Gene Deal Breaks Silence On Diddy Documentary & Responds To Diddy’s Baby Mom Calling Him Out

Gene Deele, welcome back my guy. Been a while man. It has been, you know, but I'm here and I figured that after this 50 documentary you'll be giving me a call. I told you I ain't turning down nothing but my collar when it comes to you. You know what I'm saying?

Yeah man, I mean I had to bring you back. This documentary got everyone talking, man.

A lot of people want to know why you wasn't in it, man. Well, first and foremost, you know, I thought I was going to be in the documentary at first until I started talking to that director. I think her name is Stapleton, I don't know her name. I don't know, man.

Me and 50 talked like 45 minutes. The producers had been calling me and everything, so this one night 50 called me up and they got him on the phone, me and him was just talking. We was talking about old time shit, you know, shit down with? Black hands sit down with you know with what we're puff kids the whole puff Situation and this documentary he's gonna be doing you know I'm saying so I told him that I Was going to you know have Kirk and Tim

Kirk will be the one who talked about the business part of it Tim would be the one who talk about the business part of it, Tim would be the one who talk about the growing up phase with Diddy and everything like that, and over there working in the record industry with him and stuff like that, they was like family. And I was gonna talk about the street stuff, what was going on with Bad Boy, you know, with the security, with Wolf, with the City College, with, you know, the time that I knew about when I was with him up until about early 2004, something like that.

And, but basically the streets and then the traveling with him and the atmosphere and everything and then go back into the Notorious B.I.G. stuff with the Tupac and the whole nine yards, all the stuff that I knew, you know what I'm saying? So we was talking, and he sounded like, yo, listen here, they gonna spare no expense

with this whole documentary. So I said, all right, cool. So what I did was I said, I spoke to Tim and I spoke to Kirk Burroughs. And I was like, yo, because I had Tim number. Tim didn't know how to get in touch with Kirk.

Kirk didn't know how to get in touch with Tim. But Kirk was trying to tell me, give him the number with the Tim. I said, nah, I ain't doing that. You know what I'm saying? So I gave one of the producers the number and the whole nine yards to get in touch with Tim

because I wanna see him get money because I know Tim got a hell of a story with Puff. So then I talked to Tim and I told him, yo, listen here, man, we should go in as a package deal. we could tell a hell of a story about this whole documentary, you know what I'm saying? From front to start. You know, then whatever stuff that they get and everything like that,

so yo, let's go in there and ask them for 50 a piece. You know what I'm saying? So, Tim was like, whatever, yo Gene, whatever, you know, go ahead like that. Kirk was like, yeah, okay, cool Gene. You know, it ahead like that. Kirk was like, yeah, okay, cool, G.

You know, it was like a general sense that we was gonna do this in a whole package deal. You know what I'm saying? And then I started speaking to the producers and everything like that, because 50 had told me himself

that they was gonna spare no cost in doing this because he wanted to tell the story because he wanted to tell the story and he wanted to tell the story like it was supposed to be told and everything like that. I said, yeah, okay. So then the director, I gotta get her name, man,

because it don't even sound, I wanna put her on blast because she was telling me, you know, she was saying to me that what I was asking for was crazy and they wasn't spending money like that. I'm talking about you got footage, you got clothing,

you got, I was doing footage, I had pictures, all the stuff that I had, you know, you could figure out a way to pay them or other stuff like that. And then I was telling her about some prices that I've already received,

and I had the invoices to show it. And then she was calling me like, like I was lying. I'm like, who do you think you talking to? You know what I'm saying? And she was talking about, you know what I'm saying? And she was talking about, you know, there's no way nobody paid. Nobody what?

I say, first of all, all you people come with these documentaries and stuff, the first thing you tell me, y'all tell these people out here that y'all don't pay, and y'all pay. Yo, you give, if you can make a picture

look like 10, $15,000, you know what I'm saying? You can sit here and tell me that you gonna pay me for my time sitting right down here with y'all. You understand? So then, you know, one thing led to another, and I was like, yeah, all right, well then, you know, F you, you know, I spoke to 50, and then she said 50,

and this exact words that came out of her mouth. 50 does not determine what goes in and go out of this documentary. And he definitely don't pay, he don't determine what somebody get paid. It's not his documentary like that. I was like, oh, so if it's not his documentary,

and I spoke to him like that, I don't need to be doing nothing with you, because I'm doing this on the strength of him. But you gonna pay me if I do it. So it went back and forth, you know what I'm saying, for a little bit and then they had Kirk Burrows

giving me calls and everything like that. What are you calling me for? You know what I'm saying? I'm not, get out of here. I know what kind of dude you is anyway. I mean, you cool and everything, Kirk,

but don't call me about no business with this stuff like that." And then what I found out was is that he was making a deal, cutting a deal for himself as well as Tim. You understand? And I was trying to get a deal for all three of us.

You understand? So that's how them industry cats go. You know, that's what they do. You know what I'm saying? So I'm looking at it like this. So then he called me back again and I told him, listen, why don't you ever call my phone again, Kirk?

You know what I'm saying? Because we had got into it about somebody calling him. He told me Groovy Lou called him and want to know why Gene's still doing this, the puff and everything like that and I mentioned it on the Gene Deal Show. You know what I said something, he called me back like I was lying. And I, you know, listen to me, Kurt, don't call me about what these clowns and these n****s say right here,

bro. I had nothing, you know, and especially don't call me talking about what I got to fix. When in fact, you know what you told me and you know what our conversation was. You know what I'm saying? So the whole thing about why I'm not in the thing, the lady was talking greasy to me. She had no right to talk greasy to me. And then she told me that 50 didn't have the power to do anything, but they using his name to like push the whole documentary.

And that's what it was about. So that's why you don't see a cameo other than the pictures they used of me on the film in the documentary. I got like three or four pictures in the documentary that I've seen of myself.

You know, some people say they saw more, but I know three different times where I was certain places that you could actually see me in a documentary, and that's the only thing you're gonna get. But the stories that they told in the documentary,

bruh, come on. They could've went a whole lot deeper. They could've did a whole lot more. So, I ain't in the documentary because that lady that was the director, I think, what's her name?

Alex, you know, Alex, you know her name, Miley? Yo, Miley, just give me one second. Give me one second, I'm gonna look this up, all right? Okay, her name is Alex Stapleton. The director that I spoke to was Alex Stapleton. She was the one told me that she was the director,

she was the producer, whatever this, that, and the third, the whole nine yards, and she was talking mad greasy to me. And listen here, It's no my after you talk that kind of talk to me. There's no kind There's no amount of money she could have paid me anyway for me to get in there You know, my story is more too valuable You know getting in the depth or getting in depth with this whole stuff and it would have helped that documentary a whole lot

You know say I'm saying? And actually, they used all the stuff that I told them and did it the way that I was saying do it. Tim Dogg start off with the childhood with Puff and the whole nine yards. Kirk Burrows do the business part, but they was trying to put people in there

like Mark Curry and other people to talk about the streets or what was going on, you know a certain thing But Mark didn't mark and only say so much you don't say because he was an artist, you know So he wasn't with puff like I was with him during that time when we was running back and forth here and there and the whole Nine yards, so, you know, miss Alex Stapleton is the one Reason why I'm not in the documentary,

but it's all right with me. I've been in a lot of documentaries. I did The Shine, I did the A&E, I did the Discovery Channel, I did the Fox. You know, I've been in a whole lot of different documentaries and I'm always on the Art of Dialogue.

So the people been getting most of the information from here anyway Yeah, man, you always on here man. I always got to bring you on So with that being said man, I want to get right into the documentary man. Um, how you feel about the documentary man? Um the behind-the-scenes footage they got a diddy leading up to him getting arrested and how you feel about all that man Well what I feel about the documentary they left a whole lot of key things out if they was going to do something and they gonna say in the reckoning of

Sean Cone's the reckoning or did he the reckoning and stuff like that It should have been a lot of people that we lost because of him. You know I'm saying it wasn't only big It wasn't only Tupac, you understand, for the atmosphere that he put those kids in. You got a guy named Anthony Wolf Jones,

who was from Bad Boy, from his conception as doing security and being one of the financier of Puff having to have some money to keep Big and Craig Mack around before he got to Clyde Davis. You know what I'm saying?

They wasn't able to tell that story because they didn't have no intel on that story or what went down or they didn't do their investigations right. Which he also led up to the reason why Wolf ain't here today. You understand? They didn't tell that story. They didn't tell the story about Jessica Rosenbaum

who was at the city college situation. You understand? When she, it was Puff, Heavy D, and Jessica. You know what I'm saying? Jessica was the reason why those kids lost their life. Because she locked the door on those kids running down the steps

You understand you can see her name in a news article But they didn't mention nothing about her taking place But they try to put heavy D God bless the dead out there and try to put and they put puff out there You know saying she should have been the main one because she is the one who locked the door on the kids You understand she is the one who locked the door on the kids and all those kids lost their life Had she not locked those doors not one kid would have lost their life

Not one kid would have lost their life And that's what happened. So the reason, the feelings that I had about the documentary, man, it was just old news. And they took a couple of, with the footage from Puff, from the days of leading up him to get arrested,

and the incidents with the people from the courts, you know, the two people from the courts. So, it was nothing new. It was put together pretty good, but it was nothing new that we didn't know. It is nothing new that we didn't know, bruh.

And they could've did a whole lot better. They could've got into the fact of, they was talking about, they was gonna, you know, they was gonna spend some money on it and stuff like that. They could've got into the fact of

who actually made that payment, cause they put it all in the documentary. Who made that payment to get Tupac eliminated? If that was the payment that they had alluded to. So, liking the documentary, it's all right, bro. You know what I'm saying? Tupac eliminated if that was the payment that they alluded to so Liking the documentary inside bro, you know saying but you watch it once it don't get no second

Look, it don't get no second take it ain't nothing. I say, I gotta go see that shit again. Nah, not at all So let me be clear on this brother. Is that I Was at City College You understand I was there I was doing security My team was supposed to have the outside Puff came to me the day before we were supposed to do the job there and told me that

Heavy D didn't want us to do the security outside. I had 18 men ready to do the security outside with my dogs like I always do. People knew how we used to roll. We would have the pits, the rock wallows, you understand?

You know, we had an outside locked up so anybody tried to bum rush, anybody do that, we had the gates the whole nine yards. So we could stop all that. You know how people gonna get down in Harlem. You understand?

So, and then when you got LL Cool J, you got Mike Tyson coming through there, and they coming through the front door so people see them. So they gonna go crazy. LL was the hottest thing out at that time Mike Tyson was the hottest thing out at that time They got all kinds of stars and people in there already

They was coming through the back. They came through the front and It caused the door to be bum-rushed but had them have if they had the gates up if they had the dogs and that and with the with the help of the police That shit would have never happened bro. That shit would never happen. I was there. I saw it. I Saw Jessica run down and stuff after she grabbed the money box cuz my man Eddie was protecting her And Eddie's the one called me on the walkie-talkie and said, yo, Jessica just locked me in,

locked me in outside the gym, Gene. You couldn't go down the steps after they bum-rushed the door. You understand? I had to run around the whole gym on the outside, round the gym, down the steps,

run across the basketball court, and open the front door. When I opened that one door, because it pushed inside, people would start squeezing through that. Then I did, I just kept doing the doors and people was coming in there, falling dead, right out, just falling out right there. And once they got in there, they just fell out. It was crazy, bro. It was a crazy sight. So I was there man. So I

Knew more than they would put down in that documentary And you're saying you even see me when puff is standing up right there. You see me down there Trying to Do CPR on somebody and that was a 17 year old kid that died, bruh. That was a 17 year old kid that died.

I knew his brother. His brother was sitting there crying talking about, my mama gonna kill me. This is the first time I ever took my little brother anywhere.

Terrible, man.

Who do you put to blame more for that whole City College thing? Do you put it all on Diddy or is it more people that play the part? Well, I think puff cutting security for the outside is a big part. Second of all, the college should have had their security there and you didn't see none of the college security and the college should have let the police department know that it was a function of that magnitude that was coming.

So it's Diddy and the college and the security and the school.

To get into this documentary, man, cause I want to get your point of view, man, and I want you to break it down. It's one part in here where Eric Sermon, he told a story about how he was in a car with Misa, and Diddy caught him in a car, and Diddy swung on him. You seen that part?

Well, Eric Sermon said that Puff swung on him and invited him, and he invited Puff to go around the corner but a Lot of people Kirk Burrell's told the story and I and I and I told him like this because we knew that it happened back in the day that uh Puff was putting his hands on Misa You know, so I used to bodyguard Misa brother. You understand I'm saying I used to bodyguard Misa You know after I stopped working for puff and everything like that. I bodyguard Misa. After I stopped working for Puff and everything like that,

I started working with Misa. I wanted to still be out. Misa still wanted to go to places. Misa still wanted to be out and about. So she said, Gene, would you look out for me?

I said, Misa, you can't afford me. She said, Gene, it's only going to be for a couple of hours when I go out and stuff like that. I know he not gonna do nothing, he ain't see me with you. You understand what I'm saying? So I said, all right, Mesa.

All right, so if I come out for a couple of hours and stuff like that, every time I come out, Mesa, it'll be 200, $250 for a couple of hours just for you, Mesa. So, it was known that Puff had a hair problem, especially when it came to women that he dated. And it was surprisingly that he swung,

and like Eric Sermon said, on him. You understand? And then went to listen to some music. That shit was crazy to me. So, my whole thing about it was is that it was that the Eric Sermon shit and then he went to listen to Juicy after Niggas swung on him, that's some industry shit, bro.

You know what I'm saying? That's some crazy industry shit. The whole thing about when he's talking about the Misa part being in his car and everything like that. And that was the part where as that Puff was putting his hands on Mesa. And he should have whooped his ass right then and there. You know, no matter if Mesa was just in his car

chilling or whatever. You know what I'm saying? She chilling with me, I'm responsible for that. I'm gonna be responsible for her. Do it some other time. I don't care if it's your girl or not. If she in my car right now, you understand, and she's chillin' with me, and she a friend,

you ain't gonna put your hands on her and beat her like Puff was doin' her. Nah, not at all. And I think that, you know, he should've took responsibility for that more so than he took responsibility of hearing a Biggie tape or Biggie music. You understand? And speaking of Misa, how you heard about the comments she made about you today?

Bruh, I saw that today. Somebody sent me that shit today, man. And my whole thing about it is, Misa, how am I harassing you? I've never harassed you. I've never always been a protector of you so far,

until now, you understand? For you to go and try to snake that whole situation and saying I'm the reason why you being harassed, no, your ex is the reason why you being harassed. You understand? Your ex is the reason why your son is the way he is.

You understand?

You understand?

This is what happened, and I'm gonna let you know. Another YouTuber, one or two came out and said that Justin is Wolf's father. I mean, Wolf is Justin's father. Another YouTuber came out and said that Wolf is Justin's father.

Wolf is a former bodyguard of Bad Boy that was murdered by an associate with BMF. So now, I never said nothing, yay, nay, or whatever. Me and Puff is beefing, you understand? I'm not gonna come out and play Super Saver or anything. You understand?

I ain't got nothing to do with, I might allude to,

maybe he is, maybe he ain't.

He shoot mother in the studio, what was that type of dude? So I didn't say nothing, but I know the difference. I know that he wasn't because they had a blood test. They had, they did that paternity test and shit like that to prove that Justin was his son. Puff was mad the whole nine yards

because he had to pay Mesa a large amount of child support. Which he was starving her at first. He wasn't doing nothing for his son. That's why Suge Knight took that picture of Mesa and Justin when he was hugging Mesa saying what the East Coast won't take care of, the West Coast will. You understand?

I told everybody about that whole picture and then everybody said I was lying and shit and then somebody released Suge in the same clothes that he took that picture in playing with Justin on the floor. You understand? So now Misa is mad at me and upset with me because I didn't clarify that. You understand? It wasn't for me to clarify Misa. I ain't harass you not one time. I ain't clarify that. You understand? It wasn't for me to clarify, Mesa. I ain't harass you not one time. I ain't harass you when you stop,

when you owe me $750. I let it go. You been having, you been having the money allegedly to pay me. You know what I'm saying? You got a deal with MCM. You could have sent me a bag. You could have did anything allegedly to pay me. You know what I'm saying? You got a deal with MCM.

You could have sent me a bag. You could have did anything to make it good. But you just said, fuck it. Now you being harassed by Gene Deal. Gene Deal ain't never harassing me. So I used to save you because you were so afraid

that when you was out here giving it up on both sides of the panties trying to feed your kids, that Puff was going to find out. You know what I'm saying? About them down south n****s. About them Nolan n****s.

Should I go on?

Being harassed?

Come on Mesa, you could do better than that. You could do better than that Mesa. You know I ain't harass you. I ain't tell none of your secrets. I ain't say nothing about you. But you wanna put it out there and play a victim.

It's puff fault all this shit is happening with Justin. It's puff fault all this shit is happening with Justin. It's puff for all this shit is happening with you. You remember Mesa? When he was mad over them NOLA niggas. Y'all know who them NOLA niggas is, them New Orleans niggas.

I'm gonna leave it at that. Cause I ain't gonna put that man business out like that. Cause I ain't gonna put that man business out like that.

Oh baby.