go to the man on YouTube. From there I looked for my Instagram.

2:55

I said, follow me here, follow me everywhere.

2:57

He went to Lione's for sure.

2:58

Yes. And when I was in Punta Cana, half a hotel,

3:01

I gave it to him so he could read it. No, but that's normal in him. If the people at the Punta Cana hotel saw this,

3:06

my mom is going to go there these days with her...

3:09

Pass us the cameras.

3:11

With her boyfriend.

3:12

Pass us the cameras.

3:13

It's hard for him to say the words.

3:15

I don't assimilate them.

3:16

Because they are married by papers.

3:18

My mom was with her...

3:20

I laughed at the skinny guy that his mother had made his life, and he punished me. It's her husband, it's her husband, it's normal. Well, she goes to Punta Cana with her husband.

3:28

Miguel, your mother is married on paper with her husband.

3:31

Okay, if you want to take your family from Cuba, you have to do it with my people from Yestrad. Remember that they do the whole process for your family to go from Havana or any province directly to Punta Cana or any place you want to go on vacation. They make your visa, they manage everything for you.

3:45

Everything, everything, everything.

3:46

If you want to go from here to wherever you want to go, with Jet Track, you have the best prices.

3:49

I went to Anker and it was already...

3:50

No, your paratro was already...

3:54

I'm enjoying it.

3:55

It's a good joke for you, but I'm going to get in.

3:59

I'm going to. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

4:06

I'm gonna go. I'm gonna go. I'm gonna get a new house. I'm gonna get a new house. I'm gonna get a new house.

4:26

I'm gonna get a new house.

4:28

I'm gonna get a new house.

4:30

I'm gonna get a new house.

4:42

I'm gonna get. Now the truth. I'm destroyed. No, guys, because I feel happy and content, but the problem is that what we were talking about right now, I don't feel so happy because, for example, I don't come from a rent or anything, from a house that I built, that I practically bought.

4:58

Pretty.

4:58

Pretty. I went through that process of having a house. This is already the second.

5:02

Yes, but when they kicked you out, you had to go to Osaka. No, they never kicked me out.

5:05

On the contrary, I could have kicked him out. Because everything there is mine. Even the seats they bought me.

5:10

In DecoTren!

5:11

What?

5:12

If you want to buy some seats.

5:14

If you want to buy some seats and furniture and furnish your house.

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And the bed.

5:18

And everything. Stop by DecoTren tomorrow too. Remember that we have shipments to the whole United States. You just have to contact the store to see what are the items we have available for shipping. But well, I'm very happy. I have my own house and he has his own.

5:37

Let's see, start with the things. And we're going to buy together soon. This falls alone. foreign you I have a big one like Aureus and a small one like him. There were a lot of people worried about the previous show because they said Miguelin changed for Farruko. You're making up stories with the beard. No, my inspiration is the guest too.

6:30

I don't look like him, but I do. Maybe he'll ask you why we're wearing these glasses, we'll explain later. No, we'll explain later because I have to tell people to value you a little more. but I'm not years old and he's an adult. I don't have any problems.

7:05

But they say that the prostate inflames.

7:07

From the age of 50, it doesn't matter.

7:09

But when the prostate inflames, it's because of a lot of acting.

7:11

It's the bladder.

7:12

Yes, exactly.

7:13

No, but I go to the bathroom every five minutes, I go an hour, an hour and a half.

7:16

But you have to go to the bathroom. You have to go to the bathroom. No way, way. I'm going to go to the store and buy some stuff. No, no, I'm going to go alone. I'm going to go crazy.

7:48

If I have a few days left, I'm going to go to the store too.

7:52

Don't give me that last day.

7:56

It could be that you have a problem with the prototype. When it comes, I'll tell you.

8:02

Today I had to tell him, but that's all.

8:04

He says, I'm gonna say, I'm gonna say, I'm gonna say, I'm gonna say, I'm gonna say,

8:05

I'm gonna say, I'm gonna say, I'm gonna say,

8:14

I'm sorry. Can I read something? Yes, you can. Please, before you pass it on. A person who asked for advice for this group of so intelligent people.

8:46

You asked for it for the group.

8:49

People are also valuable.

8:50

They are so risky.

8:51

How do I see myself in these glasses?

8:53

I can't see anything.

8:54

You look like Mike Wazowski.

8:56

Come on, Ale.

8:57

Can I fight you?

8:58

Let's go, Ale. I know how to fight. I'm Ernesto. Hola Ernesto. Quería ver si en el próximo episodio del podcast me pueden dar consejo. Llevo 10 años de relación con una persona mayor que yo. Ya no tenemos relaciones sexuales. Es muy poca, pero me da miedo dejar todo y que me salga todo mal. Creo que me he acomodado más a mi vida por causa de mi hija.

9:17

No quisiera alejarla de su padre. I'm in love with someone else. Please, advise me. He's looking for collagen and he's leaving his daughter to her father. No, kid.

9:28

There are some devices that are being sold on Tik Tok that I'm thinking of buying for myself. They are patches to give you a sexual appetite. You can put them here. But you have the pills, baby.

9:40

Oh, well, look. Go to the store, have the pills so you can stop being a bitch. Oh, well, look, go to the store, get the pill to stop her from sending it. No, but I don't have a good memory.

9:48

Remember that she is falling in love with another person.

9:50

What you have to do is to be careful. Come on, Juliet, please. You don't always live on material things. The fact that you separate your daughter from her father doesn't mean that he has to be a bad father, nor that you are going to be a a bad mother or a bad woman. You should enjoy your life. You're a young person, you're 25 years old.

10:07

You have a long way to go.

10:08

So, I'm... Well, let me ask you. Is it necessary to live with someone you like? Because in reality, you have to leave. You have to buy a consoling device of this size. In the store, it's the same.

10:20

Jingle, yang. El ying y el yang. El diablito yang. But how do you do it if you like someone else? No, but you have to understand that it's an impulse. Or if she really wants to leave her daughter's father. She didn't say she didn't want to leave him.

10:40

She didn't say she didn't like him.

10:42

She doesn't listen to me.

10:44

Another thing I think about is when you have a daughter or a son, I'm not gonna lie. I'm not gonna lie. I'm not gonna lie. I'm not gonna lie. I'm not gonna lie.

10:45

I'm not gonna lie. I'm not gonna lie. I'm not gonna lie.

10:55

I'm not gonna lie. I advise you to stay with the girl's father because she's a woman. And you don't know with what eye a man can look at her.

11:06

I think love is important.

11:08

Love is important, but it needs to last too. Hey, what's wrong with you, Flaco?

11:12

You're drunk.

11:13

It's just that when you're meeting...

11:14

I like Yuliette's opinion more.

11:16

When you're meeting someone, you have both cards.

11:21

You can have an idealized person, that is the best, and suddenly that person comes out to you as a piece of shit.

11:25

It's a card, a trap.

11:26

That's the best piece of shit.

11:27

It's a double-edged sword.

11:29

For a long time, all the beginnings are beautiful.

11:31

And at the beginning, everyone is spectacular.

11:33

That's right, at the beginning, everyone is beautiful.

11:34

Exactly.

11:35

Ha ha ha ha ha. ¿Qué es una carta de doble filo? ¿Qué le aconseja entonces? Que se tome el tiempo a lo mejor de conocer un poco más a la otra persona

11:48

Que eso no lo va a hacer una mala madre ni mal...

11:50

Antes de lanzarse 100% porque es lo que te digo

11:53

Bueno, ya lo tán escrito

11:55

No, lanzársela se la lanzó ya, yo me imagino, pero lanzarse a la vida Ver las otras perspectivas Hay más vida, hay más vida from another perspective. That he can bring you as a stepfather, as a family man.

12:07

But in my opinion, that's going to end on its own, because she's already saying that what you don't want is the husband.

12:12

I hope she's looking for the solution.

12:14

No, she's probably looking for collagen.

12:16

Sometimes you see that in love. She's looking for collagen and the guy is looking for her.

12:21

The guy is older and she's 25. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

12:46

I'm gonna go.

12:47

I'm gonna go.

12:57

I'm gonna go. I need a picture of you to see if you're as predictable as me. You're crooked, but you can have whatever age you want.

13:07

If I already brought you here, you're still there.

13:09

Meiza, introduce the guest we have today.

13:11

Well, we have the great honor of having in our program, The Junkie!

13:16

Let's give him a round of applause!

13:21

He's a junkie, right?

13:22

He's a junkie, he's a junkie.

13:23

What do you want me to do? I foreign Yes, 100% accepted. So, the ultimate didn't fail. We also have Vision World's glasses to pay tribute to the artist that is with us.

14:08

If you want to buy them, you can put the seal over there.

14:11

Oh, so that's how marketing works.

14:13

Fuck, if you guys know, Valencia is Valencia.

14:16

Yes, it also has a stamp.

14:18

Are these the sisters?

14:21

They are the sisters.

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They will be cousins.

14:53

Look at that game with the little one. the I Don't get any other from that come with cleavage I can be our junkie Easy way to bring my tema no, it's a point a tema. Give me No, ese fue el tema que me hizo la transición, ¿me entiendes? De estar en la sombra, convertirme en un artista querido por el pueblo. Yo tenía una canción que se llamaba La Patique en el aire.

15:12

Como le gusta a mi esa. Me dan cuca, pero...

15:16

Yo la grabé con un background puertorriqueño, un tema lesí y frío, de un pedacito que sobró, voy para casa del Ivan Pro. I went to Ivanpro, which is a place we call Estudi, in Santo Suarez. We didn't have the resources, we had a radio amplifier. We were in a small room, where you go to the bathroom, and we had a microphone with a panty and a chest.

15:40

For the echo, right?

15:42

And then I recorded the song in the air, but before the song was over, Estudi told me, this is a good amount. ¿Para el eco, no? ¿Para hacer el mal sonido? Y entonces ya, yo grababa la patita en el aire, pero antes de acabar ese tema, el Tutti me dice, ¿es eso está obvio o no, Cantidad? Y a mí se me ocurre el coro, que me va a ver Junkie. Entonces todas las personas de Dios Autur, de Santos Suárez, saben de que en esos entonces, me dan la peña a mí.

16:07

Y cuando voy a cantar el domingo, canto La Patinca en el aire, y cuando canto el coro de que me ha dado el yonki, que totalmente como se pegó, yo hice así. Y todo el mundo lo repitió. I was waiting for the part of the Junkie. Like you were putting the drumstick in the air and now comes the Junkie chorus. Now comes the Junkie chorus.

16:27

So, all my friends were telling me, that's good, you have to do that, I feel like a hip hop star. I was like, look, this is happening to me with this song. And they told me, bro, because the song that's going to interrupt you, but at that time, was the young guy, the young guy, still being used? Still. The one that was used was the mawa.

16:48

The mawa.

16:49

Ah, the mawa, which was like…

16:50

What was the mawa, your boy?

16:51

The mawa was like…

16:53

It was similar to this one, but…

16:55

The mawa was like…

16:56

It was similar.

16:57

And what was the top. I had the chorongos.

17:08

You didn't have the top hair, you had the chorongos at that time.

17:10

No, the chorongos, with the potato head, and the guaje.

17:12

Let's see, let's see.

17:13

Don't cheat, don't cheat.

17:15

He's the potato head. El de Papa, que se ponía en pelo blanco. En Cuba hoy igual. En el Plaza Habana, en el parquecito, que era un pomito y me fasma. Porque se ponía blanco el pelo. Me dijo, te daba un caspero, papa. Que le echaban como que aromatizante o algo, que era para que le haga el olor.

17:36

Y entonces nosotros ya reuníamos un dinerito, a little bit of a dollar of glitter. Why? Because when you put glitter on it, it shined. It shined and didn't turn white.

17:46

We didn't have that formula, dad. The glitter killed the whiteness that you get when it dries. You get a lot of white things. Yes, because while you were combing, the dad's one was good. When you broke the first skewer, it started snowing.

18:00

What was your first song? The first song I recorded as El Yonke before I became El Yonke. Who gave me the title El Yonke is when I recorded El Yonke with El Yonke.

18:12

You called yourself Yavorri Logre. I've been listening to El Yonke in the car and I say, it says Yavorri Logre up there and Yonke down there. I think the name is Yavorri Logre.

18:21

Yavorri Logre. Reload. Reload. And what does that mean? It's like reloaded, renewed. You know, I'm always reinventing myself.

18:27

It's a bit ridiculous.

18:28

No, no. Reloaded, reloaded. It's like reloaded, renewed.

18:31

Reload is new to me.

18:32

Do you understand?

18:33

Renewed. I got into my mechanics.

18:35

Yes, already.

18:36

I don't know what's going on. And Junny, my respect for him, one of the best producers in Cuba. We had a chemistry from scratch. And he had a lot of factors. He was like Jose, when he said, this is going to be a hit, it's not a failure. And I sing the song to him. I sing it to him and he says, wow.

18:54

He puts the background and says, can you do this? We record. And he says, yes, but what be a junkie. I'm like, look at this hairstyle, I'm with my barber, instead of doing the machin bra, I want to go from zero to here, from here to up, I want to go down. And he says, what's that? I'm going to be a junkie.

19:12

And he says, well, that's the dance of the song, but you have to tell people, and people have to know what junkie is. You had to tell people what junkie was? I go home, I sit with my mom, and she says, look at what Junny recorded, and then she mixes it for me, because she has a lot of clients. She says, I like the rhythm, everything is good. And she says, you think you can make me the riff, the potasa?

19:32

Ok, I have to do what I want to do, I have to break the scheme. I want to be the first black man with a lazy hair. You already had the chorombos. I'm not a bad guy, I had a big mouth. It was like that. My mom said, okay, I'm going to have to give you a little more potasa. I'm going to give you a little more, but...

19:50

Like that skull, like that skull, like that skull.

19:54

So what happens, my mom had a formula to do it, I was overdoing it for a moment, my mom gave me potasa. She would wash my head with some things she had, and then she would add vinegar to cut the reaction. Orange juice.

20:07

Oh my God!

20:08

That's a lot of orange juice!

20:09

It's a lot!

20:10

It's a lot!

20:11

It's a lot!

20:13

That's so it doesn't burn you, right?

20:15

No, and to cut the reaction of the acid. It's like keratin, you do it, and. You put all those acids, you lose your reaction. And my mom would give me some massages with avocado. Pri, papa!

20:27

To hydrate.

20:28

She would wash my head and the other day, where was I?

20:30

You were a curly hair.

20:32

The curly hair, and my mom would tell me.

20:34

You didn't have long hair, did you?

20:35

No, it was the beginning, like that. Yes, but the curls that were stretched. I was like, I'm going to go to the town, because I didn't want to go out so early in the morning, and you realize, as my town has grown, I've grown as an artist. And what happens? I'm going to the town, and I'm stuck. And if I go further, well, I'm going to throw away the sponges,

20:51

because the sponges had a little hole that we made.

20:53

Yes, to make the churrón.

20:54

I've done it before. I'm going to do it here and there. And he said, I'm going. And that's the madness you want. And I said, well, I'll follow you. And that's when he does the hairstyle. And every two days I go to the Juniors' house and I look magnificent. I look at myself with the flow and I say, Juniors. I say, Juniors, brother, you have to go. This artist is crazy.

21:15

And then I met William. And they said, Juni, bro, this is going to be a phenomenon. And Juni said, but this still needs something. The world has to know you. I said, fuck, look for someone who has a camera. So that they can film us. Saying, fuck, bro, go to Santos Bar, a friend of mine who filmed the videos of the 15.

21:38

It was a camera, but he filmed videos. And I said, fuck, I have this opportunity, my son. Brother, come on, brother, let's go. And we went there with my pomme de yoghurt, pomme de yoghurt, bro, with water. You realize, the original video of the Jockey, I start with the chorongos, and in the middle of the video, I come out with my hair up. Because everything was that way.

21:54

It was the transition. And brother, I already became the Jockey. I thought YouTube was a nightclub. And there's a lot of people...

22:06

Today he hit YouTube.

22:07

Yes, there's a lot of people sending you messages. At that time, I was the one who took Juniors' social media accounts, because I worked in the business center, and I took all that. And I said, there's a lot of people sending you messages. And I said, what? Facebook. And they said, who is Facebook now?

22:24

We didn't come... I remember people sending me messages, saying, what? Facebook? I said, who's Facebook now? We didn't know that technique. Guys, and when they started showing me a video that they had uploaded, whether to Facebook or YouTube, a little bit, people went crazy.

22:37

They said, I know him, he's the guy who called the Santa's Eleven.

22:40

I said, my brother, we did it. Now we're going to get the song.

22:45

And I said, really?

22:46

And the video, yes, I said, this is what we're going to do. We're going to get the song. He took the package, he took it, Michelito Guti at that time, the people of Odisea, he took the Trojan, the transporter, and when that came out, people were saying,

22:58

who's that skinny guy? I was like, yo, that's what I did. It was phenomenal. I was the junkie. A skinny artist that was like, you know. Breaking the rules.

23:05

And dancing.

23:06

And he was skinny, and he danced well.

23:07

No, no, skinny was dancing.

23:09

You were dancing.

23:09

Oh, dancing.

23:10

Dancing, which was like, like,

23:11

It was on the knees, like that.

23:13

It's a classic.

23:13

It's the classic. the first TikToks we did were the ones you and I did.

23:25

The ones that were like, I'll be the donkey, and the one with the rabbit.

23:27

The one that didn't exist, the platform.

23:28

No, and how you associated the rabbit.

23:30

Agututata. Agututata.

23:33

What I want to tell you is that those dances, if they had been TikToks at that time,

23:38

how many videos of people doing that would not have been possible. I'm going to do it. I told my dad that I wanted to be the one to do the donkey and put the first TikTok I did in my life.

23:46

Without realizing it, with the first TikTok we did, without realizing it. Without realizing it.

23:50

Well, you did this platform, but people followed your...

23:52

The problem is that the little step he took, everyone was waiting for the donkey part to do it. It's a little complicated.

23:58

You were sitting in the disco, you were sitting like this. Ah, look at the cowboy. Because it's the hands, it's the feet,

24:06

then the feet go up.

24:07

Ah, that's the other one.

24:08

You gave me the whole combination here.

24:10

You have to move the hands first and then the feet.

24:12

Of course, and then boom.

24:15

And that's where they started, because Flaco and I are from a neighborhood

24:19

that is in Camagüey, lot of times. Really? And I greeted my people in Camagüey. I sang in Camagüey. I sang in Las Hermes. Las Hermes, what the fuck, what the hell? I sang in the Caribbean. Caribbean. I sang in the Copa.

24:30

And I was with a party in the Copa. I sang in a place called La Esperanza. A town called La Esperanza. A town called La Esperanza. Well, look, what I'm about to tell you, people... I sang in Florida, Camagüey. In Florida? I was walking around Camagüey.

24:46

Do you remember?

24:47

I remember everything.

24:48

You were running around.

24:49

I was running around as a kid.

24:51

Your son and that glasses, did you start using them with the Yonkee?

24:54

Or how...

24:55

No, with the Yonkee.

24:56

So, the Yonkee was weirder than you?

24:57

What happened? una identidad. Una imagen. Una identidad, sí. ¿Cómo tú haces y tú dices, las gafas van a ser parte como de...?

25:05

Todo el mundo esperaba el video de Cris y Junkie para ver qué gafas iba a ser.

25:08

¿Y te la mandaban de aquí?

25:09

No, no, había muchas que, mira, esto se me ocurre porque mi mejor amiga siempre fue mi mamá. When my mom told me, that's going to work out, I trust you, it was like the support I didn't receive anywhere,

25:27

my mom would tell me. She would tell you.

25:29

You know, there are times when mothers are blind, and sometimes they feed you with a false illusion, because my mom was very transparent. This is not your path, this is not, this is.

25:38

But you did it at home, it's a blessing.

25:40

Look, tell the baby, aprende. No, yo no había... Cuando tú tienes la bendición de hacerle caso a tu mamá,

25:45

y las cosas te salen bien, tú tienes que estar ciego.

25:46

Y entonces, y parte de que mi mamá era una persona que era como el Junio y como el Tay en esos aspectos.

25:51

Visionaria.

25:52

No, fue... yo le ponía a mi mamá una canción, y una día decía... I said, look, I'll see if you like it this way. And he said, if you change the beginning and put this here, it's like a super fridge with me.

26:07

Like an instinct.

26:07

Look.

26:09

I said, seriously, how are you going to do it? And that made me bad. I was angry. But I told you, when I did it.

26:15

It went well.

26:16

It went well.

26:17

So what happens? With the passage of time, that magic and that trust between my mom and me made me believe in myself. Because sometimes when you embark on a path, a lot of work goes by, to trust yourself for the acceptance. My mom told me, look, you can break all the predictions, because in your world, everyone has a defined body, a slow body, they are beautiful, very similar,

26:40

and everyone cares more about their image than about connecting with the public.

26:44

Well, turn it around.

26:45

You have everything different. You're black. You have a normal hair, a straight hair. You dance in a very peculiar way. You dress with your swing. So I always had my hobby, I always had my glasses. My dad always attended me from here, he sent me a lot of things.

27:03

Ah, he sent you from here.

27:04

Yes, but at that time my dad had already passed away. I was always sent from here. My dad sent me a lot of things from here. Ah, he sent you from here. Yes, but at that time my dad had already passed away. But since I was a little boy, they always dressed me well. And there is a character that I managed to make the connection to become the Junkie of the animals, which is the crazy bird.

27:19

Lie!

27:20

Crazy bird, if you realize.

27:22

I didn't know you liked dolls.

27:23

I'm going there now. I'm very clever, I'm like, and with the bird, I'm like...

27:29

There's the magic.

27:32

He has to see the doll because he does a lot of things,

27:35

and he's a bad animal.

27:36

One day I'm watching the crazy bird, and when I'm with the hair like this, they put the dolls of the crazy bird, when they put it on Monday at 5 in the afternoon, and the crazy bird comes out, I'm not gonna lie. It's yours, you'll find it there. Liar. I can't believe your mom told you that. Of course, of course. And then my mom, my friend,

28:07

I was like, fuck, it's a silver glass. And one day, what nobody dared to wear, she put it on me, I find a pair of glasses, that had a lot of little faces, because everyone was there, at that time, the group started, Sony, Blaze, Blaze, Enormax, Miami.

28:25

So, everyone was already having...

28:27

A vision.

28:28

The audiovisual was already there.

28:29

And in Cuba, there were clothing sellers, like Sergey Lamoa, who sends his regards to Ivan Lamoa, who were already traveling and already had access to...

28:39

To what was used.

28:40

To another culture, to a different culture and they had a different vision. And when they took it, the top level artists who were in charge, they dressed up. So, they told me, look, we have to combine this with this, for this, for this. But your seal has to be different. I said, I don't understand that part. I'm going to wear the glasses, the second one, the doll glasses,

28:58

the football glasses, I'm going to wear them now. The things that kids wore for their birthdays. I was going to a birthday party, and people were paying attention. One day I bought a gun case.

29:05

Oh boy, I saw a Prieta going down to the Republic.

29:08

People wanted it.

29:10

I bought the 2012 case, because those are things that here are birthday parties.

29:14

Of course.

29:15

You know? So when I got to this, I said, this case, for six dollars, I'm going to buy 40. And they said, look how I look, and I was like, what the fuck? They were like, buy me a Quarang. I was like, look at this, it's called Quarang. I was like, wow, this is a success. And then they started buying me my glasses, and my glasses, and my glasses.

29:32

And then, in the middle of 2012, end of 2012, 2013, I was already traveling to Europe.

29:38

That was your first trip?

29:40

You already had a lot of glasses.

29:42

People were dying with me. I I'm going to take the last one. You're safe. Wait, I'm going to take this one.

30:06

I'm going to take this one.

30:08

I'm going to take this one.

30:10

Look, this one is yours. Look at this one.

30:14

I don't like this one.

30:16

This one is yours.

30:18

Don't load it.

30:20

Oh, how cute you look.

30:22

You look like a female.

30:24

A female helicopter. This is que lindo se te ve.

30:25

Es hembra la que patea.

30:26

Es hembra la que patea.

30:27

Es hembra la que patea.

30:28

Esto es un conflicto de intereses, me dijeron. Me dijeron, quiere decir tú no.

30:31

Por qué?

30:31

¿Qué pasa?

30:32

¿Te has medo traicionar a tu perra? I'm not going to do anything. How old is she? Two months and a half. Remember that the dog comes with instincts of herd, of walking in groups. But she is my herd, I am her.

30:48

She is my herd.

30:49

She goes in the morning and now she is alone and screaming.

30:52

So you recommend that having two pets gives her more life, if not?

30:55

Yes.

30:56

I am pretty, what happens is that you can have a very bad sister. She will learn after her. She's going to learn. Yes, the little one always believes in the big one.

31:05

Two girls here, three girls.

31:06

Three girls who pee on the carpet and I have to throw them in the carpet? What?

31:09

Calm down, huh?

31:10

Of course.

31:10

Always calm.

31:11

They're showing you that one can do it and another can't.

31:13

At least here.

31:14

Okay, okay, I'm going to look for a partner.

31:16

Which one can be the best? I I'm a little puppy this place where they give you the dogs I'm going to take this one home but I don't have any money

32:05

How do you think you can take it home?

32:06

I'll finance it for you We have a financing where you can make monthly payments

32:10

So the dog can take me home?

32:12

You can take it home today and you can keep making payments

32:14

I can have a dog with just one?

32:17

Or you can tell Moreno to pay you We work with different financiers, it depends on your credit, you will always be looking for the best option for you That you get with the least interest Anyway, they will always give you 3 to 6 months without interest

32:26

You mean I'm going to spend 6 months without paying my dog, right? No, if you pay him before 6 months, you will have zero interest If someone wants, for example, a specific reason For example, I'm looking for chihuahuas all over Miami

32:37

We can send you to look for it in. No, but I thought you know, I don't know I don't know how to move on. I said move on. I said move on. I said move on

32:46

I'm being a poor American de la familia I always had a saying that said, children were created for one and for society. So, my mom was my mom, but she was the mom of all the kids too. So my mom always taught me that it's not worth it to have material things, to have money, if you don't have anyone to share it with. My mom had, and now I was going out with a boy,

33:40

for example, who didn't have the same possibilities as me. They sent me clothes outside and he would fight for me. He would tell me, who are you going out with? Wait for him to get here, wait for him to pick you up. If at the time he didn't arrive, I would tell him, you can't wear this, you have to wear this,

33:56

so you can go with him or you can give that with my kids. I swear to you.

34:06

When a kid comes along and doesn't get along, I tell him, but if the kid isn't small... Is the kid the same age as him? If he doesn't have a baby, tell him.

34:18

20 years.

34:20

Parents are not kids. I grew up this way. I always had a childhood where I enjoyed more being with my neighbors. Well, my wife lived it with me. When we met, we went to Cuba for the first time. I'm like a neighborhood ninja. That's where they love me.

34:34

The criminals, the people who don't live with anyone, with me, have love and affection. Because I always went, as you are seeing me now, wherever I went, wherever I went with my wife, I went down to any neighborhood, I alone.

34:46

Do you have a brother?

34:48

No, I'm the only son. I went down to any neighborhood. What's the point of making a beer bottle? How much is a beer bottle worth? I bought it for all these guys. I'm the one who's going to tell you.

35:00

Imagine if there were more people supporting me. I was like, I'm going to be like, I'm going to be like, I'm going to be like,

35:06

I'm going to be like, I'm going to be like, I'm going to be like,

35:24

I'm going to be like, No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, because imagine, I got to a place where the only ones who didn't have Chihuahua hair were the Carbos. So you understand me.

35:46

Well, I'm Miguelín.

35:47

Like him and Miguelín, who have hair on both.

35:49

Look, so you understand me, the only ones who had Chihuahua hair were the Carbos. But to find people identical to me in Camagüey, I was listening to Cienfuegos. There's a picket and I'm singing the Cienfuegos song and when I'm dancing to the best junkie, a guy tells me, there are some kids who are there, it's 6 in the afternoon,

36:12

and they want to give you a kiss and a hug and dance with you. They tell me to come here. When I look at myself, I see a picket like that, and all those people, I'm better than this people. Well, in fact, one of them, the last time I heard about him, he was in Las Vegas. I released an album that the cover was a Ye, that a designer made for me.

36:31

It looks like the lyrics that Wisin and Andres had in the album of the revolution, but it said the junkie. The guy had the junkie on his chest.

36:37

Tattooed?

36:38

Yes, yes, I have a lot of people with my name, con mi nombre, pero qué pasa que en aquellos entonces no había redes sociales. No había como para par las cosas ahora, que ahora la gente, el proceso que las personas disfrutan es el proceso de principio hasta el final. Pero gente con mi nombre, tengo una pila.

36:52

Sí, tú para enterarte de que tú estabas pegado en las turas,

36:54

te quedas tú.

36:55

No, y tenías que verle. Y para ver el tatuaje, hoy te pon There were no pictures, and what entertainment. And you saw it with your glasses.

37:05

One day, at the moment, I'm singing a concert, and a dancer comes to me and falls in my glasses, and a glass breaks. And the other one, he gets out. And I'm left with the glasses, no more, no more glasses.

37:17

At the moment, you, the one who was there, started to take the glasses off his glasses. I'm going to have to see that. I'm going to have to see that. That's a mistake. And how long did you sing before? I'm seven years old and I'm writing my first songs. And I'm starting to take it seriously. I was already in the market, I was already having a lot of war.

37:40

At 15 years old I was already fighting. You know, it's not the same. People tell the story after the result. But to have results is the process. Ya con 15 años ya no estaba peleando, tú sabes, no es lo mismo, las personas cuentan la historia después del resultado, pero para tener el resultado, es el proceso, no sé, yo tenía 15 años, estaba escribiendo mis líneas en el servicio militar,

37:52

yo estaba peleando en todos esos lugares, es decir, no como famoso, pero...

37:55

Sí, pero local ahí.

37:56

Pero en tu área.

37:57

En tu mundo tú estabas pegadito y la gente le gustaba No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no Persona no lo gusta es reggaeton. ¿Me entiendes? Pero tu carisma, tu personalidad. Efectivamente. Y yo conectaba mucho con los niños. Dice que el que conquista el corazón de un niño, conquista la familia entera.

38:32

Es verdad.

38:34

Mira, dame agua para el payon.

38:36

Oye, y él se ve una persona seria.

38:38

Y que habla, compadre, que bien habla.

38:40

No, no, me da tranquilidad. I'm drinking water because I'm cold. I'm going to do some exercises because I don't drink water. You have to drink water.

38:45

Yes, I have to drink water.

38:46

I'm looking good in front of the camera. I'm drinking water. It's good, it's good.

38:50

In the meantime, I'm going to recommend you. I already put it on, I already put it on. In the meantime, I recommend you download the ProNil app I'm a Cuban. I'm a Cuban. I'm a Cuban. I'm a Cuban. I'm a Cuban. I'm a Cuban. I'm a Cuban. I'm a Cuban.

39:17

I'm going to give you a gift so you can get along better with her. It's a gift card for you to get laser treatment. You know that we women are super picky with laser treatment. This card is not for you, it's for the victims.

39:34

It's for the victims.

39:35

It's for you to get a full laser treatment. Full body laser treatment. Thank you.

39:40

Excuse my imprudence. Could you tell me a little bit more about this procedure?

39:49

I'll explain. Look, this is a procedure that doesn't hurt. It's done with diode lasers, which is a latest technology. It's a cold sensation, you won't feel like it hurts. Where?

39:58

It's done on the whole body. Down there?

40:01

Down there, so when it's warm...

40:03

In the pits, in the pits. Allá abajo. Allá abajo para que cuando ensando... En los pocitos, en los pocitos. En los pocitos, en los pocitos.

40:05

Para que todo sea como debe de estar. Y bueno, recuerden que obviamente mientras más áreas de cuerpo tenga, mejores ofertas va a tener. Bueno, nosotros como si yo trabajara, pero bueno, le van a hacer un precio espectacular.

40:19

Esa tarjeta es para la mujer de Yonky, foreign foreign

40:48

foreign I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie. I'm not going to lie.

41:05

I'm not going to lie.

41:06

I'm not going to lie.

41:07

I'm not going to lie.

41:13

I'm not to explain why. I make a story and a friend of ours, Cielo, fuck Cielo, I send you a kiss from here.

41:25

How nice!

41:26

I had a bag of snacks.

41:27

Lie!

41:28

It was a bag of snacks!

41:29

Made of shoes.

41:30

Poor Cielo!

41:31

When? The day I went to Reno's.

41:32

The day we went to Reno's.

41:33

And I see her and I say, La bolsa, la mallita. ¡Ajuntos Foto! ¡Ajuntos Foto! Pero es que esos son los zapatos que se usan ahora. A ver mi amor, pero esa era la bolsa de merienda que teníamos de toda la vida, de love, but those were the shoes that were worn all their lives. From Mayita.

42:05

From Mayita, I remember, Plato.

42:07

The classic.

42:07

And then people started, the junkie in the show, the junkie, because people here have a power of, you know, of vocation.

42:12

And then when I said, I'm going up, my man, I have a way to get there. ¿Y qué significó? Lógico. Eso me lo preguntaron antes de ir para acá en la barbería. Es que es una canción más genial de todos. Bueno, mira, el día que tengo que decir que mi Borita siempre ha sido mi musa, mi todo. Ya empiezo a tener más relación con el Juni. Ya el Juni y yo nos entendíamos solamente mirando. El Juni le hable a un instrumental y él veía normal que yo sería normal en cualquier historia I was already normal, I didn't pay attention to any story, he changed me.

42:47

And he puts an instrumental of those boricuas, of the ones that were left in the songs, and I said, fuck, that's good. I said, fuck, I would like this, because I want your album to have all the fusions you know how to do,

43:00

with your style, and I'm going to put magic on it. But I need a song that people identify with.

43:04

Another one, Mariano. I'm going to put magic on it, but I need a song that people can identify with. What else do you have in mind?

43:07

Everything is fine, I said, it's fine, leave the instruments there. I'm talking, but I have the facility to be talking to you, but I have a part of me generating in something else.

43:19

I don't care.

43:20

Just like Miguel David.

43:21

I don't need attention.

43:22

Just like Miguel David.

43:23

I also don't care. I don't care. I don't care. I don't care. I don't care.

43:25

I don't care. I don't care. I don't care. I don't care. So when he saw me floating, he said, everybody, listen, he's already floating. He said, oh, man, he's floating, man. He's floating, man. He said, hey, but he's in the booth,

43:50

I'm in the booth, I'm recording my melodies, the microphone is here, but Johnny is recording all the melodies. And I'm floating, man. And he goes, man. When I go out, he says, Andy Osalgo tells me, that's the melody of the song. What melody?

44:05

I'm recording. He says, no, but I'm recording. I'm saying, but you have to make me feel it. I'm going to say, but here you have to say something very nice. Then, you know the song of the snack, the four o'clock and twenty,

44:17

he says, yes, baby, it has to do with that, with the bells. I start singing and the moment starts... You're going to sing? So, all the ideas started coming to me. So, Juni told me, Fluye, I'm going to record you. I started, Fluye, I started, Fluye, I started, Fluye, I started, Fluye, and when I started, Fluye, Juni told me,

44:37

Papi, I said, Juni, nah, this is another level. And then I said, let's put him here, put him here, so he can think of some games. And as I was putting the voice, Juni told me, you have a magic that no one has.

44:56

What is changing the tone of voice?

44:58

Your colors, the way you I saw in the magazine, and the way you project things. When we got to the chorus, we started looking for a melody. And I said, Juni, the chorus has to be big. But there's no bigger melody than the one we started with. And you realize, you start, Hello, how are you? And then the chorus says,

45:17

I'm here,

45:20

to help you. You know? Because in that song there's no melody bigger than that. And when I do the chorus in that song, and says, Juni, for God's sake, and says, that's how you write. So that's what caught his attention.

45:30

So Juni and I did an exercise like, we challenged ourselves, but, like Messi did in music, he said, no, but you have to do it in a more recorded way, you have to be at the height, It's time to tell June, my mom. And so, I go home. I remember June gave me a demo, I had a re-recorded album.

45:49

Remember?

45:50

Yes, it was one after the other.

45:52

I'm saying, no, God, an album like that... And I go home and I show my mom the idea of the song, but with that Boricua. And I started laughing. And you know what, Meryico? You accidentally told the story of your life in three minutes.

46:08

The life you told there, all the people of your generation, of the media, who will come, lived it, and you told it in three minutes.

46:16

Because it's a school love. Everyone had a school love.

46:20

Everyone had a school love, Camila.

46:22

And everyone had a snack bag at school. Some worse than others.

46:26

I don't know what's going on. I was always a bit picky. I used to eat snacks. My little Tokyo soda drink, frozen. What was your snack bag like? No, no, no.

46:32

The classic one.

46:33

It was corn. No, corn. the Tokyo soda, the raspberry, the grape, which looked like medicine. Of course. Remember that it was a classic standard. Because you could one day take a ham and bread, but when you take a ham and bread, people decide something is happening there, let's check what's going on.

46:53

You have to put the ham and bread in one day, one day there is activity. So, with butter. Of course, because when you came in with the snack of the sex every day, something was happening.

47:06

In this family, something is happening.

47:08

Yes, and people came with the snack of the sex every day.

47:10

So, when I came up with the phrase, the snack bag, what always came to my mind was the bag with the frozen juices. When people saw that, it was very strong.

47:19

And I still remember your snack bag, with different drinks. No. Oh, it's a table in your classroom? It's a table. It's a table. And you had to hang it. And the table was like the table where the snack was stolen. Yes, of course, because he could take the water to freeze every day, but I didn't take him any water to freeze. And the ham sandwich, well, the one who took the ham sandwich stole it.

47:58

You were the one who took the snack away from him. de la que le quitaron la merienda. No, no me la robaba. Se la quitaba literalmente la cara. No, mi hermana la aguantaba y yo le quitaba el pan y nada más.

48:07

Ay, Dios mío.

48:08

No, porque el agua azúcar, yo llevaba agua azúcar también.

48:11

Yo llevaba agua azúcar en tu niña. Era el agua con el azúcar prieta y movía el pomito y era lo que llevábamos. I don't think my friend is able to eat a bag of chips. Now that you're talking about water with sugar,

48:27

I have a song that's going to be out called Menea, Que La Azucar Tenga El Fondo.

48:31

Oh, we had to make the pot.

48:33

We had to drink the sugar water.

48:36

I always had a dream about the sugar water.

48:39

That's when you tried it, you didn't know how to get excited.

48:42

Menea, Que La Azucar Tenga El Fondo. You tried it for 10 years, you don't know how to get excited. Menea, the sugar is in the background. Girl, because it was Guadalupe, I did it like this, I drank it because I loved Guadalupe.

48:49

It was what kept me alive, it was the sugar water.

48:53

I would like to vote with you when you have your free schedule. We will be filming that video next week if you don't have the schedule to take care of me, to flow, but with your charisma. I like it, I like it. We're there.

49:05

We accept, we accept.

49:07

If I accept, I'll give you the juice to drink.

49:11

And that juice you had to drink in the first shift, because it's already 4 o'clock, hot.

49:15

No, you had it in the morning break. In the break, there were two breaks, one in the morning and one in the afternoon. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

49:25

I'm gonna go.

49:26

I'm gonna go. I'm gonna go.

49:37

I'm gonna go. foreign I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

50:05

I'm gonna go. I'm gonna go.

50:07

I'm gonna go.

50:17

I'm gonna go. and sometimes, I tell you, I missed school.

50:25

Oh, how good was the pork with the egg.

50:28

I want to say something. I used to have lunch at home, but I wanted to eat the pork with that white rice I don't know what it was.

50:34

But you were in my boarding school,

50:36

because I don't remember that time.

50:37

No, I don't remember.

50:38

They never gave me lunch,

50:39

I don't know when they were in the middle of the tray. The tray was ours. It was three times a day. From 9 to 9.45.

50:48

And each one took a process. Each one took a process.

50:52

We are talking about the morning. It was 10 in the morning.

50:56

There were three times a day.

50:58

After lunch, which was one hour.

51:00

And there was another one at 2.45.

51:02

What happens? People had breakfast in the morning, because if you had a cold drink, you would have a cold drink. You would have a snack in the morning, but you had three days off.

51:15

I would have had a pudding.

51:17

And not to behave badly, because the snack was in the seat. If you behaved badly, the snack was in the seat, because you couldn't even... Make up your mind, gentlemen! Make up your mind.

51:26

But what I said is that if you saw people in the... four times a day, a ham sandwich, there's a host, there's a... In my class there were people doing sticky things and people...

51:38

And cans, a can was...

51:40

In my class there was one that was going to kill all the kids. Look, automatically, a person who repeats a joke in the class, that's when something is happening. Things are happening.

51:52

And you couldn't go.

51:54

No, it was hard.

51:55

Now that we're talking about school, what kind of student were you? How did you behave?

52:00

I had two extremes. There was a time when I behaved very, very, very badly, but I was very, very, very intelligent.

52:05

How could you do that?

52:07

No. I would go where I was, there's a difference. I behaved badly, but it wasn't out of respect. I mean, when my mom... Imagine, I was here, at my school, and I was living...

52:21

It was all good when they told me, look, since you don't want to go home, until you don't go with your mom again...

52:28

Oh, how bad that sentence was, bring your parents or not. Because you have to go to school,

52:34

they are waiting for you at school. My mom got me. When I got home, how did you behave? I behaved well. My mom always told me, the good and the bad for you,

52:45

not for anyone else. I said, no, no, everything is fine, my brother. And there was a day when I was missing, how do I say, because a math teacher said, don't come with your mom, well, then I went to all the other classes.

52:57

I was going to math.

52:59

But you were expecting to accumulate the... And at the moment my mom said, no, Sanda, because the kid, at the moment... What? Oh, well, I'm not going to school tomorrow. No, brother, that was already... For me, I would say, fix it, no more than the hours. Since we entered... Teacher, what's the problem with Alejandro, who's not...

53:16

Let's go to the address.

53:18

To the VIP, that's the VIP of the class.

53:20

Yes, with another... I'm gonna be like, I'm gonna be like, I'm gonna be like, I'm gonna be like, I'm gonna be like, I'm gonna be like,

53:25

I'm gonna be like, I'm gonna be like, I'm gonna be like, I'm gonna to give you the second batch. The second batch? And you, you're like, give us the leftovers so we can go home. In that time, imagine, the teachers were at my house to tell Santa, I think you should take the punishment.

53:53

The director didn't take the punishment?

53:55

The teachers would meet and the girl would forget to give him the dollar. Santa, I think it's time.

53:59

It's time.

54:01

So what happens, what happened to me in my growth, Ya es hora ya. Le va a bandura. Entonces, ¿qué pasa? También que me pasa en mi etapa de crecimiento, lo que pasa es que me he portado mal porque un ejemplo, el profesor decía, bueno, el lunes vamos a dar un ejemplo en matemáticas, hay una unidad que es algoritmo. Eso el profesor lo decía el viernes, yo venía a la beca, y yo desde que llegaba me bañaba, I was in uniform, I was ironing, and I started studying that well-known algorithm.

54:26

And when you entered the team? When Monday came, and such an example, it was me, I was throwing myself into the unit. Or more than half of the unit. And there's the example, for the board. It was fine, perfect. So, sometimes I accumulated points for the tests. I was in my air.

54:41

And there was a moment when I started to in the air. I didn't know anything.

54:46

You had time to behave. I don't know what you're talking about.

54:50

I threw a stone at him. I told my mom, I'm sorry, but I don't deserve time off. She was happy about everything. I told her to send my work to Pertti. She was happy about everything. We put him in front of the court.

55:02

He gets 100 in the air. I'm not going to the night shift. You're excellent, but you suck. I'm not going to the night shift, but I get 100.

55:06

I don't know. My mom always taught me that habit. Besides, with my mom at your age, I came home with 90 points. That was it. Take off your jacket.

55:12

I was 75 at a party.

55:16

But she was training him.

55:18

She wanted him to be good.

55:20

And there's the result. He was a well-educated man. And thank God, I have a lot of nice memories. And that's what I'm telling you, talking to me about school and remembering my childhood, I have a very nice childhood, and school too, gentlemen.

55:31

Do you have a crush on school?

55:33

Yes, like everyone, many were not in love with me.

55:35

And you were in love with the...

55:37

In time.

55:38

We liked the prettiest ones.

55:39

In decisive time, I liked the second-class judges, but I always liked the honey and cinnamon judges. You know?

55:50

And you were the opposite?

55:52

No, no, no.

55:53

How many no's did they send you back?

55:54

74.

55:55

Right. But then what happens is...

55:57

Ay, Rosita, do you love me or not?

55:59

Do you love me or not?

56:00

You were a car with a suro that you have. They always wanted me. When I was in my mother's, the teachers would say, I don't want you with Santoya, he's a disciplined guy, so you know that's what I like the most. They would say no for a week or two, but I don't know what happened, I was a killer in the subjects, but when I did the emulation check,

56:16

the day of the teacher, I did my chema, I was dancing and everyone was laughing. You were dancing in the back? Of course, I was dancing and everyone was laughing. I was dancing and everyone was laughing. I was dancing and everyone was laughing. I was dancing and everyone was laughing. I was dancing and everyone was laughing. I was dancing and everyone was laughing. I'm not gonna say that. I'm not gonna say that. I don't remember.

56:46

I don't remember.

56:48

I don't remember.

56:50

I don't remember. I don't remember. I don't remember. No falta. Decir, mami, sentir miedo mal. Ese era el problema, amigo, también. Yo no fui a la escuela, no, decirte yo me sentía mal, iba para la escuela.

57:05

Y en tu escuela vendían pizza? Nunca pasaban la gente con las cajas de pizza, como en la Javier?

57:11

Sí, no, pero eso, yo lo viví en la beca.

57:14

Bueno, para que recuerde, para que recuerde, foreign We are very lucky. They have a pizzeria in Topalengu. They have a pizzeria in Topalengu? In Topalengu.

57:45

In Topalengu.

57:46

In Topalengu. And they also have a restaurant in Jalila, which is the restaurant in Topalengu.

57:52

I've seen it.

57:53

They sell churrasco, picanha, spaghetti, lasagna.

57:57

Everything.

57:58

And a better coffee. I'm going to be in the 40s. I love it. You know that these episodes... They revive me. You're going to see that the stories are going to be broken. I'm sure. Tomorrow, Wednesday, people will come out with all the songs we're talking about here. There's something I already said, it's called the Bosca effect.

58:17

People start to remember and listen to the songs of the guests. We continue with the gifts from La Borla Jewelry. We have a gift for Yoki. Oh, wait. Here. That's a good one.

58:25

Another gift from La Borla. Open it up.

58:28

What is it?

58:29

Sir, I want to say something, but I don't want to be controversial.

58:33

Speak.

58:34

I want to say something, but I don't want to be controversial. Sir, take an example. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha preciosidades y para que esto que marina y dio a los aretes a veces o a 14 caballero

59:05

14 A ver que yo siempre ando dorado y blanqueado me va a entender caballero muchas gracias caballero muchas gracias me siento muy humilde muy honrado y entonces

59:21

explica nuevamente ese servicio por favor

59:23

mira, quizás esto no me lo expongo ahora por la sencilla razón de que como tiene el cierre muy chiquitito And so... Explain that service again, please. Look, maybe I'm not exposing myself now for the simple reason that, since the closure is very small, the big holes won't make it fail, you know? Let's try one.

59:33

But he liked it.

59:34

Well, what proves it, if you go to the physical stores, remember that you are entering the wordlagol.com, which is our website, you'll be seeing it in my story. And my locket? No, not the locket. And the locket, next week.

59:46

And my medal for Guadalupe.

59:47

And in Dallas, Texas, people in Dallas, Texas, that are looking for gold, in Dallas we also have the gold, the jewelry. Go over there and buy your clothes. No, they died, they stayed.

59:57

No, because I have to buy the back of Amazon. Oh, the same as me.

1:00:05

Because if not, I'm going to get a big one.

1:00:07

How much do I have left?

1:00:09

Pupis, Baizis. If you want to take a member of your family because you have a pet, it's like having a member of your family, a son, a cousin, whatever you want. You have to go through Pupis, Baizis. Remember that they have all the permissions in Florida to have a pet store. If you want to know more information,

1:00:28

you can still contact them. And remember that every month they give a puppy, a puppy, to a special child. So if you want to sign up for the program, contact them. And if you go from this POC to buy a pet,

1:00:42

you have $500 off. Do you have a puppy, a pet? the party I'm gonna go back to the other side. He did a great job with that. And you have 3 free baths at Popis by Sea. We're gonna give you the address so you can take it.

1:01:08

And remember that all the... Wait, something got lost here. And there's a little dog there. Remember that all the people who go to the Pocas, the followers have a 50$ discount. Again, again.

1:01:20

Remember that all the people who go to the Pocalabia, they have 150 dollars discount in the purchase of a dog. No, the 500 dollars discount was for the artists

1:01:28

that invited them.

1:01:30

Thank you for clarifying.

1:01:32

We continue with the guest. We continue here.

1:01:36

How was the moment of your fame? What was the first thing that you bought?

1:01:40

How did you get the fame? And how did you accept it?

1:01:44

I said... The same thing you asked. How did you get the fame and how did you accept it?

1:01:45

I said the same thing you just asked.

1:01:48

But I wanted to explain it better.

1:01:49

Listen to me, your son Noel.

1:01:50

Okay, Godmother.

1:01:51

When you start to get famous and make a lot of money, what is the first thing you buy?

1:01:57

The car.

1:01:59

She answers.

1:02:00

I bought the car about 8 months ago. That's fast. But the first thing I did was when I started making money, my mom and I had an agreement. There was a time when before I.O. was doing the transition as a junkie, a sister of my dad, who was in charge of the construction of the house,

1:02:21

got mad about something.

1:02:24

And she didn't want to build anymore.

1:02:25

And what happened is that we were doing everything from scratch, and what happens is that my house now has three and a half floors. And when we were doing the board, he got mad. Because I'm not going to make money with that construction, I'm not going to make money at that moment, but my dad was in charge of everything.

1:02:40

It's just that my mom, it seems like she gets mad at something, and one day...

1:02:45

She leaves the house.

1:02:46

She goes to the river, and when I left my house, she would sneak out and keep drowning inside. With the board? She would get wet, sometimes the bed, the equipment. And we went through that process where, in the bedroom, there was a person who helped me, his name is Mijain,

1:03:04

from Santo Suarez, everyone knows him. He's a bathroom and a conductor. So he never left me alone. My friends, my friends, they were few and they never left me alone. And what happened is that I said,

1:03:14

Mom, look, the only thing I want is for life to give me the opportunity to say, this is my path, it can be big. And fix the house. Through this, the first thing we're going to do is that all the money I sing, that money I put in your hands to build the house. He said, Daddy, no, now that you're living in a world where you have to be presentable, that most people who are going to see you have more possibilities than you,

1:03:40

and you have to be presentable. I said, no. When he was on the show, I told him, you always taught me that I have to love myself the way I am. Because since my dad passed away, you've taken, you've always been a mother and a father, but since my dad passed away, you've done twice as much.

1:03:54

So you don't lack anything.

1:03:56

So I don't lack anything. And really, if there's something real, I have a life, and that's you. When I started singing, I was not in the house. I started singing in the hangar, closed by capacity. Closed by capacity and they paid me $80. No, the one for the concert? Yes, closed by capacity, but even if they paid me a little,

1:04:15

I was happy because I felt that I was going to sing.

1:04:18

You were starting, you were starting.

1:04:20

I sing in the hangar, and when I sing, they give me the $80, Mirka took me, normal. I said, I'm going to go to the bathroom. I said, I'm going to go to the bathroom. I said, I'm going to go to the bathroom. I said, I'm going to go to the bathroom. I said, I'm going to go to the bathroom. I said, I'm going to go to the bathroom. I said, I'm going on the phone, and with the other five, I eat my chuchería,

1:05:05

my peanut butter, my soda, I do what I like. I convinced her, and that was the first $70. She started to get the pop, the gravitas, I was an expert in that. I kept singing, and boy, in two or three jobs,

1:05:22

we made some money. When I saw Alexander in Monarch, we did a song called Todo Bien, and he changed my life.

1:05:31

What was the name of the song?

1:05:33

Now you want to be with me, because I'm going to play with you.

1:05:36

Don't touch the ball!

1:05:38

He always gave me a lot of advice. Sometimes having talent is not the key to success. In this industry I've learned a lot, because now I'm going to give an answer to the previous one. And Alexander, you know, he finds out that they were paying me in that place that was closed for capacity. 80 pesos. And when he finds out that we released the song together there,

1:05:59

that we finished recording and left the house in June, to the hangar. He says, hey, you have to junio para el hangar. Y dice, oye, tú tienes que cantar lo de... en el hangar, ya. Y dice, ¿cómo está eso? No, me dieron otra cerrada boca vacía. Y dice, dale, dale, vamos juntos para allá.

1:06:09

¿Se enterpó contigo?

1:06:10

Sí, sí. Coño. Y vamos para allá, yo canté mis temas, y en un momento él me dice, because I grew up watching them. Everyone. And I sing, and when I go down to the stage, I have a stage with an artist who has put... You know, I introduce him with tremendous humility.

1:06:29

And when I introduced him in Alesandre, it was a shock of emotions because you never imagined Alesandre in El Hangar.

1:06:36

Because El Hangar was a place...

1:06:38

Next to the Bolleros' range. Yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, with anyone, but with Cata, I was like, that's like people started to trust my talent more, to see... Suregado was on the street, he was going to see me, Jonki, he had his shoe in the air, he had... Agustin de Merienda. And Agustin de Merienda was on the scene,

1:07:16

and when I released that, I was like... And that's for real, that's for real. ¿Y tú contó que estaba ganando 80 dólares? Correcto. No te puedo creer. Y él te dijo como que no podías cobrar. Ya, entonces cuando yo estaba afuera me decía, papi, dale, ya cobraste ya.

1:07:27

80 pavos.

1:07:28

Y yo le decía, no, no estoy esperando que ahora me hagan el dinero. Y se quedó así. Y yo no sé, alguien de los que andaba conmigo, so that the other one doesn't see. Alessandro, you're used to sitting with Dario. It's a multi-bail, man. With my normal money, I'm happier. I decided to be able to make 80 more, with two or three more jobs.

1:07:54

We killed the safe.

1:07:55

It's almost 500, I don't know.

1:07:57

And Alessandro says...

1:07:59

Ale leaves me at the door of my house. We're talking about the best but that same day, he said, you know that this guy is a friend of mine, right? Luisito de la Bucanero. Fuck yeah, brother. Give me the phone to call him. I made a call, he was out here, I couldn't contact him.

1:08:12

I said, I'll pick you up tomorrow. Because I can't understand how you are the most paid artist.

1:08:17

And you're giving 80 pesos.

1:08:19

You don't deserve anything, but I do. Ale and I have a very nice affinity. He met my mom. The other day, I thought he was going to pass out, and at 4.5 he calls me on the phone. I'm going to pick you up.

1:08:33

Good person, Alexander.

1:08:35

He picks me up, he had a nice apartment near the Tropical, he picks me up, and that's when he introduces me to the guy in front of me. me de frente, me presenta a las personas de Fiesta Havana, me presenta a Yuri. Entonces, ¿qué pasa? Cuando me ponen de frente, automáticamente yo tenía personas que interferían antes que yo hiciera los negocios, y dicen, no, no, no, no, no, no. Si alguien va a interferir por ti, tiene que ser tu mamá que se ha jodido contigo,

1:09:01

o alguien de tu confianza. Tú el que venga a from now on, has to adapt to the law you put in place. But I didn't have that mentality, because for me, even the little I could have, for me it was a lot.

1:09:11

Those 80 for you were a glory.

1:09:12

Because I'm a very grateful person. And Ale took the job of going with me to Beléztico to do all these things. He takes the number, este es el número. Y cuando las personas veían el número de Alexander, decían, Alexander, llamando. ¿Cómo la juega, hermano? ¿Cómo la dice? Te estoy llamando porque tengo a John, que dice, ¿John? ¿John? ¿Qué es eso? ¿Estás buscando su teléfono hace tiempo?

1:09:29

Dice, no, ahora mismo, metico, tú me das su número, y voy a coordinar con él, y voy a coordinar de precio, After that, in a month, I generated more than 20,000 dollars.

1:09:46

You went from 80 to 20,000 dollars?

1:09:50

Because I had a lot of work. People sometimes think that being stuck is just singing in Havana. I sang on Mondays.

1:09:59

You had a band?

1:10:01

Yes, the best band I had was Los Martes with Havana Show.

1:10:04

Where? In Galeano, with Mario, Alexander. ¿Tú tenías peña? Sí, la peña más dura que yo tuve fue los martes con Havana Show. ¿En dónde?

1:10:05

En Galeano, con estos Mario, Alexander. Entonces, en ese momento ya yo empecé a cantar los lunes en el Yone. No tenía la peña todavía.

1:10:15

¿Y tu mamá era tu manager entonces?

1:10:16

No, mi mamá siempre fue. I can't go because I have to be at home checking the merchandise. I have to be here next to this and they can steal it. It's a lie. Everyone wanted it. She told me, this is fake. I don't want to go with you. No, I can't go with you anywhere.

1:10:36

Hey, the other client is finally here.

1:10:39

She should be here. She's always late, don't worry.

1:11:01

Good morning, it's my turn to be a laser! Hi!

1:11:04

Don't worry, this is mine.

1:11:06

Okay.

1:11:08

Look at this little thing. What's your name?

1:11:12

Eduardo.

1:11:15

Leave the horse ready.

1:11:23

I used to sing that song on Monday night in Havana. Cecilia, Don Cangrejo, I used to sing that song at home. And then I'd pick you up on Saturday and Sunday. ♪♪ Sí, te esperaba. Lo que te decía ahorita, te esperaba. Se reinventaba. Claro. Era una locura, una locura, una locura. ¿Qué pasa? Ya con el paso del tiempo me convierte en junkie y me establezco. Lo primero que he dado es, ya cuatro o cinco meses, ya la casa mía estaba ya.

1:11:52

Ya estaba levantada, segunda planta.

1:11:55

Ya estaba hecha ya. I've always been one. With the passage of time, I became a junkie, I established myself, so... Here comes the car. No, that was a month later.

1:12:07

At 8 months.

1:12:08

What happens, I have a great virtue, I don't criticize anyone, but I've always been focused, I don't drink, I don't smoke, I don't have a vice, my vice was my music.

1:12:15

You've never had a strange vice?

1:12:17

No, music and fan. Oh! Oh! Oh! Oh! Oh! Oh! Oh! Oh! Oh! Oh!

1:12:25

Oh!

1:12:25

Oh!

1:12:26

Oh!

1:12:35

Oh! foreign foreign That's it! The one with the box is for you, Samar. I like to document myself. This one is yours, and the one with the other three colors is for her. So that the relationship can be revived. Because after the wedding, it has to be the 9000, I guess. For the 9000, we have to have given her that.

1:13:15

You see? She already got the 9000. She already has the gift for the 9000.

1:13:21

Come here, and you already took the wedding picture? I'm going to give you a present to give me honey. And well, go to the photo studio's Instagram because they are taking super cute photos and so you can see the dresses, the locations, everything they have. They are located here in the city of Miami, but there is also one in Houston, Texas.

1:13:54

Well, since they gave you that from the Nayongi store, who is hotter, you or your wife in bed?

1:14:00

Look at her, how she covers herself.

1:14:04

We are in the three phases of fire, in flames, in candles, in tequila. Oh! Oh, we are. We are. We are. We are. We are. We are.

1:14:25

We are.

1:14:25

We are.

1:14:26

We are. We are. No, mira, eso tiene su magia. El momento como fue. Te voy a explicar. Yo no estaba preparado. Es decir, en mi relación, mi esposa siempre lleva la rienda en el sentido de...

1:14:49

En la de él también.

1:14:50

De las iniciativas.

1:14:51

A mí también.

1:14:52

A mí también. A todas las mujeres de esta mesa llevamos en la relación.

1:14:55

Menos a la mía, porque yo soy el que mando, pero bueno. I'm going to explain how I feel. I think that our relationship is missing this, because it's nothing more and nothing less than the confirmation of our love.

1:15:08

It's like a fist, right?

1:15:09

Yes, the spiritual part. But, gentlemen, you feel such a beautiful magic when you make your first signature in the legal field, because after marriage you have to make your signature.

1:15:20

Well, Miguelito marries you.

1:15:21

That has a spiritual connection. You can be with your wife for 20 years, but if you don't, it's a small detail.

1:15:27

He doesn't want to go through this.

1:15:28

It's like he's forcing her to wear a dress. Oh, beautiful.

1:15:34

It's true.

1:15:35

It's a lack of respect.

1:15:36

And you get nervous when you're there.

1:15:37

It's a lack of consideration. Miguel is being selfish.

1:15:40

I think there's a lack of love. You're being selfish because all Laura is asking you to do is to say that thanks to her you got out of the low world where you lived in Cuba. Of prostitutes and alcohol. Thanks to her. Do you think it's fair that she's asking you to see her?

1:15:55

I didn't want to know how she felt, but I thought there was magic or something like that.

1:15:59

You've been around for the same time as I have.

1:16:03

Look, seriously, I'm going to tell you what we lived. It's a big stress. I know. But you get there so excited as if it were the first time. I'm telling you because I lived it. And you think he's not. He's a strong man and he wants to get on the plane, but he cries and everything. Even in the engagement photo.

1:16:26

They don't let you see us. I said, but where is Ale? Let me see Ale. No, you can't see him, you can't see him. This is like that, and they record you and everything, even the expressions on your face. And it's incredible, like, maybe your wife,

1:16:38

your girlfriend is used to seeing you, I'm like, okay, I'm going to put on a suit and go. I don't know what else is there. I've never seen him in a suit.

1:16:45

I dream of weddings of a cousin of yours.

1:16:46

Those people...

1:16:47

You put on a sweater underneath.

1:16:49

Look, the people who prepare to make your wedding...

1:16:52

Oh, I want to get married! Wait a minute!

1:16:55

They try to make you look so different. That it's something different to what you're used to. It's something that I can't stop crying. You can watch my videos. When my brother took me out, he squeezed me so hard, he said, Negra, you can't leave here. And my brother and I were both shaking. When I saw Alejandro, my tears...

1:17:15

Well, everyone was doing this to me.

1:17:16

Look how he made me cry. Oh, I want to live that experience.

1:17:21

Me too.

1:17:23

Changing the question.

1:17:26

I want to live it for the bachelor party.

1:17:28

There is no bachelor party.

1:17:30

Tell me about it. Imagine that I told him, we are going to have a bachelor party. We are going to our house, a daughter of us, the women, to have some drinks and you men go to the street. Girl, my sisters-in-law almost killed me.

1:17:42

Why? Because none one wanted me. And he told me, you're a stupid administrator, you're sending me to a stupid place. I'm going to Spain.

1:17:50

Why didn't you agree to that pact?

1:17:52

No, the day before I was studying IFA. I'm not studying. I'm a different person, my queen.

1:17:59

Yes, when religion takes you, you heal.

1:18:02

I tell you that... I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

1:18:05

I'm gonna go.

1:18:06

I'm gonna go. I'm gonna go.

1:18:17

I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go. I'm gonna go.

1:18:25

I'm gonna go.

1:18:26

I'm gonna go.

1:18:27

I'm gonna go.

1:18:37

I'm gonna go. How was your first time? The first time was Jhonny, how was it? The first time I went to Foyankele.

1:18:46

That's it, that's it.

1:18:50

I'm telling you, because you understand me, since I was a kid I discovered that feeling.

1:18:54

Wait, let's have a measure to see if anyone has done it before.

1:18:57

More or less, when I was 13 I was hot. From 13 to 15 I was doing the delicious.

1:19:04

He literally says the 18.

1:19:05

I was 18.

1:19:06

18, biting 19.

1:19:08

Apart from the dance, the fame.

1:19:10

But how was it?

1:19:12

If you're studying music, what are you studying?

1:19:14

Paperwork, what am I going to do? I've been inflating for 15 years. You know that the more you prepare, the less you shine. Everyone has the same problem. I'll explain why. When things are about the soul, the heart really tells you, get in there, son. When you come,

1:19:30

you just have to work with your right hand. Or with your left, that's what I like. You realize that with the commercial fragment,

1:19:36

you say, ah, you give me my right hand,

1:19:38

precocious.

1:19:40

That's the one.

1:19:41

You realize that love leads, feelings, it leads to passion, but it also leads to working with the code of the mind.

1:19:48

It's super difficult, it's difficult to control it.

1:19:50

But something happens to you that is called self-control. Which is what it costs you sometimes.

1:19:53

Do you understand?

1:19:54

And she doesn't have it.

1:19:55

Of course, remember that the body also takes it to the mind. So when you start to master this technique,

1:19:59

it's a whole beauty of life. It's all a beauty. Is it magical? Look, we inserted in the forest thanks to Chulo who was here, and now the Indio is just like you, you know? I think we are two more...

1:20:12

Yes, because Yonke is a person who speaks very slowly.

1:20:14

More chilled, more relaxed.

1:20:15

I feel the program the same way as Chulo.

1:20:17

We are listening to you.

1:20:18

There is a peace.

1:20:19

Yes, we are listening to you. I'm gonna get a meeting with a pass you are cultural. You can't attack a lot in general Okay, oh, yeah, I'm a little bit of a rock. Okay. See you in a moment You know what I'm gonna mess I'm gonna talk about fondo you better get a lot of fun. You know Don't agree to this way possible. You gotta stop

1:20:35

We'll be more and more extra

1:20:37

like

1:20:39

a

1:20:41

Minute

1:20:43

I'm gonna be a little bit of a total number. Okay, I'm gonna miss to mix it up. You already screwed up my thing. Miguelita is asking him what it is.

1:20:46

Have you ever touched the bottom?

1:20:48

Yes, I have.

1:20:50

And if you did, how did you get out? Touching the bottom, like...

1:20:54

Emotionally.

1:20:56

Depression, emotion.

1:20:58

In any situation, something that has made you think

1:21:00

that you can't do it anymore.

1:21:02

My mom, when I lost my mom.

1:21:04

I'm living like your mom, I imagine.

1:21:06

I lost my friend, my partner, everything. Of course.

1:21:12

You were very depressed at that time.

1:21:14

In fact, my mom passed away recently, about a year ago.

1:21:19

That's recent.

1:21:20

As a result of that, my wife's thyroid was decompressed and she had a thyroid attack. Yeah My mother do not go Sam in La Vida a cosa que dependen de a cosa de la vida que son de De lo lógico de las personas que viven nosotros los seres humanos nunca estamos preparados para decirle a dios a hacer que amamos ni para renunciar

1:21:44

a tenerlo a un amor to thank God for being loved. Yes, that's true. Or to give up...

1:21:45

To have it.

1:21:46

To a love, whether it's maternal, spiritual, social, to a partner you like. Sometimes you're not prepared. Even the pet, anything. But what happens is that

1:21:56

life is nothing more and nothing less than a lesson that you have to learn in the short term. Because sometimes when you think you've already turned your life around, you run out of time. In my time of depression, my wife helped me a lot. Maybe if I hadn't had Anita in my life,

1:22:10

I wouldn't be with you right now.

1:22:13

You wouldn't have the peace you have now.

1:22:15

You know what I'm saying?

1:22:16

You lost all your money, right?

1:22:18

Everything, everything, everything. I don't know what's going on, thanks to my wife, who sometimes makes beer, she's my mom, thanks to redundancy. When you have a complement in life, you have to take care of it. You come to put into practice who you are. When the human being has consciousness, he cannot live. Do you understand? You have a conscience, you cannot live.

1:22:43

When you have a soul that, even if it suffers and hurts, you know that in the course of life, you fulfilled as a son, you lived well. Within that great pain, you have something to tell yourself. In the darkness, see the light.

1:22:57

It's true.

1:22:58

That happens, whether in loss or happiness, that happens in life. The conscience is the most comfortable thing for a human being. Ya sea en la perdida o en la infamia, eso pasa en la vida. La conciencia es la moda más cómoda del ser humano.

1:23:07

Y lo que, ahora todavía es dolor porque lo tienes muy reciente, después van a ser, todos van a ser recuerdos bonitos. Porque a mí me pasó, yo pasé el primer año cuando yo perdí a mi abuelo, recordarlo era muy triste, pero ahora yo lo recuerdo. Con alegría y es así. No, y tuviste la bendición que tu mamá te vio triunfar,

1:23:26

te vio ser, dejar de ser.

1:23:28

Fue parte de tu proceso.

1:23:29

Tu mamá conoció a Yonky, Alejandro, conoció a todas las facetas de tu vida. Y eso fue algo muy bonito también porque ella pudo descubrirte.

1:23:37

Hasta yo soy religioso, yo me hice ifá. I would like to consult with you. No, because you transmit a great passion. So what happens? I am a reflection of my mother's creation. I tell you something. Today I am famous thanks to Jhonky. But the famous one was always my mother. To anyone you asked, you would say, Oh, it's you, it's you. Ah, the son of Santa.

1:24:00

Ah, wait, look here in Malecón, Singapura, the famous, the great.

1:24:03

Did you meet your mother? Ah, wait, look, here in Malagón, Singapura, the famous, the big one. You met her in Malagón, Singapura?

1:24:05

Yes, in Santo Suárez. October 10th.

1:24:07

Ah, Juli!

1:24:08

From your area!

1:24:10

October 10th.

1:24:11

In the sidewalk of Vento and Camagüey.

1:24:13

Ah, fuck, with my dad from Ciudad Portiva. Yes, yes, we are in the area. I'm gonna put a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a little bit of a I had a proverb that says that God will never put a burden on your shoulders.

1:24:46

Because you can't hold it.

1:24:48

And what worried my mom the most was the disease.

1:24:51

That you were alone.

1:24:52

I told Anita how my son felt.

1:24:54

She was worried about you.

1:24:56

Yes, because my mom, with what my mom had, they gave me 2% of my life.

1:25:01

In fact, our wedding was going to be on the 12th of October. They postponed it.

1:25:05

Yes.

1:25:06

From...

1:25:06

From...

1:25:07

From the 23rd.

1:25:08

From the 23rd. Two years ago, from the 23rd. And the doctor told me, don't get married, don't go to the wedding, or don't go to the funeral.

1:25:14

This was in August, this conversation was in August. From the 20th to the 23rd. I've never felt fear in my life. Like they told you in this training, right? Yes, my brother. And thanks to Anita, who was the one who dealt with the truths, who didn't deal with them. And when I found out, in one of the processes,

1:25:34

my mother had to take a liquid, a contracted plaque. The doctor told her, look, my mother is very charismatic, take the liquid, and go to this one. She says, doctor, yes, I'm going to take this. He said, Doctor, yes, I took it. He went outside and started to cry. He said, that woman, the liquid doesn't go down her stomach.

1:25:48

No water or food.

1:25:50

Because my mom had a lesion in her lung. And the lung affects the esophagus. When a lesion is formed in the esophagus, it inflames. So I said, wow. I was with my brother, I'm gonna say. in practice, que yo confío en ti. Ya, sale mi mamá, le doy un beso, un abrazo, tú sabes.

1:26:25

Y nos ponemos a conversar y si mi mamá ve lo que tú me días, que tenga que hacerme, me lo voy a hacer. Pero quiero que me lo hagas tú.

1:26:32

Religiosamente, o sea.

1:26:32

Sí. Empezamos a hacer todas las cosas religiosas, you are trained. And thanks to my religion, my mom and I had a life of almost two years. You know?

1:26:48

After they gave you a certain...

1:26:49

Sure, after they gave me a life. And Pablo would tell me, and Castillo would tell me, son, we haven't lost the war yet.

1:26:57

This didn't end until it ended.

1:26:58

This didn't end until it ended. So at one point, we were lying down in the morning making the medicine, So, there was a moment when we were sleeping, and he was making medicine for my mom. And I said, Mom, tomorrow I'm going to send you with your dad, Anita, and my son-in-law, a powder that you have to take. Because at that time we had to go through,

1:27:13

because my mom had a gastric injection, you know, Mom? To feed her.

1:27:18

Ah, to feed her.

1:27:19

Because she didn't have enough food, bro. So, I'm not a fanatic. I'm religious. I'm a proof that my religion exists. We started to send her all the medicines. In powder, but they had to pour it with water. Scientifically, with what my mom had, she could never eat from her mouth. Scientifically.

1:27:46

You didn't study in Manera?

1:27:47

No. The doctor said, so she can feel something, she can drink a juice here, but in the end she's going to vomit it because there's no way she can get down. The doctor was telling those stone truths.

1:27:56

I left the radio and said, I'm going to the university to... I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling you, I'm telling manera que los maestros, en octubre, empezó a... Comiendo ya por la boca.

1:28:29

Comía.

1:28:30

Ya, ya, mira, en diciembre, en diciembre mi mamá me decía, que hola papi, con el carisma de siempre, me decía, que hola. Yo hice rechazo al teléfono porque yo no podía tener el teléfono en la mano, porque te mola una mano a otra. I couldn't have my phone in my hand because of the tremor. My mom was so angry with Anita. I felt like I was always on my phone, and she didn't want to bother me. Because of that fear. She told me, go talk to your mom.

1:28:55

She was the one who communicated with you.

1:28:57

She told me, go talk to your mom. I said, no, I'm here in the studio.

1:29:04

She said, put the camera on.

1:29:05

What's going on? Look at me, look at me, look at me.

1:29:07

We had a chemo.

1:29:08

We had a day before. And he took off his diaper. We didn't know he was already there. Because he was going through the chemo. And he was going here and there, yo me voy, yo me voy. Y hizo así, se quitó el pañuelo y ya no tenía pelo.

1:29:26

¿Cuándo la viste?

1:29:27

¿Qué impresión te dio eso de Alejandro?

1:29:29

No, ya, depende.

1:29:31

Y ella le dijo, pero yo estoy linda así,

1:29:33

mandame una peluca.

1:29:34

Y yo le empecé a mandar peluca. Pero sabes que te transmitía... I'm gonna be a I'm gonna be a I'm gonna be a

1:29:46

I'm gonna be a I'm gonna be a I'm gonna be a

1:30:04

I'm gonna be a I'm gonna be a Yes Obama, una semana que la hemos pasado Una locura de la verdad el hotel es una belleza me encantó las acciones La tensión es divina Todo el mundo nos trata muy bien el hotel está super bueno y la habitación es la mejor en todo el hotel habitación gracias a yes travel por este regalo gracias a Lily

1:30:26

y la habitación I am so happy to be here with you. Thank you Yes Trave for giving us this gift. Thank you Lily. And the room in my life. I have never seen a room like this.

1:30:28

Imagine that.

1:30:30

You know that if you want to spend a vacation. Imagine that the best room is in the Mila. I felt like a millionaire and important.

1:30:38

If you want to spend a vacation in your dreams. And you can bring your family from Cuba.

1:30:42

You have to do it with Yes Trave's people. I If you want your vacation to be real, do it with Yes Trave. The best vacation is the one with the girl. I was going to eat with her.

1:31:07

And you didn't show up.

1:31:10

We were friends.

1:31:12

I was going to eat, not to go to the cranes.

1:31:14

She was going to the gym. To the gym? Yes. Everyone was like, how are you in the gym? When she died, people took it as a surprise. Everyone was rethinking everything. 10 days before, they saw her in the gym.

1:31:26

Yes. She had to send her gloves and everything. With these songs that you are dancing now,

1:31:32

my mom listened to them.

1:31:34

Yes, she approved them.

1:31:36

My mom was inside, you know, her death, because the only time my mom couldn't receive me at the airport was the last time I went. Because she was sick. I was sick. I was sick from everything that happened a year ago. I went to Cuba. My mom didn't want us to go to Cuba.

1:31:50

She didn't want us to go to Cuba. She didn't want us to go to Cuba. I was diagnosed. She asked my mom, Anita. She came with a medical certificate. She asked my mom.

1:32:02

She came with a CUTAN certificate. I don't understand that. and I go to my mom and she comes with the Lord of a Cotan church. I don't understand that. In Afro-Cuban practice, when you see a Cotan church, you're like, well, the great burial of the family is born, and you have to feed the earth because a big head of the family can be its fall.

1:32:18

And she doesn't have it.

1:32:20

Imagine that you have to be fair enough with yourself or with yours. That's when you really prove that you were real. I'm not going to Cuba, because Anita is doing well, and I said, we're in Cuba. I receive a traditional power.

1:32:47

And I see her returning it again. I say, you're doing everything, and you're returning the food? Girl, no, that's the idea you make yourself.

1:32:55

So as not to worry them, of course.

1:32:56

Well, to tell you the story with the same charisma... Yes, you never saw her down. And when I saw her crying, I said, Mom, what's wrong with you? And she said, Daddy, this is the same lung disease that you have. I said, come on, what's wrong? And the doctors said,

1:33:16

because she has a normal person, she can't stand that. And that woman doesn't complain. The doctors. We went through a very difficult stage. But I was prepared. Because the traditional part of Teotihuacan is the city of the dungeon. The sky is waiting for an angel to come back.

1:33:32

And it says, there are reasons to celebrate. Celebrate that whoever is going to leave the earth is a great person. So, among all this, we are doing the religious things. Bueno, si me conocimos la misa el espíritu que vino dijo que contó hasta el número 7 y a los 7 días mi mamá falleció

1:33:47

¿Contó hasta el número 7?

1:33:49

Si, yo creo en esta religión porque yo soy una prueba de eso

1:33:53

Si, claro, tuviste prueba

1:33:55

Pero, a partir de ahora es triste pero me siento bien Porque número uno, yo hice, nosotros hicimos sacrificios en la tierra para que mi mamá no sufriera

1:34:04

Si because we made sacrifices on earth so that my mom wouldn't suffer. Yes.

1:34:05

One of the reasons we did that was because if my mom had to leave, she would have a worthy death, like she deserved. But if I saw my mom consumed, I couldn't stand that.

1:34:18

And she didn't suffer because the doctor told you she didn't complain about anything?

1:34:22

Strong, strong. And until the last moment momento con Karima, no que de momento, mi mamá siempre, ¿cómo es? ¿Quién? No, gente mandando y mi mamá ya se fue, suave, suave, suave. Yo iba a caminar a mi paso normal y mi mamá...

1:34:35

No me pidieron carajo. No, el control de la familia. I did the song with Misha and she was very happy. And I can tell you, I'm a...

1:34:45

She only asked me, how do you see my son? How do you see him? And I told her, we're fine. And she told me, I'm going to get out of this. I said, of course, we're going to get out of this. She always knew because...

1:34:59

My mom is an expert.

1:35:00

The same day she was going to die, El mismo día que ella iba a fallecer, ella dijo que no quería que nosotros fuéramos a verla. Es por eso que tú como que dejas de cantar un tiempo,

1:35:09

te recoge, haces como un parón en tu vida.

1:35:11

Fue todo el tiempo que yo estaba moviendo.

1:35:13

Es en el tiempo que tu mamá está enferma. Claro, pero hay mucha gente que no lo sabía. No, primero dice que dejaste la música por el IFA. music for Ifa. And then came your mom's illness, which means that a wave came,

1:35:25

a wave that you left everything. I left music and I go back to my career, because Ifa tells me, guess what, I should go back to my old profession, where I was born to be a king. And that's where I meet Jose in Punta Cana,

1:35:38

with the tiger.

1:35:39

With Jose Sauey.

1:35:40

The other day. How does Sauey come out? ¿Cómo sale Zawai? No, Zawai hacía cinco meses en la casa. Pero cuando Dios me da adivinación que Ifá me dice esto, a los dos días estamos en Punta Cana. ¿De verdad? Y nos encontramos a los días.

1:35:52

No, nosotros vimos a José primero. Y después tú te encuentras a José aquí, y José te dice allá, vamos a hacer música. Y tú no lo molestaste. Y después cuando él vino para que te digo, when he came to me, I said, bro, you're my friend, you don't want to make music with me, what's wrong with you? You're the only artist who doesn't want to make music with me, let's go to the studio.

1:36:07

Listen, this week it can't happen to you. So, as I was saying, you see how he gets mad, as I was saying, I'm telling you that you have to... And I'm putting you, you songs, and they're like, wow, those songs are great.

1:36:25

He was a guy who used to say this.

1:36:27

When I see Jose, Jose, the song, he says, those songs are great, let's record it. And I say, no, your song is this. When I play it, he says, oh, no, what?

1:36:35

You're saying this is something else?

1:36:37

How did you get to that? He said, let's listen to the song. He changed the phrase because at first he said, she doesn't like reggaeton. She doesn't like reggaeton. She doesn't like reggaeton. When she dances.

1:36:52

When she listens to reggaeton.

1:36:54

He explains to me.

1:36:56

He said, she doesn't like reggaeton. Which is what the song says.

1:37:00

When she listens to reggaeton.

1:37:02

When she listens to reggaeton. We fixed that. No, when you listen to Red Bull. When I listened to Red Bull, we talked about it and he said, Santoya, you're so great. So, the phrase, the best in the world, he said, the best in the world, that came out in his grandfather.

1:37:14

That phrase is mine. He took all the phrases, because his mother said, they're all mine, they're mine.

1:37:20

Because he said, the best in the world, and he was like, wow! They picked up your tone. He picked up the phrase, and God gave it to him in the Loria, we were friends, and he said, you picked up that from the Junkie, and he said, Javier, the Junkie is my friend,

1:37:34

so you're crazy.

1:37:35

He did it like that, he did it like that.

1:37:37

He's a true friend. I'm a good man, my friend, I speak for that order. I used to say, Santoya, what are you going to do? He told me a phrase, he told me, my Tarima, always do your Tarima, the world has to know all this you have.

1:37:53

Well, we have a video, don't you remember? In Flamingo, you singing that thing, and Flaca and I going up, dancing and all that.

1:38:01

So, José had a...

1:38:03

At 4 months of old, Jose died. Of that song?

1:38:10

Of his mother dying. My mom was a singer, Jose. Imagine that on one of the birthdays when we went to see my mom, she was sick, but she wouldn't let us take her to the doctor. I had never been to a doctor.

1:38:22

My mom's song was... I have a big body. That was my mom's song. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.

1:38:27

I don't know.

1:38:36

I don't know. We started singing to him because it was his favorite song. When he came to me, he said,

1:38:46

you have to go to your old profession. Now we're going to sacrifice for you. When the song of that dude came out, I remember José told me, I don't know if this is going to work, but I do know that this is going to change the game.

1:38:58

And besides, you and I are two towers. You created fashion, you implemented the same style as me. Ah, of course! But apart from that, we've been friends for 10 and a half years and we've never done anything.

1:39:08

Yes, it's true.

1:39:09

And it's the Junkie. You've never done anything. He tells me, it's the Junkie. And he's there, like this. And Jose, and he gave me a kiss.

1:39:15

Something good had to come out of there.

1:39:17

It comes out. Bang! I was like, what's going on? I knew what was happening with the junkie, that the street was upside down, but I didn't care.

1:39:28

Because after that thing blew up, my friends got sick of your mom.

1:39:33

Your mom started to go back and forth.

1:39:35

And the fight with my mom. And it was when we started to discover her that I started to notice because I realized everything about her quickly.

1:39:43

Because there was a lot of communication. You had a lot of connection with her, right? We were very similar in character.

1:39:48

You have to communicate with the public, make a direct one, say, I can't say, but thankfully I grew up with social media,

1:39:56

and the world has changed.

1:39:58

Yes, it's true.

1:40:00

And understanding it.

1:40:02

It's not a social media thing,

1:40:04

to be making videos, photos, nothing. People tell me, you're a delivery girl, Jhonki is not.

1:40:07

But you're known on TikTok, you're the super freak. You're the super freak.

1:40:12

Jhonki.

1:40:13

Yes, but I see that people... Yes, girl, and he doesn't do anything, and I think people are down.

1:40:18

Why didn't you ever make a duo?

1:40:21

Before, with Sarandime as Jhonki, I... It was you! Yes, of course, I want to send a greeting to Ian Acere, who everyone knows as El Paisa and El Verdugo. We were in that time, we were black, we sang like Arcangel, like El Aeto, Yuma.

1:40:37

El Paisa Acere, I love him a lot, also with Onain, who today sings lyrical songs, has an excellent voice. And I trained, you know, the little guys I trained, but established like that, with Paisa. We called ourselves street talent or neighborhood talent, something like that.

1:40:53

Like in the movie, the bosses of Puerto Rico.

1:40:55

Yes, the bosses, they were clear.

1:40:57

Yes, and with Onay, but... But since you hit it alone, you might have said, well... de no me gaste solo tal vez de gente bueno si también era deportista era un lugar ayudó a mostro parte muy disciplinar usar que los deportistas tienen disciplina y ya yo también con lo mío de mi religión y esto y me canica pues paso el tiempo nosotros tomamos camino diferente siempre nos hemos amado y nos hemos querido y yo si de mi mecánica mi locura y es cuando

1:41:23

pasa esto de a que me hago junkie ya seguiste la misma inercia tú sí sí sí We've loved each other. I'm in my mechanics, in my madness. And that's when this happens, since I got the Yonkee.

1:41:25

You've been in the same inertia since then.

1:41:27

Yes, yes. But if a duo, if something nice, I would like to sing again. I mean, to collaborate with Paisa. They're in Cuba. They're in Cuba.

1:41:44

Do you have another Riablo Mayonque, Ernesto? I have a box here. with the paisa and with the clibon. They're in Cuba. They're in Cuba.

1:41:46

I have a box here.

1:41:48

This is for your motivation.

1:41:50

No, first of all.

1:41:52

First of all, I want to

1:41:54

thank the Cuban Chucheria that those people have a...

1:41:58

They sent you one.

1:42:00

I come with a calm voice. I'm going to make it louder.

1:42:04

I'm going to take the voice, I'm the one who's going to do the voiceover. Wait, wait, wait, let me take the character.

1:42:06

I want to thank the Chuchería Juana for bringing a box of chuchería to my house the other day,

1:42:13

after I asked her to.

1:42:15

Put another adjective to the box so that it's more toned.

1:42:19

A box, ma'am, that this... If you didn't want to see the box box of snacks, I'll give it to you. But you have to order your box of snacks. And the next day, it's at the door of your house. Of course, if you're from here, from Miami.

1:42:34

Check it out. Remember that you can make a box, you put it in the cart, and you order whatever you want, and it gets to your door. I'm gonna get a little bit of a little bit of a little bit of a

1:42:46

little bit of a

1:42:48

little bit of a

1:42:50

little bit of a

1:43:04

little bit of a little bit of a African American. But that has nothing to do with it. I want to send a message to all the people from my scholarship, the people of the Republic of Adelaide. You know that in 2005, 2008, we were in the Republic of Adelaide.

1:43:14

What was that?

1:43:16

A badge.

1:43:17

The scholarship.

1:43:18

We bought this badge in the Gran Vía. Well, Cabrero, it was from the time we had a badge. Well, Cabero, who was one of our old friends, who had a gaseniga, Cabero,

1:43:25

well, revive it!

1:43:26

Revive it with Cuban chuchería!

1:43:28

This was the equivalent of a phone at that time.

1:43:30

This was an iPhone! An iPhone.

1:43:32

And that, well,

1:43:34

you know, if you don't go to the... She's going to open it! I think I'm the first guest of this... Come, come, come. If you don't come to the Cuban Chucheria, you can find that gaseniga in Fresco, Imagen, Sedano, Navarro, wherever.

1:43:50

Hey, let me send a greeting to my director, my Vinterna Manolo.

1:43:54

Come on, director, if you live here, buy a gaseniga at Chucheria Cubana.

1:43:57

I want to send a greeting to my director, my Tiga, to Nelsy, to Vintana Manolo, to all my friends from Vegas. I can't say everything because you know who they are.

1:44:07

He has a memory, remember?

1:44:08

But I also want to send a greeting.

1:44:10

Such an educated person. I'm going to find an educated man. And he has a owner.

1:44:16

To respect him because the woman is there.

1:44:18

He has an owner.

1:44:19

And he got married.

1:44:20

And married. I'm gonna miss you. I'm gonna miss you. I'm gonna miss you. I'm gonna miss you. I'm gonna miss you. I'm gonna miss you.

1:44:44

I'm gonna miss you. Ay. De lo rico. Y bueno, quería recordarte que si tú quieres hacerte un diseño de sonrisa de porcelana, te lo hagas en Renascent Dental Clinic, donde te van a descontar $4,000 de descuento en tu diseño de sonrisa. Y si eres de otro estado, la doctora Elena te va a pagar

1:45:00

el pasaje de ida y vuelta. I'm And that day you're going to do it, you want to meet us, tell the doctor that you're going to go for the POSCA promotion and we're going there. Be careful, because every time I go to Renancer, there are 3 or 4 people there. So we're going to have to go a lot. There are always people there. And if you want, the dental aligners or the brackets will have a discount for us too. I'm gonna tell you. I'm gonna tell you. I'm gonna tell you. I'm gonna tell you.

1:45:47

I'm gonna tell you. I'm gonna tell you.

1:46:03

I'm gonna tell you. I'm gonna tell you. I'm gonna tell you. You're a guy that I think is so smart, so focused on life. Let him hang out with the guy.

1:46:05

I have an advice for my little guy.

1:46:09

Let him hang out with him.

1:46:10

Alright.

1:46:11

I feel at home here. I'm going to give you a tip. You guys work with the public. And we, as a FOMO, have to work with the public. It's very important. When a person, in an exchange of words,

1:46:24

feelings and emotions, dialogues without pressure and with freedom, that content will always be magical. That's something good you have because, unlike other programs, you are an example of what it is to come from scratch and achieve everything with effort, without hurting anyone. That's the example that many should take from their program. Another thing, you connect with the public in a magical way.

1:46:57

I'm going to explain why, because you're not doing something from scratch here. You got here because of what you were doing in Cuba. That is, you came with your magic. What did you do? I'm going to give you the following advice. There's not much to give you because the best advice I can give you is to always take care of this beautiful family you have.

1:47:17

We're in that.

1:47:18

Don't let him talk. We're like your plate at the beginning.

1:47:22

But we're throwing the plaque at the beginning. Imagine, what's the point? But we're throwing concerts. For a beautiful gala that they give us and they throw it in the trash.

1:47:27

He threw it in the trash.

1:47:29

You're still here, you're perfect.

1:47:31

You are a very beautiful family, really. Because, wait, in this part I'm part, I'm an artist, but I'm part of the public and that's what people outside always perceive, understand? that always take care of that. And you know that the career has its ups and downs, but when I learned something in marketing, which is like when something works, it works. The way you look at it, when something works, it works. When you take an element from a piece,

1:47:57

it never works. We have also seen that with duos from our country, with artists.

1:48:02

What works, don't change it.

1:48:04

To close so much, it artists. What works, don't change it. I'm going to say something that maybe to close so much, it doesn't sound sad, but I'm crazy, I'm crazy. Sometimes I look at it, sometimes I don't know, but I look at it from the outside. From the back, Jafa. Sometimes I look at it from the outside and I say,

1:48:14

fuck, I know that at some point it will happen, but I would like to take some physical changes. I hope it lasts a little longer. I sit at home because young people, it's another kind of concert. You come here, you sit here freely, you give them the opportunity, you give them the opportunity to do what they want to do. I'm going to do a little bit of everything. I'm going to do a little bit of everything.

1:48:40

I'm going to do a little bit of everything. I'm going to do a little bit of everything. I feel at home because you are young. Thank you. It's a different kind of concert. You feel free here, you give the artist the possibility to flow.

1:48:52

You are yourself, without fear.

1:48:54

Of course, that's very nice, gentlemen. So, gentlemen, the people watching this program, you have to understand that there are things that are different. There are things that hurt life, but there are things that hurt the mind.

1:49:06

Do you understand?

1:49:08

But he's so decent!

1:49:10

As a viewer, what I like the most,

1:49:14

in this case as a host and an artist,

1:49:16

and manager, is that there is no pressure in this podcast.

1:49:20

Of any kind. Applause for the no pressure!

1:49:24

No, seriously, the. No, en serio. El artista no se siente presionado a usted, lo hacen parte del panel.

1:49:29

Claro. Es la idea.

1:49:31

Es la idea de que todos fluyamos juntos. Mira, yo tenía una pregunta ahorita que me surgió mucha curiosidad de la boda, lo que pasa que después empezamos a divagar.

1:49:40

Perfecto.

1:49:41

¿Por qué se casaron de verde? I'm going to give a guy. Perfect. Why did you get married in green? I was just talking about that.

1:49:45

Do the hard part.

1:49:46

Do it, my queen.

1:49:47

Do it, so you can express yourself faster.

1:49:49

I'm going to grab his finger.

1:49:50

No, no, no.

1:49:51

Go down.

1:49:53

Shut up.

1:49:54

You're done.

1:49:54

This man is talking with a pause. I'm having a mental transection. I'm not adapted. Transition, transition. Transition. Transition. Transition.

1:50:05

Transition.

1:50:06

Transition.

1:50:07

Transition.

1:50:24

Transition. Transition. Yo en el año 2019, 2020, le pedí matrimonio a él.

1:50:30

¿Tú a él?

1:50:31

Yes, ma'am.

1:50:32

¿Tú a él?

1:50:33

¿Pero bueno qué cosas son esas?

1:50:34

¡Toma ejemplo!

1:50:35

Te la pido hoy.

1:50:36

Uno, dos, pero ¿qué te lo pido?

1:50:37

Le pedí matrimonio en un tambor de Ifá, porque nosotros los dos somos religiosos, y él ahí aceptó. because we both are religious, and he accepted. And that's why we chose the green and gold and the sunflower flowers. The sunflower flower, which is the flower that I like the most, but it also represents us religiously, although all the flowers don't represent us.

1:50:57

But I went with the idea of green, because it's also my favorite color.

1:51:01

Who were you?

1:51:03

Even though my guardian angel is... has nine colors. Green is the one I like the most. And the other thing is... because green is hope. And here I'm going to answer

1:51:16

to many people because I felt like it. I put the stop down because I wanted to. The stop down because I felt like being a 15 year old. Because I'm the super freaky. I'm a super freaky. I'm a super freaky. I'm a super freaky. I'm a super freaky. I'm a super freaky.

1:51:26

I'm a super freaky.

1:51:27

I'm a super freaky. I'm a super freaky. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Marca, Marca. Cuba. I'm gonna be a

1:52:29

Embarrassed Gracias foreign foreign They'll accept a movie and Grasso persevere a yeah, I

1:53:08

think

1:53:11

I'm

1:53:14

Me I mean I mean you know that I mean We saw you the vodka

1:53:26

No, come on, come on I'm gonna make a video of a mouth episode. De La Vida! Thank you for watching us every Tuesday. Thank you for watching us every Tuesday. And don't miss a new episode of... It's moving. De La Vida! Thank you for following Jaker, Laura,

1:53:38

I think I'm the one who's missing. I'm bleeding.

1:53:42

To the skinny, Miguel and David, To the skinny, Miguel and David, to me, to my beautiful children who are coming, to Juliet, I'm Meaning

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