Transcribe all your audio with Cockatoo

Blazing fast. Incredibly accurate. Try it free.

Start Transcribing Free

No credit card required

BESO INESPERADO ENTRE VICTORIA RUFFO Y MARIBEL GUARDIA 😱

BESO INESPERADO ENTRE VICTORIA RUFFO Y MARIBEL GUARDIA 😱

Mixologando

13 views
Watch
0:00

I am gonna talk famoso Yeah, I stuffed unto the semi padrasti. What's Eduardo? Hey, don't tell me stay tank alien Tito me parecer canote agarras porque no te alcanzas You're gonna be my way. No, yes, I'm a dijo You know sir, porque yo no hubiera hecho nada en esta carrera pero a mí me dijo que no sabía como yo me pagaban por cantar y la ver la boca de la pone

0:21

encima de la tuya sin compartir saliva nada the and not happy with all the atrocities that the last show released, now she also brought her friend Maribel Guardia. May God hold us confessed and may the raw hold us not very strong.

0:50

Yes, a little more, right?

0:54

A lot.

0:55

What's up, girls? How are you?

0:58

Hey, this is the good news, very nice.

1:01

Don't say I accused him. It's our secret! What were you guys talking about? I told your mom,

1:10

What did you tell her? That you make me drink,

1:14

that you make me arrive early

1:16

Didn't you give me a shot to start?

1:18

I was going to ask you I get nervous In all the shows I've prepared shots but mixed but I think today, since your mom came Exacto. Hoy no te... En todos los programas le he preparado shots, pero mezclados. Pero yo creo que hoy como vino tu mamá...

1:27

Sí, viene directo.

1:28

Sí, sí, sí, viene directo porque...

1:30

¿Cómo le compraste el chavita?

1:31

Es que la producción me dio para este.

1:33

Está bien, hombre, está bien, está bueno. Bueno, Maribel, tú diste tres palabras. Maribel, Maribel. Maribel, Maribel. Maribel said three words. Love, empathy, and struggle.

1:49

Right?

1:51

And yes or no?

1:52

Yes.

1:53

Yes, yes, yes. So what did you make us drink?

1:56

Before you drink with them, I want them to have a shot with me.

1:59

Did you say your three words too?

2:01

There are three words.

2:04

Did you say them or not? Simply. three palabras son tres palabras son de las de gisto no les dije simplemente mis angustias las dijo no las dijo como me gustas porque las dos somos cantantes profesionales No, no. He's like, mamá! And you say, well, he'll be here in a little while, right? Kiss his mom.

2:45

Oh, no, he'll stay with me the whole time.

2:47

No, I... And ask for drinks and a bill.

2:50

Fortunately, he pays in the end.

2:52

No, no, let's see.

2:53

It's a good part.

2:54

I always tell him, because he says, let's eat. Who is it? No, I tell her, I feel like a makeup artist, or I feel like a friend, because I comb my hair, because I'm a pure lady.

3:06

Yes, but you feel good that you're here.

3:08

Oh, well, yes.

3:09

She comes and she's playing with all the girls. Of course, because my friends are also very funny. More than yours.

3:17

I don't know them.

3:18

They're very boring. But my friends drink, sing, they're drunkards, But my friends drink, sing, are chalacheras. So where can this drink get boring? Well, the last time we were with Aracely Aranjula,

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
3:35

and Güero Castro, and you appeared there.

3:38

I'm feeling like Sarita. And there you arrived. And you had to arrive. And that I'm coming back, my friend. And you're back.

3:48

And Sarita is here.

3:50

Cheers!

3:52

It's cucumber pulp with lemon juice. So you're going to love it. It's fresh, natural. It's natural.

4:00

Yours is a little watery,

4:02

the kind you like.

4:04

Good.

4:07

Oh, wow. It's good.

4:08

But a little strong, right?

4:10

It tastes more like cucumber. No, it tastes more like tequila to me. Everyone has what they need.

4:18

But apart from that, Mari, you get sent to the tachupas, remember?

4:21

To me? What?

4:24

What an idiot. You know that one time we went to eat? to I'm going to give Maribel a drink. I said, yes, yes, ask her. I'll drink it myself.

4:46

Ask her to invite me to a drink.

4:48

Ask her to drink the most expensive one.

4:50

Ask her to drink the most expensive one.

4:54

The most expensive one. Ask her to drink the most expensive one.

4:58

And three.

5:00

As if it was a joke.

5:02

I just wanted to invite Maribel.

5:04

You too, Victoria. I'm gonna miss you. I just wanted to invite Maribel. And Victoria, don't be like that.

5:06

It's true.

5:08

The worst thing is that we didn't drink that time.

5:10

Yes, it was very expensive. But the gentlemen were going to tell us, well, do you want to come to the table?

5:16

And that's it.

5:18

No, no, no, no. Thanks for the drink, but no, no, no. Well, it was a good opportunity. Whenever we go to a restaurant, Victoria always tells me,

5:28

I have a divine restaurant,

5:30

you will love it.

5:32

And I say, when did Victoria meet him? Jose Eduardo recommended it to me. And I say, ah, Jose Eduardo, the restaurant must be good. And we arrived, right? And then they tell us, do you want something from Mr. Jose Eduardo's cava? He has cava's in all the restaurants in Mexico.

5:47

When I go there, I want a bottle of champagne, a bottle of cognac, a bottle of I don't know what. No, not from the cava of the Lord, because neither, right?

5:56

We don't abuse.

5:57

One day he abused. But first they told me about the restaurant, because he told me, I'm going to go with several friends. I said, yes mom. I'm going to use the cava. And he said, yes, go. But, well, my mom, all of a sudden, since she has days that she doesn't,

6:11

and days where she says, today...

6:15

And all of a sudden, the captain calls me, I remember he says, Hey, your mother is... And her mother was like, her friends are already... Served. She's already married.

6:28

Yes, yes.

6:29

And I was like, it's fine, it's fine. I just let them know because they were going to everything. I was like, it's fine, it's fine. But she was very nice and kind. When I came back, I already knew.

6:39

She filled it up.

6:40

She filled it up. But they always told me, Ah.

6:46

Ha ha ha ha. No, mis amigas, ma.

6:48

Si, tus amigas.

6:49

Yo las acompañé.

6:50

Dice, yo iba acompañada.

6:52

Tus tres palabras.

6:53

¿Cuáles son?

6:54

O sea, tres palabras que te definen.

6:57

Ay, tú.

6:58

Ay, no, pues, habrá que ver. Este, tímida.

7:00

Inocente.

7:01

Inocente.

7:02

Y tienes la mirada. Innocent. Innocent. Innocent. And you have the look. And yes. And yes.

7:06

Humble.

7:07

Humble.

7:08

Humble.

7:09

You are.

7:10

Right?

7:11

Yes. Okay.

7:13

I have these two cocktails, girls,

7:14

which in reality, this is special for you.

7:16

Okay.

7:17

Because humility, the blue ones.

7:18

Can I pass it to you? Yes, OK. Exacto, claro.

7:25

Y esta parte de empatía y divertido viene también con el

7:29

Azulito.

7:29

OK.

7:30

Entonces, pruébenlo.

7:31

Está suavecito, está delicioso. Este es para ti.

7:34

Simpático, divertido, reventado.

7:36

¿Esos son tus tres palabras? I've never asked you. You've never asked me. I've never asked you. It's the same. What a shame.

7:45

Let's see.

7:46

Open your three words.

7:47

Let's see.

7:48

Fun.

7:49

Okay, there it is.

7:50

I knew it.

7:51

Fun.

7:52

Good.

7:53

Friendly. Okay.

7:55

And serious.

7:56

No.

7:57

Oh, no, please.

7:58

Sometimes it's serious. Yes, it's serious.

8:00

Where? When you work, you put your role. I'm serious. I'm serious.

8:05

I'm serious.

8:06

You're serious.

8:08

Exotic.

8:09

Exotic.

8:09

Exotic.

8:11

It's perfect.

8:12

Exotic, a gecko.

8:13

No, no.

8:14

It's a macaw.

8:14

It's exotic.

8:15

You're exotic. Look at the shoes, please. I'm not going to lie. Bring the price! Bring the price! It was expensive. It was worth it. I'm going to buy it.

8:32

Look at the price.

8:34

I'm going to buy it.

8:36

You know?

8:38

It's exotic.

8:40

Exotic.

8:42

It's a fighter's name.

8:44

A fighter's name. Oh, seriously. It's a fighter's name, right? A fighter's name. And it fits you.

8:47

Look how the envelope arrived.

8:49

When I received it, I said, wow, thank you.

8:51

So now you can come on Sundays.

8:52

Thank you.

8:53

They paid me double for being on Sundays.

8:55

Because it's like sour.

8:57

Yes.

8:58

Yes.

8:58

Well, I already put the envelope.

9:00

Look, Victor. I buy myself these sneakers. Thank you, honey.

9:08

What details. Do they pay well here?

9:10

Yes, they pay well here.

9:12

They got dirty, but... I just ordered a bag for her.

9:16

I thought she was going to give it to me.

9:18

For Christmas and she didn't give it to you?

9:20

She's lying, you know? But the day he goes to get his very expensive Paris shoes, they are from Paris.

9:25

And you, the bag doesn't show it.

9:27

No, in fact, I have other data. I gave her a beautiful bag, brought from Paris. Brought.

9:36

They are from Madrid. I brought them from Madrid, loading them. And customs, listening. Well, and then...

9:44

Looking for you all the time.

9:45

No, I had already used it several times. And then I brought it to my little sister, I gave it to her, and the next day, who do you think I gave it to?

9:53

To Paula.

9:54

To your daughter. She gives her everything. I have given her glasses when I met her daughter with the... I said, are those really pair of glasses that Victoria gave you. I lent them to her because she loved them.

10:05

Well, I've been carrying the beautiful bag. I spent an hour looking for a bag for my mom. I give it to her for Christmas, and the next day my sister comes with the bag. And she said to me, I lent it to her for a while because it goes well with what she's wearing today.

10:22

Because she carries the bag so you can give me the sunglasses. I don't want to get adopted.

10:25

Oh, I see.

10:27

Everything is a gift for that girl. She buys something. The truth is that you like few things, but she likes round and big lenses. So, whenever I see round and big lenses, I buy them for her.

10:39

I know that she likes the few things. But I'm just telling you. Because I always find my daughter with the round and big ones. So I always buy big and round glasses because I know that he doesn't like them. But I'm just telling you this story because I always find my daughter with the glasses. And even your brother.

10:51

I'm just telling you.

10:52

Yes, yes.

10:53

Seriously, it's true.

10:55

I gave you one.

10:56

And now in Las Vegas, he tells me,

10:58

hey, I want this bag. And I still have it with me. No, the one Vicky's the one who likes it, and my mom was like, no, I don't know. And I was like, Paula, no, but your mom and I like that brand. No, I don't trust her,

11:12

I was like, Vicky's asking for this so I can tell her, and I was like, no, no.

11:17

go to sleep, it's not possible. I haven't seen these questions. Neither have I, Fer. This one is for both of you. Okay. What gossip from the press about you has been the one that has made you laugh the most? I mean, tell me, is there something that you invented?

11:35

Everything makes me laugh. Because I'm laughing my ass off, whatever you say. Let me say it. The truth. Well, if there's something specific, then no. Gossip, no, no, no. I'm going to say. The truth. Something specific?

11:46

No, no.

11:48

Well, like... To make you laugh. Lately, you laugh at everything. With the years, you start to slip. Because they've told you every nonsense. And you laugh at the character they create.

12:02

And it's funny. Because if you take it with a sense of humor,

12:07

because if you don't, if you take it seriously,

12:09

you'll stop doing what you're doing. Yes.

12:12

Yes, well, that's how they make me laugh.

12:14

It's preferable to laugh than to cry.

12:16

That's how life should be.

12:18

Everything can be changed.

12:19

Like a musical.

12:20

Mixolobal or musical?

12:22

You know what?

12:26

I'm going to sing the one about shrimp.

12:28

Oh, yes. Shrimp, you want some?

12:32

I'll give you some.

12:36

It's her international success.

12:38

And the potatoes. Oh, the potatoes.

12:42

The potatoes are so good. With a little bit of... Remember it. Ay, la madre. Qué ricas son las papas. Con un poco, poco, poco. Ya, acuérdamela.

12:45

No, pues es el trago.

12:47

Es culpa de esta muchacha de ver la psicología. No es mi culpa.

12:50

Estoy diciendo lo que tengo que decir.

12:52

Madre.

12:54

Bueno, a ver, la siguiente. Bueno, a ver, a ver. Esta va para mi madre. Tú conociste a todas mis novias. Not todas, eh? Oh! ¿Cuál era la que te caía peor y por qué? Todas que me caen mal. Santísima Virgen.

13:10

Me consta.

13:12

No lo cuenta.

13:15

Nunca ninguna le llenó el ojo porque claro, su hijito divino, perfecto, que lo acompañaba a todas sus comidas de ella, que no lo quería soltar, pero no quería que te diera ni el aire. No veía ninguna buena para ti. that she would accompany him to all his meals. That she didn't want to let him go, but she didn't want him to give you any air. She doesn't see any good for you.

13:27

Let's see, next. Maribel, what great soap opera star kisses very well?

13:31

What great soap opera star kisses very well?

13:33

My mom answered this in another show.

13:35

Well, no, oh my God.

13:39

Humberto Zurita.

13:40

Oh, that's not true. Oh, yes? I know. Ah. I'm gonna put my mouth like this, and you leave your mouth in the middle, and he does all the movement, and you see some kisses, and he doesn't eat you as part of the face, and they look incredible, and there's no contact of any kind.

14:31

No!

14:33

Tell him to kiss you.

14:34

Yes, yes, I'll tell him.

14:35

Please don't touch me.

14:35

Oh no!

14:36

Please follow the tutorial. Which one has been your worst boss? Oh my God.

14:45

My worst boss?

14:47

Oh my God.

14:48

Yes, Maribel, you have one.

14:50

The one who was the producer of Que Rico Mambo.

14:54

Who was the producer?

14:55

Omar Sohares?

14:56

No.

14:57

Yes.

14:58

Oh, the first one!

15:00

Oh my God, that's horrible.

15:01

No, it's Pansy.

15:06

It was a scary thing.

15:08

It was scary. I've heard of Omar Suarez.

15:12

No, no, no, Omar later

15:14

also gets angry.

15:16

I did Gerry Comambo.

15:18

He's a gentleman.

15:20

I did Gerry Comambo.

15:22

I owe him like 15 dates.

15:24

No, that guy was a thief. No, no, look, my love, I remember that after they left the work, another producer bought it, who was wonderful, and we went to the whole republic with him, it was amazing with the work. And one day before debuting in Blanquita,

15:37

they sent me to go to jail. If you show up tomorrow in Blanquita,, we put you in jail. And I showed up in the white one, right? But you know that the night before you get a citation.

15:48

Yes, very ugly.

15:49

Well, and you?

15:50

No, look, they've treated me very well. They're afraid of you.

15:54

Because with that...

15:55

Yes.

15:56

They don't have respect for us.

15:58

Yes, yes, yes.

15:59

They don't owe us dates, they don't owe us money. I'm gonna get a little bit of a little bit of a little bit of a

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
16:06

little bit of a

16:08

little bit of a

16:10

little bit of a

16:24

little bit of a little bit of a Before... And everyone drinking. No, no, no. There was a time... There was a time when I had no team.

16:27

You're going to be alone with Jose Eduardo.

16:29

But with a bill, it's going to happen.

16:31

Tied up.

16:33

He's kidding. Let's see.

16:37

Hey, don't stain it. Hey, are all those moms going to answer? No, they're more los que dicen. Como mamá, ¿cuál fue la peor mentira que me dijiste de niño? Que te amaba.

16:49

¿Que eras mi hijo?

16:51

¿Que eras mi hijo?

16:55

Es cierto, no es cierto.

16:57

No, su hijo sí era, pero... Hay que averiguar quién es el papá. Es que no queda ni la menor duda, no cabe la menor posibilidad. I'm going to have to find out who the father is. There's no doubt. There's no way.

17:06

I always said I was going to say I didn't know who the father was. But there's no way. I always said, now that he's born, who is the father, who knows? We don't know. The worst lie you've ever told?

17:20

The worst lie you've ever told me? As a child. What did you say? Oh, come on. Si, la primera mentira que me hayas dicho de chiquito. De niño. Que dijiste, ay, me siento más.

17:26

Pues, lo del ratón vaquerón.

17:29

Oh.

17:32

Era bien cojo.

17:34

Ay, no es cierto.

17:36

Si, no es cierto.

17:37

Si era, era, era. Daddy bozo.

17:39

Daddy bozo.

17:40

Los humanos no tienen madre. A ver, Maribel. It feels strange that so many people have seen your calendars thinking of your family's friends, your dentist, the one who sells you fruit.

17:52

The one who sells me fruit? I never met the fruit guy.

17:57

What are you, Maribelita, going to buy fruit? Well, I've seen her in some parties. I'm gonna go be a mother. I'm going to be a mother. I'm going to be a mother. I'm going to be a mother. I'm going to be a mother.

18:30

I'm going to be a mother.

18:32

I'm going to be a mother. I'm going to be a mother. celebrate it every day, because if there is God, we will be alive in 10 years. Besides, right now it's countdown. Right now we have to celebrate it all, because that's how it is. And at one point, all the almanacs fell on us.

18:52

Yes, yes.

18:54

This situation is very hard for the age, right, Amy? Yes. But well, girls, I have good news for you. We're done.

19:02

Bye.

19:04

Thank you! That was fast.

19:06

You can also ask Jose Eduardo questions. Now you can sit next to him.

19:10

Run!

19:12

Hey, Jose Eduardo.

19:16

You're so hot.

19:18

I think you're not holding on because you can't reach it.

19:24

But why?

19:25

I don't know, you can tell.

19:27

Right, girl?

19:28

Yes.

19:29

Pay attention to what I'm saying.

19:30

What were you saying?

19:31

I'm talking about your son's warm-ups.

19:33

Oh!

19:34

Right?

19:35

But if you look at him...

19:37

No, look.

19:39

You look terrible.

19:41

No, I even went to a legionary school.

19:43

Oh, well. Worse. terrible

19:57

When time I'm a man here I can be a just be chilly canonically as confess I

20:25

Dario No. and you say, go ahead, go with God, baby. Ha ha ha ha ha! So, it's more like...

20:27

It tastes like all of my...

20:28

Yes, yes, yes, I mean, you can lie, but it tastes like all of your adventures.

20:32

You didn't realize some of them, right?

20:34

Of course.

20:35

All of them, mmm!

20:38

Hey, Victoria, never... But why didn't you scold me for some of them, and not the others? I'm gonna try it. I was sleeping in the car. And making the delicious. I saw it. With the naked butt. I was so busy. But I was so tired. With the naked butt.

21:18

What a shame.

21:20

What a disrespect to your holy mother.

21:22

I was so embarrassed. I was all cove. So I just...

21:26

You did this.

21:27

I didn't touch anything.

21:28

And a full moon.

21:29

Why?

21:30

I hadn't...

21:31

I hadn't gotten to sleep.

21:35

Oh no.

21:37

It's sad.

21:39

Well, that's it.

21:40

That's it, right?

21:40

No, that, no. I'm gonna say it again. No, no, no.

21:45

I'm gonna say it again. No, no, no.

21:47

I'm gonna say it again.

21:48

No, no, no. I'm gonna say it again.

21:50

No, no, no.

21:51

I'm gonna say it again.

21:52

No, no, no.

21:53

I'm gonna say it again.

21:54

No, no, no.

21:55

I'm gonna say it again. And my mom. and he was walking by a pothole, not even a decent place, it wasn't a conga house. And he says, because his driver then tells Vicky or Victoria, a confidence that they have there. And then he says, Victoria, do you remember this place?

22:37

Now?

22:38

Yes, yes, yes, yes.

22:40

It's good that it wasn't a hotel because I would have been scared. And then I turned around and said, Yes, I got it. Do you remember how I got it? Yes, I got it. No, if you had told me some stories...

22:53

Yes, I was a party girl, the truth is.

22:56

Oh, I never.

22:57

There are differences, okay? Who would have thought of Victoria?

23:01

I mean, they could still believe me, but of her. Victoria Most conocimos de Azteca's

23:14

In last year's del millón

23:23

Bueno pero si era muy tremenda si si era tremendo era no viera I'm sorry, we met in the city of Aztecas. But it was really tremendous.

23:25

Yes, it was tremendous. No, it was a noviera.

23:28

Noviera?

23:29

Noviera, but you never drank it in your life.

23:32

Maribel?

23:33

You drank a little bit every month of the bishop.

23:35

The last ten years, but before that...

23:38

No, before that, yes.

23:40

It was a cognac for every 40 minutes.

23:43

How barbaric. It was a cognac for every 40 minutes. That's crazy. Like real kids.

23:46

Yeah, right.

23:47

I mean, you brought one in the trunk.

23:49

That's crazy, that's a liar.

23:53

That's crazy.

23:54

Didn't you bring one in the trunk?

23:55

He's talking about you, girl.

23:56

I did bring one in the trunk.

23:58

How can you lie?

23:59

That's a liar.

24:00

They make it up.

24:00

By the way, there are questions... Inventan. Oigan, por cierto, también hay preguntas de los fans. Hay preguntas de los fans en el mazo. Maribel, tú has conocido a varios novios de mi mamá.

24:13

¿Cuál fue el peor?

24:14

No, yo no tengo la...

24:17

Estás en un círculo de confianza. Sí, aquí no ya sale.

24:20

¿De quién ahí sale?

24:22

Lo que firmaste ahorita te lo tengo can't. I can't. I can't. I can't.

24:25

I can't.

24:26

I can't.

24:27

I can't.

24:40

I can't have such a bad taste.

24:50

You slip around.

24:51

You slip around. You're bad.

24:53

Yes.

24:53

I don't have to deal with any of them.

24:55

You don't have to deal with any of them.

24:58

You slip around.

24:59

You're bad.

25:00

OK, well. This one goes to both of you. What is the worst story of infidelity that you know of, your own or someone else's?

25:08

Hmm. Hmm.

25:10

Hmm.

25:12

Well, there are some, right?

25:13

Stories. Ha ha ha ha ha.

25:15

There are some?

25:16

There are.

25:16

There are.

25:17

But infidelities that we know of. que de nosotras o que sepamos de alguien. Mejor que sepan de ustedes. Mejor que sepan de alguien más porque luego nos metemos en problemas.

25:27

Dios guarde, ya bastantes problemas hemos tenido.

25:31

No, sin dar nombres, así que digan, yo me enteré que aquí el marido y estaba en la misma novela y regresó y vino.

25:38

De acuerdo, sí. No, sí sabemos, Valeria. Tú nos quieres complicar la carrera que nos ha costado tantos años de prestigio y de trabajo. Y de amistad. Exacto. Que queremos seguir conservando. Sí.

25:52

Gracias.

25:53

Gracias.

25:57

¿Hay algún actor famoso que haya estado a punto de ser mi padrastro?

26:03

Tómate un shotcito, mira ese piña colada.

26:06

¿Hay piña colada?

26:08

Repítame la pregunta. Toma aire, respira profundo, piénsalo bien.

26:12

¿Hay algún actor famoso que haya estado a punto de ser mi padrastro? O sea, vamos a poner una cosa. Antes de Omar. Sí, I don't know. None.

26:28

Damn.

26:30

None. Which one?

26:32

Your stepfather?

26:34

No, man. Someone who has moved your hormone. No one has moved it. No one moves it. It's not worth it.

26:44

No, but I'm gonna tell you what. It? No vale la pena. No, ¿te voy a decir qué?

26:45

No vale la pena, pero alguien te la ha movido, aunque no haya valido la pena.

26:48

No, ¿cómo me la van a mover?

26:49

Moviéndola, moviéndola.

26:52

Mira, a mí me pasaba muchísimo con mi mamá, que era de, ay, mira a that soccer player. But it was before having kids. And every person who told her, and I told her, I don't remember.

27:10

You're talking about step-parents.

27:11

No, no, no, no, daddy, no.

27:13

No, that someone liked you so much as to possibly have thought that you were their step-father. But you take it all very intense. That someone has moved your... Your dick.

27:25

Well, I don't know how to say it.

27:29

Look at what you're trying to do.

27:30

That someone has moved your cuckoo.

27:32

No!

27:34

No!

27:37

Look at what you're trying to do.

27:38

It's good that there are several.

27:41

Oh, Victoria.

27:42

No, and if the judge doesn't want us to leave.

27:44

No! No!

27:45

No?

27:46

No, and even death? No!

27:48

Let's see, Maribel. Tell me an anecdote where you had to tell my mom, Hey, you really went too far.

27:55

Oh, no, I can't tell you.

27:58

But how?

27:59

I can't, I'm going to get in big trouble.

28:01

What?

28:03

The one we were talking about a while ago.

28:06

But the one where they say, Oh, she just cries. No, they also say,

28:12

Oh, well, she did tell me that if it wasn't for crying, I wouldn't have done anything in this career.

28:18

But she told me she didn't know how much I was paid to sing. Oh, thank you.

28:22

So I had to get married somehow. You know? Look how well I live with the singing.

28:26

And I had to come here.

28:27

And see how Renato wants to...

28:28

It's good to have friends like that.

28:30

I'm sure Faye told Omar, Hey, how do you hire her if she sings like that?

28:34

Yes, exactly.

28:35

And everything is one thing. Be happy, thank God,

28:37

of the tears your mother had shed.

28:39

Because of that, So, you got to where you got to. fans. I'm sure they both have the same. They both started to see. Because there's always an advice that you say,

29:28

You do it, right? Well, I say to have patience.

29:32

You save. Save.

29:36

Yes, yes, yes.

29:38

No, no, no, we always talk about exercise.

29:40

One day Victoria arrives. This one doesn't have a good one. Victoria, we have to exercise. Because, look, the muscle dries out every ten years, right? And you start sucking. So, you have to put in a little bit of strength,

29:57

I don't know how much, right? And then,

29:59

So, we're going to have... If the soap opera ends, I'll tell you. I bet you, whatever you want, now that I've finished the novel, I'm going to look better than you. Yes, but that doesn't matter. So he says, you know what's wrong?

30:13

I don't want to be like those old ladies who have balls here on their legs and arms. Oh, Victoria, dream.

30:20

That's impossible for you.

30:23

As much as we try, we can't.

30:25

I don't want a bulging abdomen.

30:27

Yes, I don't like bulging abdomen. And those veins, with the round and flat buttocks. I don't like it. It looks very fake. I say, Victoria, no matter how much we do, we won't be able to do it. I'm losing my enthusiasm.

30:40

She was referring to doing it like this in the tub. I mean, with luck, and we'll keep a little bit of the muscle,

30:48

the little bit of strength we have.

30:49

But this one, if she did exercises, she would put some balls here like a rabbit. Or with the butt standing like the ones in Ninel Conde.

30:57

You know yourself.

30:58

Hold on.

31:01

I can do that one still. Let's see, girls, make a toast to José Eduardo, I'm going to have to go. I'm going to have to go. I'm going to have to go.

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
31:06

I'm going to have to go. I'm going to have to go. I'm going to have to go.

31:22

I'm going to, I'm gonna say. I'm gonna say, I'm gonna say. I'm gonna say, I'm gonna say. I'm gonna say, I'm gonna say.

31:29

I'm gonna say, I'm gonna say.

31:32

I'm gonna say, I'm gonna say.

31:42

I'm gonna say, I'm my kids. We were talking about you uploading a picture where you were with a beautiful body. And there was something that looked like a dog. But you really didn't know if it was a dog, something run over, or if it was already in the last ones. You didn't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.

32:07

I don't know.

32:08

I don't know.

32:17

I don't know. I was going to tell you what was happening with my hair, it was called Sadi. Sadi.

32:25

It was so pretty, my poor love. The thing is, I had a big garden, very big, so the hair would come out, if it rained, they would turn,

32:34

now they do like this, they turn,

32:36

so I was taking pictures, and it had rained, so...

32:41

Diego, please, let's look for...

32:42

All the hair standing like this. I'm going to go for a walk. I'm going to go for a walk. I'm going to go for a walk.

32:46

I'm going to go for a walk.

32:48

I'm going to go for a walk.

32:50

I'm going to go for a walk.

33:00

I'm going to go for a walk. In the story of Harry Potter, the bad guy was very well preserved in his body and everything, with different things that he was cursing. So I remember that in that photo it was like, that dog is the Horcrux, so that Maribel guards him. Like this, because then you look incredible, and the dog with the little leg like this. Nobody has warned the dog that he has already had a better life, but there he is standing. I'm going to tell you something, I'm going to tell you something. I'm going to tell you something.

33:28

I'm going to tell you something.

33:30

I'm going to tell you something.

33:42

I'm going to tell you something. I mean, it's like a chimpanzee, you know? It's a beauty.

33:46

Oh, I love to see her, Mari.

33:48

Well, it's just that...

33:50

Well, but bathed.

33:51

Yes, yes.

33:53

She was modern, she wanted to be free.

33:55

The eye even like this.

33:57

How terrible, don't remind me of that, please.

33:59

Well, this...

34:01

Oh, she's crying.

34:02

They're taking the subject away from me.

34:03

Oh, how terrible. No, no, no. Este... Ay, está llorando. Me toman del tema. Ay, qué barbaro.

34:05

Allí háganle una pregunta a ustedes.

34:06

Ya, se pasó.

34:07

Se pasó.

34:09

Lo voy a hacer algo.

34:10

Permíteme.

34:11

Ahorita yo te voy a ayudar.

34:12

Gracias, amiga.

34:13

Gracias.

34:14

Vamos a...

34:15

Ay, qué pena. I don't know how my son is so wet. I don't like that. What question is that?

34:26

What question?

34:28

Say it.

34:30

Say it. What a liar.

34:34

It was a production, Maribel.

34:36

We promise you that it wasn't us.

34:38

No.

34:44

No, but I have friends who did able to see. I'm going to be able to see. I'm going to be able to see.

34:46

I'm going to be able to see.

34:48

I'm going to be able to see. I'm going to be able to see. I'm going to. Yes, yes, yes. No. Have you ever been to one of Maribel's calendars?

35:08

No.

35:09

But I have friends who did. One of them had it in his bathroom. Every time you went to see him? But I do remember. These topics are difficult later. I'll tell you. One day I was there, as always, my mom and her 10 friends. I was the only man. And then we started talking about...

"I'd definitely pay more for this as your audio transcription is miles ahead of the rest."

Dave, Leeds, United Kingdom

Want to transcribe your own content?

Get started free
35:26

In fact, a group was formed. It's called Espirituales y el Adorado. And then we were talking, all of her friends and I. And all of them were of different ages. My mom has a little variety.

35:40

And then we started talking about how long ago they didn't have intimacy, right? The Cuchiplanche, right? And then we started like, no, you, no, six months ago, no, you, no, yesterday and two, no, you, no, two years ago, no, poor thing. And so we were going. And suddenly, I lost my cool and suddenly when we got to my mom,

36:05

I was like, and you Vicky? And my mom was already leaving. And I was like, that's it, that's it, the topic is over. The topic is over. And my mom was like, no, no, no, no, no, no, no, no, no, no, there's no need to answer things.

36:18

Jump, mom, I love you.

36:20

We can jump. We can skip you. We can call you Bacal. Ask me if you want. And then that group came out, the spiritual ones and the worshiped one. Because you can be anyone and do nothing.

36:32

The only man, always, really, food, with Victoria Rufo, the little boy disappeared. No, shut up, I don't want to be Pilates with me. So we went to class.

36:42

And he, of course, he didn't buy anything. He was going to see pumps and he was going to buy.

36:46

I didn't want to. I told him, hey mom, isn't that something that only ladies, women go to? No, he says. Lately, men also do it. So he said, lately men already already gave up.

36:58

Sure, if I already signed us. We're going to go tomorrow, first thing in the morning. and I was like, oh, it's a woman. And Jose Eduardo said... And I said, but I always had to do it with a woman who would yawn. But she didn't know the yawns she would yawn. I always had to do it with my mom and the lady. So every time they would yawn,

37:35

my mom would turn around and I would turn around.

37:37

And I'd be like...

37:39

Are you exercising or are you living?

37:41

Yes!

37:42

I was... Your exercise is coming. Yes! It was because of the instructor.

37:48

It was very uncomfortable because I was distracting you. I mean, not for good. There was no other way.

37:56

You were already doing it.

38:00

I got hot. This is from another fan that says, well, it doesn't say, it's atrobatzitzik. It's like the fly.

38:09

Zik, zik.

38:10

Where are you from?

38:11

Guatemala.

38:14

Have you never seen a live video of my mom? She looks like a geography teacher. I mean, a normal live video, you talk, you count, you tell stories, you gossip. My mom is from Guadalajara, Monterrey, Russia, Chile. Those are all my friends. And she seems like she's from Juarez.

38:37

She's like, I'll put a map, so we can go to where each one is. Well, this is for both of you.

38:44

Yes. What has been your worst bear? We'll see where each one ends up. Well, this is for both of you.

38:45

What has been your worst bear?

38:48

No.

38:51

Hey, what?

38:52

This is for Maribel.

38:56

I was going to say the mother, of course.

38:58

What has been your worst bear during intimacy? Worst bear during intimacy? During intimacy. I put it on and I couldn't take it off. I was wearing it for three hours and I couldn't take it off. Because I had put water in my corset.

39:31

And the husband was asleep. No, he didn't hear me.

39:33

He passed out.

39:34

The next day, I forgot.

39:35

The next day, he forgot his clothes.

39:37

I was dealing with my fucking corset. I never put it on again.

39:43

Have you ever worn that?

39:44

Once. I'm gonna cry. But yes, I love you. Those things about the clothes, they're the best. Have you ever worn that?

39:45

Once.

39:46

No.

39:47

Once.

39:48

It's your mother, it's your mother, it's a woman, understand it.

39:50

She had me...

39:51

Hey, I gave it to her, I already remembered.

39:53

What did you give her, Maribel? It's the only one that has a little bit of her bust. Because you know that Victoria is never seen in anything, right?

40:05

Her bust, I like her bust.

40:06

Her bust. So it was like the beginning of the bust had to come out, right? And I saw her in the novel and I said, my friend needs a little help because I brought her a very nice little fajita. Which was just like to give you a little bit of the figure. Don't damage it. No, no, no. I'm going to take a look at the figure. Don't look at it. It's very pretty.

40:25

A European woman who doesn't have such uncomfortable bones.

40:27

Very pretty.

40:28

I took it with me. I don't think she ever used it.

40:30

I should have returned it because it was very expensive.

40:33

It was expensive.

40:34

It was to put it on.

40:39

With oil?

40:40

Yes. I've never seen a skirt that goes up like this. Victoria, it's like a belt. You put it on your face, you pull it up, and it covers you here, right?

40:51

Ah, I see.

40:52

And this also lifts you up a little bit. It would look a little sexier, but it doesn't matter. It's a garbage bin.

40:59

No.

41:00

But it would look good.

41:02

It would look very sexy.

41:03

I know.

41:04

Girls, we have to ask Jose. Oh. Cheers to everyone here at home. I think this is making us feel good. Yeah, this is good.

41:26

Cheers.

41:28

It's your turn.

41:30

Here, Victoria.

41:32

Me?

41:34

Yes, ask her a question. Let me see if you can drink it all. All of it?

41:42

No, no.

41:44

No, let's see Maribel.

41:45

No, yes, yes, it's your turn.

41:49

Isn't it the same?

41:50

No, because you have to give a name, you scoundrel.

41:53

Because all of them, all of them.

41:54

Ah!

41:55

Yes.

41:56

Which one of my girlfriends did you like worse? Yes, to all of them.

42:00

To all of them.

42:01

No, I mean... Is there one that you like worse? Yes, there is one.

42:06

But I'm the same with all of you.

42:08

No, there are some that you like more.

42:10

Mom.

42:11

I didn't know.

42:12

Mom, mom.

42:14

Well, I can say that with all of you, you've been rude.

42:20

Even.

42:21

Even. But I'm going to tell you a very, very nice story. Well, nice and funny.

42:27

Okay.

42:29

Well, the one who has hated you the most is the doctor.

42:32

No!

42:33

Yes.

42:34

Why?

42:34

Why?

42:35

I think you hit her too hard.

42:38

But well, what I'm going to do is, with everything has been like this, well, rude, right? I mean, I've always been rough, you know? Like, your makeup sucks. Hey, you're missing a little bit of fabric.

42:50

You've got a big hole.

42:52

I've got a big hole. And I remember perfectly when I came to see her, I told her, hey, you're going to be a grandmother. The next day, Paola came and said, you look so pretty. But no, no.

43:09

I mean, well, she liked her and said, let's go. Well, well, a love.

43:15

Uh-huh.

43:16

Yes or no?

43:16

No.

43:17

No, no. Yes, yes, yes.

43:19

Really?

43:19

I don't remember that.

43:20

Yes, yes, yes.

43:22

I mean, the change was like, almost, yes. The change was like... Brutal. Almost like, I don't know, you're pregnant. Then he had her.

"Your service and product truly is the best and best value I have found after hours of searching."

Adrian, Johannesburg, South Africa

Want to transcribe your own content?

Get started free
43:34

Move.

43:38

Give me the ring.

43:41

Cheers for Tessa. Cheers for Tessa. Drink Tessa. Drink Tessa. Drink Tessa. Ah, yes. I'm not even putting together Manuela or Diablito.

44:05

This is for both of you. Imagine that you can only choose one novel you've done, and the others are erased forever.

44:12

Oh, why?

44:14

I haven't looked for your mom.

44:16

Your favorite novel and your favorite novel.

44:18

For me, La Madrastra.

44:20

Oh, yes. Spectacular. What a beautiful role. And you em you embroidered it.

44:25

I have two of her. It's the stepmother and Victoria.

44:29

Which Victoria?

44:30

The one from Colombia.

44:31

Victoria?

44:32

I made two.

44:33

The two are called Victoria?

44:34

Victoria.

44:35

Very original.

44:37

The one from Colombia, you say?

44:38

From Colombia.

44:38

The one from Colombia.

44:39

The one from Colombia.

44:39

The one from Colombia. I love it too. 87. Wow. Imagine if Ernesto Alonso also put Victoria.

44:46

What do you think?

44:47

Two Victories.

44:48

I'll take it. And with you three.

44:51

Three Victories.

44:52

What a beautiful name.

44:53

And you.

44:54

I wanted to put my daughter Victoria, but my sister was there too. I'm shocked to see those families that are Victoria and Sexta.

45:03

If you had put, you are Eugenio's cook.

45:06

No, yes, yes.

45:07

Eugenio's cooking is disturbing you.

45:09

You are his cook.

45:10

You have a production left. You are not going to be in the project.

45:15

That's how I get in.

45:16

No, yes, you should.

45:17

Let's see, think about it. What did he put in it? Production! Victoria! He served it to you in a silver bowl. He served it to you in a silver bowl. Eugenia Victoria. No!

45:34

No!

45:36

She even stained her friend's...

45:38

Shut up!

45:40

No, that's not true. And I'm going to tell you something.

45:44

What? When she tells you that's not true. No. And I'm going to tell you something. I'm scared.

45:46

When she says that, get ready.

45:48

No, I'm going to tell you something. Here. I am Victoria Eugenia.

45:53

No.

45:54

Oh, yeah.

45:55

Come on.

45:57

Between Eugenios, it connects.

45:59

Between Eugenios, you see.

46:02

That's why I'm not going to put Victoria or Eugenia, right?

46:05

Look, this is a prisoner of love, Seraphine.

46:20

Several of them have died.

46:22

Don't start with your feelings.

46:24

I can't. 1990, cien de los años. That was a good one.

46:25

Many of them died.

46:27

Don't start with your old jokes.

46:29

I can't see a poor man in a good mood.

46:31

It's one thing.

46:32

By the way, we have to leave the spiritual and the adored ones. We're just staying, my friend.

46:40

It's real.

46:41

No.

46:42

It's real.

46:43

We're just staying in that group, my friend. No! No, I'm telling you, Serafín, I liked him a lot. And also, Prisoner of Love. Who was that with Saul? Saul Izaz.

47:07

Saul, right?

47:07

Yes, Saul Izaz.

47:08

I didn't see that one. What year was it?

47:09

Oh, man.

47:11

Well, many years ago.

47:13

Julián was born. Oh, after that, because it must have been 1994. Which one did you do with? I'm the one who did Nation in 95. With Joan Sebastian. You and me. You and me? You and me?

47:26

You and me.

47:27

Yes.

47:28

You and me.

47:29

You and me.

47:29

Yes, yes, yes.

47:32

Let's see. Maribel, do you know what MILF is?

47:37

Oh, the MILF.

47:38

Yes, I know.

47:39

What is that?

47:40

I'm a very modern girl.

47:41

Oh, I like that. How does it feel? My husbands, they can't see a poor guy like me. They're messing with me. What is that? Nilf is like a woman who hangs out with young men.

47:52

No.

47:53

Yes, no.

47:54

Of course.

47:55

Yes, she's someone older who hangs out with young men.

47:59

I also understood that she was a woman, older than her father, I would say that she was a woman who was not that old, but she liked young people.

48:08

No, no, no, you like young people.

48:11

My husband is younger than me. That's true. And I've been with him for 10 years. But he looks older than you. What I liked about my husband,

48:17

is that he can't get in here.

48:20

He's always fighting men.

48:23

I'm going to take this so my friend can tell me. You've finished it. Now it's all sucked in.

48:26

It's getting very nice.

48:28

My husband liked me for being old and bitter. Because he's very bitter and very distrustful. We made a perfect balance because I'm like, everyone is beautiful, everyone is good. What sign is your husband?

48:41

Sagittarius.

48:42

I'm Gemini. And I'm everyone is pretty, everyone is good. What sign is your husband? Sagittarius. I'm a Gemini. Everyone is good, I'm like that for life.

48:50

And he's not.

48:50

So he gives me a balance, and I give him, because he's Trek. So, what I liked about him was his maturity, curiously. But of course, I've been with him for 10 years, definitely. I always wanted to break up with him. Because I said, no, I've been with him for 10 years. And I wanted to break up and break up. And we continued.

49:10

But 10 years is not... Well, yes, it's a decade. It's a decade.

49:16

They are now with a difference of 20. I already know what the definition of MILF is.

49:20

Mother, I like to fuck.

49:22

Mother, I like to fuck.

49:25

Mother, I like to fuck.

49:43

Mother, I like to fuck. Mother, I like to fuck. Mother, I like to fuck.

49:48

Mother, I like to fuck.

49:50

Mother, I like to fuck.

50:04

Mother, I like to fuck. Mother sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.

50:05

I'm sorry.

50:05

I'm sorry.

50:06

I'm sorry.

50:16

I'm sorry. No, no, si. Memorables, for you, is another thing, but for me, they're two very ugly things. That's why I've decided not to drink anymore. How would the matter be? But I'm not going to tell you. Ah, what a joke. You have to tell me.

50:36

No, no.

50:37

Or you'll get on top of it, yes?

50:38

No, because it's giving credit to a lot of people who don't. Plainly. I'm going to tell you a story. I'm going to tell you a story. I'm going to tell you a story.

50:46

I'm going to tell you a story.

50:48

I'm going to tell you a story.

50:50

I'm going to tell you a story.

51:00

I'm going to tell you a story. I don't know. But it wasn't fun. We can use the definition here if you want. It's a weird word.

51:06

I was going through difficult times, right? And then I had a few drinks on a boat.

51:14

On a boat?

51:15

On a boat. But it was a yacht. So I start meditating and I do the four, right? And I start talking to Julian. And I go, Julian, son, I love you, my love, listen to your mother, may she bless you.

51:29

And I don't know, when I don't know what I'm rolling, I go down some stairs, down a second floor, and I'm going to fall into the sea and I'm carrying a rope in my hand. How, when I saw myself, I was floating in the sea in Altamar, how I grabbed the rope when I was falling, I have no idea.

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
51:47

That's the kind of soponcio I had, right?

51:50

But it wasn't because you didn't have...

51:52

Of course, I had a few drinks. And I was old, I couldn't drink. So, I drank. And the little boat... The boat moving, I was meditating in my swimsuit. And I came out like... I'm here meditating in a swimsuit and I'm flying. How can I not break my neck or my hip?

52:07

Let's see. Would you change something about your professional life? And what would it be?

52:14

I don't know.

52:15

Like something about your career. No, I don't.

52:19

I like how I got here.

52:21

This one was born famous. No, but of course.

52:23

I've known her since she was famous.

52:24

In Cunada?

52:24

No. I was born famous. This is what they call me. I was born famous.

52:26

I was born famous. I was born famous.

52:30

I was born famous.

52:44

I was born famous. I was born famous. And you were born in Aztec? Aztec. When we did this, it was the entrance of a television show that was broadcasted at midnight. And Maribel had just arrived from Costa Rica, which had been my Costa Rica. So, everyone was dressed in Aztec, of course.

52:59

There were some that looked better than others, right? But it doesn't matter.

53:02

Your mom is a great body. Divine. When we did photo novels, they made bikinis. I'm better than others, right? But it doesn't matter. Your mom is a great body. Yes. Divine. When we did photo novels, they made bikinis. There where you see her in that, and a great body she had. I was skinny, skinny.

53:12

Yes, very pretty.

53:14

She loves me a lot.

53:15

Your beautiful mother.

53:16

Yes.

53:17

I love her a lot too. Give me the bikini. I'm going to sing a song. I love you, Papa. You already took off my make up.

53:26

Oh no.

53:28

Here we go.

53:30

Do you know that we sang together in the United States? Don't tell me.

53:34

We had a horse race.

53:36

We were going to the Los Angeles racetrack.

53:38

I wasn't born, right? No, neither was Julián. I was singing, right? And Gina Victoria was singing and singing. I had already done a soap opera, the place fell because four songs were known.

53:50

La chancla.

53:51

La chancla, I don't know what else. Yo no me caso. And if not, I don't marry, dear compadre, because life is a mess. Four fucking songs are sung. And it seemed that Luis Miguel had sung. No, no. I think she sang three nadas. And then they come, we were on the way up to the second day,

54:27

and they come and say, hey Victoria, why don't you learn five songs? I can send you a teacher, I have a guitar and I can give you the tones.

54:36

Oh, yes.

54:37

She taught me the polvorete. Then she made a fool of herself on television singing the polvorete.

54:43

Yes, with Joaquin Muñiz. -$10. I'm gonna marry me a see what is the regular in a vida or complete us much Alpha okay, man, let's tell you a Gustavo the party to see whose toes to see who

55:11

Says Taurus and we're gonna I'm so sorry. I'm so sorry. I'm so sorry. I'm so sorry. I'm so sorry.

55:26

I'm so sorry.

55:27

I'm so sorry.

55:37

I'm so sorry. It's the gift, you said. Okay. Well, let's see, another one. Tell me an anecdote about the other one that they don't want to know.

55:51

What? Which one?

55:53

Which other one?

55:54

I mean, an anecdote that you know about her and she knows about you that they don't want to know.

55:59

Oh.

56:00

I don't know if it's an anecdote, but I remember how she got upset when she recorded.

56:03

Oh, you remember? Oh, that's another one. She would come to see her every day, she was a soap opera actress. It must have been a miracle, you didn't leave the other team.

56:16

The other one was just as small.

56:19

Oh, my little one, my little one.

56:21

And then, she would go see her every day.

56:24

It wasn't every day. No, because at that time we were distancing.

56:28

No, that's great, that's great that you were distancing. Because I would go to see her every day.

56:32

And then, you know, in the soap operas, you are, she cries because a fly is going to pass, right? But I have to concentrate to cry. And you know, I remember thinking about that time when my mom had died and my dad had died. I was in a situation where I was about to cry.

56:47

And then the scene came and I was crying like a baby. And they said, cut! And the scene was amazing. Cut! Clean the video, there's a shadow. And they came and cleaned the video and I was like, oh!

57:00

And I was like, oh!

57:02

And I was like, oh! I would throw it at her and she would say, I don't know what to do. Again, the scene, I would concentrate again,

57:05

I don't know what to do.

57:06

Action.

57:07

And she would cry, right?

57:09

Cut!

57:09

The cut wasn't good.

57:11

And again, she would do,

57:14

I don't know what to do,

57:15

I would throw it at her and she would say,

57:16

I don't know what to do,

57:17

I don't know why I said cut and I said, you're a bastard. Cut, I cried again and I said, cut.

57:28

I had another illusion that I was already crying.

57:31

I wanted to cry for the new one.

57:33

I was in the fucking alarm. I cried a lot.

57:38

Yes, but I still had tears in my eyes.

57:41

I was crying. I was crying. to inject that. I'm gonna have to inject that.

57:45

I'm gonna have to inject that. I'm gonna have to inject that. I'm gonna have to inject that.

58:08

You're going to like it. Oh, how barbaric.

58:13

Tell me something that your mom has said about me and that I don't know, Jose Eduardo.

58:18

And the face.

58:20

I'm going to make a look like when they did to me.

58:22

One thing that my mom has said about you that you don't know.

58:25

That I don't know.

58:26

Uuuuh.

58:27

Uuuuh.

58:31

In fact, I'm going to tell you something. That I can tell you that you have a very good friend. Because I'm very gossipy.

58:39

But how?

58:40

I'm very, very gossipy. And every time something came up about you, I would call my mom.

58:47

What happened, mom?

58:48

I would tell her, mom, have you talked to Maribel?

58:50

No.

58:52

Are you sure?

58:53

No.

58:54

Has she told you anything?

58:56

Well, time went by and then she would tell me, I'm talking to Maribel this afternoon. Did she tell you anything?

59:03

No.

59:05

No, no, no.

59:06

We didn't talk about the weather. That the weather was nice and I was like, Mom, did she say anything about...

59:12

about this?

59:14

No.

59:15

No, no.

59:16

What do you mean no?

59:17

How did I get the topic?

59:19

I didn't believe you.

59:20

She doesn't tell me.

59:21

That's good.

59:22

Because I'm a gossip. No me cuenta. Que eso si es bien. Que ya te cubre. Porque yo si soy chisme. Ma, hablaste con ella? Cuéntame, porque yo quiero saber ese chisme. Salió esto, necesito saber.

59:30

Si, si.

59:31

Necesito.

59:32

De esta mujercita. Confirmamelo.

59:35

De la suripanta.

59:36

De la suripanta. Y me dice, no, you can't. And you don't insist? And he doesn't let go.

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
59:46

He doesn't let go.

59:48

Very good.

59:50

I can tell you that.

59:52

Because he doesn't let go of his son.

59:54

Like that one.

59:56

No, between families, yes. But between families, yes.

1:00:00

He's a gossip. He's a little gossip to me.

1:00:04

Who would have inherited that from you?

1:00:06

Your dad.

1:00:08

Production!

1:00:10

Poor guy.

1:00:12

Let's see, Maribel.

1:00:14

We're done with the soup.

1:00:16

What secret does my mom know that she never told us? You see, they're defending each other.

1:00:22

What secret does my mom know?

1:00:24

That the family doesn't know,

1:00:25

that your mom is terrible, right? She's kidding. No, the things she's done to me, there's no words. You know I'm afraid of cockroaches. I'm afraid.

1:00:41

I was washing my hair,

1:00:42

in a hotel in town, and I was washing my hair, in a hotel in town, and I was washing my hair like this, I turned to look at the tip of the shower, and there was a cockroach on the tip of the shower, with its antennae, like this,

1:00:51

and that shower was going like this,

1:00:53

and it came out running.

1:00:55

But how did you get in there?

1:00:57

Just like that, no.

1:01:05

Carabacha! Carabacha!

1:01:07

Oh, I didn't understand!

1:01:08

How did you get there?

1:01:09

How did you get there to Carabacha?

1:01:10

You don't have to go to Carabacha.

1:01:11

I did the platforms.

1:01:12

I did the platforms.

1:01:13

I was slipping with the soap from the hair that was dripping. Thank God there were no cell phones in the time of the caves. Yes, a long time ago. The whole house. And then we are in Peru, right? And there was a scene where I had to open a box.

1:01:38

The Arpillas, we were seven actresses, right, in the scene. And it was a very macabre work that had been murdered by her husband, who was my husband, and he was her brother, but he was a lover. The work was a disaster. So I'm going to open the box in a very deep part of the work. I open the box, a cockroach this size. I try to control myself, I go without the box, right?

1:02:02

And I do what I have to do, but I was sweating, all like this.

1:02:05

I said, that fucking Victoria.

1:02:08

No, you were sweating, do you remember that time you wanted to kiss me?

99.9% Accurate90+ LanguagesInstant ResultsPrivate & Secure

Transcribe all your audio with Cockatoo

Get started free
1:02:11

Oh, that was great!

1:02:13

Wait, wait.

1:02:14

The fairy got weird.

1:02:15

Omar Suarez arrived.

1:02:17

Omar Suarez, a kiss, because the truth is that the producer took us everywhere. But they wanted to make a joke, right? No, because the original work of the alpías, really, the wife and the sister become lovers in the movie. In the movie, it's like that, that's not called alpías, it's another name.

1:02:34

Eight women. So in the end, they kiss, right? Omar tells me, Maribel, you have to give the work a shot, and really, you have to give a kiss to Victorito, at least like this, with a little trunk, like this, because this work is serious and you have already taken it to the comedy, and this has been lost because it is a comedy, people should not laugh because everyone was laughing the book, because it's a mess. And that day, the play went wrong. When we did it seriously, people came out to the corridors and said, hey, but they told us this is fun, and no, it's very boring, very serious.

1:03:13

And the producer said, no, we don't have to move it, because the play was a success, as we had done it. But then they tell me, get closer to the victory. I said, acercate a la Victoria. Y has como que tapas con el pelo pero como que le das un beso.

1:03:26

Y yo empiezo a la que la veo.

1:03:29

Yo estoy sentadita así como una...

1:03:31

Ya Victoria había oído algo, ¿no?

1:03:33

No, yo no sabía nada.

1:03:34

Lo habías oído porque estaba nerviosísima. Desde que empezamos me veía así como...

1:03:38

Ya yo no estaba nerviosa.

1:03:40

Esta ya estaba así desde la copa. I was like this since the cup, and I was like, what's wrong with her? And when she gets up, she didn't get up,

1:03:47

and I was like, what's going on?

1:03:50

And she had a laugh attack!

1:03:52

And she had a laugh attack! We both ended up laughing our asses off on stage. We laughed, we flipped. I mean, really, your mom's face. She didn't dare kiss me.

1:04:06

The character left her because she was like a scared girl who was going to be raped. She was like, what are you doing here?

1:04:12

What are you doing?

1:04:13

She ran like this and she hit me like this with a horror.

1:04:15

No, you have no idea.

1:04:17

The scene was so incredible.

1:04:18

I can't forget it.

1:04:19

Oh, no. I don't know. And people don't stop laughing? No, we just spread them around. It's horrible. How do we have a good time with this play?

1:04:27

Let's see.

1:04:30

Have you ever felt sexual attraction for someone you're not allowed to, that is, your boss, friend, ex, or someone you're engaged to? It's for both. You guys are not even the most beautiful in Calcutta. No, I mean, I it for Alain Delon.

1:04:46

Oh, yes, he always says that to me.

1:04:48

I love it.

1:04:50

You know that in a novel, they put a protagonist, well, the gallant of the novel. So, El Güero Castro calls me and says, Maribel,

1:05:02

I start reading the script and I see that the star of the novel comes into my room, into my house, and starts flirting with me and kisses me.

1:05:12

I read it and I say,

1:05:14

Victoria is not going to like this.

1:05:16

I never said anything to Victoria, but I was like, not the character, I felt like a friend. My God, I'm going to take Victoria's boyfriend away from her. I felt like it was personal. So I asked for a date with the producer.

1:05:30

I went to the producer and I said, don't do this to me, Victoria is going to feel bad. He said, Marvel, he's a character.

1:05:41

He's going to be a bad boyfriend.

1:05:43

He's going flirting with his girlfriend. He kisses me.

1:05:45

When she sees the kiss, she'll feel really bad.

1:05:48

And that's that.

1:05:49

I didn't want to talk to her again. You don't know how it feels. It's like we really took a giant from each other. I'll never forgive you. It's really bad that they left you. And that they didn't tell me anything.

1:06:01

I felt like I had betrayed her. You stay at home. Thank you. We have the last two and the best ones. One for each one or both? Both.

1:06:30

Both.

1:06:32

One. Do you think people still like soap operas? Yes or no? And what would you change for them?

1:06:40

Soap operas will always be a success. It's a genre, a melodrama, that people love. And it has a captivating audience. And I think families Novelas van a ser un éxito siempre. Es un género, un melodrama que la gente ama. Y tiene un público cautivo. Y yo creo que las familias se reúnen a ver la novela. Al final, las nuevas generaciones se siguen

1:06:51

enganchando con las historias.

1:06:53

¿Qué piensas?

1:06:54

Sí, igual.

1:06:54

Pero yo lo que le cambiaría es actualizarlas un poco. and they just copy-paste it, right? And they make the same old dialogues.

1:07:06

And that's not good.

1:07:08

Old dialogues?

1:07:09

Old. No, you have to update them and give people the opportunity, but even if they give it to you, you have to protect it well. If you don't protect someone well and you run a career, then it can be a novel and that's it. What's difficult now is making a name, right?

1:07:23

Exactly. a novel and that's it. What's difficult now is to make a name for yourself. It's incredible that now you see people who have made five soap operas and people don't know them. Because making a name is very difficult. I want to congratulate you because you've really broken your back and you've managed, with how difficult it is to have two famous parents, because both are very famous and very talented. I love both of them, even though this one kills me.

1:07:50

I'm glad that was the last question.

1:07:53

Why?

1:07:56

The other one was, what do you think of Eugenio?

1:07:58

Oh, that's good!

1:08:00

No, take this one, it's not good.

1:08:02

But I'm telling you, people think it's easy to be famous by being a son of a famous person. No, ya tómale eso, chocuera. Pero que te digo, que la gente cree que es fácil siendo hijo de famoso, hacerse famoso. Y es muy difícil. La gente a los hijos te caen guay. Claro, como es hijo de fulano y es hijo de sultano. Y por eso es que le dan oportunidades. Y es muy lejos de la vida.

1:08:16

Y eso es algo que les causa mucha angustia. Y tú has logrado imponerte a eso. and you have managed to impose yourself on that and you have achieved a name

1:08:25

It has been done what it has been possible It has been done what it has been possible very hard but working on Sundays

1:08:33

but with bosses who do pay you

1:08:36

Yes, yes, there we go

1:08:39

Well, it's over

1:08:45

No, it's not over, we still have something important Oh my God. Oh my God. Oh my God. Oh my God. Oh my God. Oh my God. Oh my God.

1:08:45

Oh my God.

1:08:46

Oh my God.

1:08:47

Oh my God.

1:08:56

Oh my God. shot or reto, retos con shot, o algo asi? Ay, no, que es eso? No, te digo que estamos con las, bueno,

1:09:07

ni en un convento habiamos encontrado dos mujeres así.

1:09:11

Ya les tengo preparado aquí todo.

1:09:13

Tu ponlas a jugar.

1:09:14

Ah, yo nunca, nunca, han jugado yo nunca, nunca.

1:09:17

No, que es eso?

1:09:18

Mosell nunca, nunca. Yo nunca, nunca lo había oído. OK. Bueno, si dice yo nunca, nunca. Y decimos algo más de cuando. Yo nunca, nunca he salido de noche. Y si saliste de noche, pues tomas.

1:09:32

Ah, ya.

1:09:33

OK. Ah, sí.

1:09:34

Sí, ah, bien padre el juego.

1:09:36

A ver, sí.

1:09:37

Uh!

1:09:37

Uh! Wow! I'm gonna tell you. We hear it, but we don't know if they say it. No, I never. I think they always say it.

1:10:09

I heard it.

1:10:10

Never, never.

1:10:10

Let's see, I've never gone out, well, I've gone to the theater or to the stage with a few other drinks.

1:10:19

I've never.

1:10:20

I'll help you.

1:10:20

What a shame.

1:10:24

Oh, yes. Right? I'm not going to say it again. I'm not going to say it again. I'm not going to say it again.

1:10:26

I'm not going to say it again. I'm not going to say it again. I'm not going to say it again.

1:10:40

I'm not going this tour is killing me. With dark circles up to here. Nothing, zero. He says, I didn't shower.

1:10:47

And I'm like, what? You're going to go out?

1:10:49

He says, I'm exhausted, I'm dead, I can't take this tour anymore, they're going to kill me. I was crying. We had gone to Bolivia, Peru, every day we went to different places. We were exhausted. I'm going to go out like this, and I'm going to grab a paintbrush, and I'm going to paint your mouth, and I don't want to, of course I do. And I'm going to put a red lipstick on it,

1:11:07

and I'm going to put a comb on it, and I'm going to put perfume on it, and it's going to come out in pajamas, and I'm going to make Mickey Mouse come out. The theater is going to go, I said... I never, never... Oh, how stubborn with his never, never. And he always, always... I'm always playing around. I never, never...

1:11:44

I'm not that bad. You don't have to play like this. This is not fair. This is the last one.

1:11:46

I've never cheated.

1:11:48

I've never cheated.

1:11:50

I've never cheated.

1:12:04

I've never cheated. comment on those things.

1:12:05

Never, never.

1:12:07

Well, you two have had a hangover. I mean, after... Well, how do you cure a hangover? Or in your youth, or when you drank, or whatever, how did you cure a hangover?

1:12:24

Making dirt. No, no, no. No, no, no. No, no, no. No, no, no. No, no, no.

1:12:25

No, no, no. No, no, no.

1:12:27

No, no, no.

1:12:34

No, no, no esta. Que bonito cuando hablaba uno de correnitos de coven.

1:12:50

Bueno, una alcacelcer. Una alcacelcer, no? No, pero la de comida. Ah, una sopa. No, de esta, del libro.

1:12:55

De huevos de tortuga, ¿es cierto?

1:12:56

Y ahora protección de animales, no? Comía agua de tortugas en extinción. No. Barbacua?

1:13:08

No.

1:13:09

Birri?

1:13:10

No.

1:13:11

Pancita?

1:13:12

Pancita.

1:13:12

Pero libro.

1:13:13

Pero libro abierto, claro.

1:13:14

Ay, que rica.

1:13:15

Ay, que rica.

1:13:16

La pancita me gusta mucho. Producida en la pancita.

1:13:17

Es así porque trae su chilito y orégano. It's called mondongo, so that you can put it in other places. It's called mondongo. The little pig?

1:13:26

No, not the little pig.

1:13:27

The little pig.

1:13:28

The little pig.

1:13:30

Well, girls, thank you very much for coming.

1:13:33

Oh, well, Ale, it's over.

1:13:35

I thought this was never going to end. Thank you. Thank you. Thank you. Thank you. Thank you.

1:13:45

Thank you. Thank you. Thank you. Thank you.

Get ultra fast and accurate AI transcription with Cockatoo

Get started free →

Cockatoo