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LA CASA DE ALOFOKE LA DESPEDIDA (PROGRAMA ESPECIAL)

LA CASA DE ALOFOKE LA DESPEDIDA (PROGRAMA ESPECIAL)

Alofokeradioshow

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0:00

is Oh! Oh! Oh!

0:26

Oh! Oh! Oh!

0:44

Oh! Oh!

0:45

Oh!

0:46

I know some more crazy.

0:48

I know some more Carola.

0:50

No!

0:51

I know some more Niñay.

0:59

Welcome to the farewell of the house of Alofoque, a project that began with a vision, I have said it on repeated occasions that we had a moderate expectation, but it became a national and international phenomenon. Because of the dynamics, the characters, many factors were mixed. Factors, right? Yes, including the audience, also the grace of God and also the technical team and each of you.

1:46

Here I am with the finalists for the farewell.

1:51

I want to cry now, kid.

1:56

Welcome.

1:58

But you're going to applaud, Nina. Oh, yes, applaud, welcome.

2:02

We are a little depressed, kids.

2:04

I'm in mourning. I want to start with Giuseppe. ¡Aplauden! ¡Bienvenidos! Estamos deprimidos un poquito, pero... Estoy de luto.

2:06

Yo quiero iniciar con Giuseppe. Giuseppe, Giuseppe... Tú me escribiste. Yo no suelo contestar mensajes de DM. Tú sabes de nada. Pero, ese día yo estaba revisando el Instagram, el DM, y me escribiste. uh... that day I was checking Instagram and you wrote me

2:25

and right there came the message remember this, look I want to participate in the house of Alofoque check my profile I checked it and I send it to Manauris my producer

2:45

He looks good.

2:46

I mean, yes, he introduced himself, look, I'm an Italian, Venezuelan, I live in Bolivia, I really liked the combination of countries, blessings to each country, Bolivia, Italy, and also in Venezuela, the fitness type and all that, since the first person who really believed in the project was Crazy Design.

3:11

When...

3:12

The first in everything, always...

3:13

Yes, everything la casa. La primera persona que creyó en el proyecto fue Crazy. Me dijo, negro, yo quiero estar en la casa. Yo le dije, mira, yo creo que haremos casting o eso. No sé, no sabemos todavía, pero tu puesto está asegurado. Entonces, ya había nueve lugares. Y realmente, yo te traje para hacerle hacerle la competencia competencia a crazy design bro puedo hablar todas las verdades aquí recién

3:51

me estoy enterando si porque creí si era el bonitillo porque creí si se ha dado mucha mega diva que dice el tipo de el artista que ha hecho trío con dos mujeres duras de la farándula toda la las bailas. Yo tengo que traer a Crazy, un tipo que se derriten las mujeres.

4:09

Y no le gustó a nadie.

4:11

Los grandes del caso.

4:14

Lo menos que llamó la atención política.

4:18

¿Cómo fue?

4:19

Entró, se quitó el polochey, se unió a Trippel,

4:21

y no le gustó a nadie en el likes me. Nobody, ok. What motivated you to send that DM? How did you find out about La Casa? I saw the show you were announcing, La Casa. And I thought it was cool, the first reality show and everything. And you just posted something about La Casa in a story and boom! I sent you that message.

4:39

And as soon as I saw that you responded, I said, Yeah, it could be. And from there it kind of flowed. To be honest, I said, shit, I'm going to go, but I literally, I brought little clothes for that, because I came for three days.

4:52

I said, surely, you know, a filler, and... And you left.

4:56

You felt like a filler?

4:57

I mean, I imagined it was like that, because you had given some names of people who could be and there were people with many followers, who are well known, so that was what I thought, but once I arrived and marked that character, and that connected me a lot and nothing, I got to the end.

5:17

You connected and disconnected.

5:18

When they gave you the news that they were turning the microphone, when they gave you the news that you were coming toity, that we accepted you, what did you think? I didn't believe it, really. I told my wife, look, this is serious, yes. And I already had some tickets, everything, and that's when I assimilated, when they already sent me the ticket, like everything else, because I didn't believe it. Had you come from the Dominican Republic?

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5:41

No, first time, never. What was your first impression when you entered the house? The first night, how was it? The first night was all new, I was quite nervous, but I said I'm going to get my cards and I'm going to send you this, but I'm looking for a Mont Blanc notebook that I was given. In the office? Yes, in the office.

6:13

Mont Blanc.

6:14

I chose each of the figures that are here, present. That were present in the complete reality. Jimenez, Chupamela, Lapecki, Quien Mabladi, all of them. I chose all the characters by myself. I did consult with psychologists and psychiatrists, other characters that I thought in my head, and they told me, look, this one is very expulsive, otros personajes que yo pensé en mi cabeza y me dijeron mira este muy

6:47

explosivo este no este sí ya que realmente queríamos hacer un reality crudo 24 7 internet transmitido la 24 horas pero yo no quería una carnicería y quiero y quiero aquí que me envíen esto por me esto me pasa todo foco del todo foco Esto es una una una esto es una una una

7:18

regalar un Yo tengo la ceniza de mi tío ahí abajo que es como ese mi papá y yo I have a picture of my uncle down there. That's my dad. I come here on Saturdays and Sundays. I come here at dawn and I sleep in my office. It's like my place of peace. I start to create. Look here, where I put Jimenez, Gigi.

7:42

Gallo from Produce producer from Puerto Rico came but he couldn't come because Pecky was coming so people would know Cruzita

7:54

I put Diaspora

7:56

I put Luice Crazy Design Carola, look at her there with my letter

8:02

You were present, cutie

8:04

Look, it says Jen Quesada, I deleted her me hablo ahí con mi letra. Tuviste presente lindo. Mira dice aquí dice Jen Quezada, fu la borre. Aquí puse Burbu que es una figura de Puerto Rico que quizás este en la temporada dos muy bacana.

8:16

Bendiciones Burbu de Puerto Rico. No la Burbu del medio sino una una persona de orientación homosexual bien dinámica, bacana la borre la sicaria que es una señora de san cristobal pero muy mala palabra Rosa

8:33

entonces a que le acuda de esa parte Puse La Paris y la Paris y me dijeron psiquiatras Es muy explosiva peris es muy explosiva la estudiaron estudiaron video de la entrevista y me dijeron que no aquí está axel buenísimo que era una opción pero apareciste tú para que sepa y entonces aquí puse luices confirmado

9:08

es porque te dice la llamada y yo voy porque es un live streaming

9:13

pues yo le estaba preguntando cada 10 segundos cuando es cuando es cuando es

9:17

yo pensaba que era porque lo confirmó como que me sacó

9:20

y yo hice un live, entonces comencé a llamar a cada uno de ustedes pero aquí está la libreta donde yo escribí todos los nombres pero yo no estoy ahí, o sea yo fui un retrojo is Selva can be a regular para de na miss our la la production y la dinamica del del del en vivo de la streaming cuando se va a jimenez a vacuum una parte del del del de la dinamica y increiblemente hay que estar preparado para las and, incredibly, you have to be prepared for opportunities. You don't know this one, Crazy. From there, you go down there and down here.

10:08

Get up, man!

10:11

You got it.

10:12

Kalingbu.

10:13

Like Majin Buu.

10:14

Kalingbu.

10:16

Listen to this. Gentlemen, look. A person we invited to one of the shows and it was very close to the house, on Instagram. invitamos a ya uno de los shows y es muy y estuvo muy de cerca con la casa en el instagram pues hay que agradecerle a los memeros a la persona que opinaban y todo a los programas a la empresa nacional e internacional y tradicional se llama

10:37

chico permiso que es un chico permiso chica permiso que chica permiso es un Chica. Chico, excuse me. Chica, cutie. Chica. Chica, excuse me, okay.

10:45

Thank you.

10:45

Chica, excuse me, is a guy with a gay sexual orientation. Very dynamic, very creative. He has a sex appeal. And when Ximene leaves, I go home.

11:02

And I say, shit, man. We need a person who puts me voy para casa y digo mierda necesitamos una gente que le meta chis para casa y esa persona no puede optar por el millón de pesos pero si por la guagua para no quitarle privilegio a los que ya están y le escribo por instagram mandame tu número le pido a gente mía cerca del foreign

11:32

foreign foreign No contesta. Gracias, permiso. Espérate. Y cuando no contesta, digo Carlos Montesquieu. Pero Carlos Montesquieu, y te sé sin ser oro, yo nunca pensé que tú ibas a aceptar estar en la casa de Pablo Fonsi.

12:00

Yo tampoco.

12:01

No, no, no. Y no subestimando la casa, sino que a lo mejor, como ya la casa había empezado y todo eso, tú eres un top de los creadores de contenido. Y yo, bueno, a lo mejor, Carlos no va a venir para acá.

12:18

Flow familiar.

12:19

Flow familiar, el tipo tiene otra cosa. Yo dije, decirle, Carlos, ven para acá. No creo que Carlos... foreign uh... Where do we meet? He sends me the location of his house. I look for a girl.

12:48

He brought me.

12:50

I brought her in the face. I have to be honest. He has to leave things in his house.

12:56

Of course.

12:58

I give her a good laugh. I give her a good laugh. I have to give her a good laugh. And the man, you know, I give, las riendo. Digo yo, porque estoy sincero. Hay algunos que yo le pasé moña y otros no.

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13:09

Aquí.

13:10

Yo no te pasé moña a ti, ¿verdad? Nada. ¿Y a ti?

13:13

Ni nada.

13:14

Pero a Luis se sí. Con razón Luis se irá el moño de la casa porque ya estaba coronado del dia uno tambien te paso una moña a ti ve aca ven

13:26

arriendo

13:28

cuantos meses fue que tu duraste dentro de la casa

13:30

te paso una moña a ti

13:32

claro claro mi dinero como es como es

13:36

mi dinero

13:38

a todo el mundo no a todo el mundo ni a ti ni a ti o menos ponme un bono extra oye trajiste de ese campo bolivia mira I didn't get any money from you, or you. Or at least give me an extra bonus. You left me very... Hey, bring this guy from that field in Bolivia.

13:47

Look.

13:49

And in first place. So that I don't say, look at this shitty reality show. In first place. You hear?

13:54

They treated me like a king.

13:55

So I grabbed him. I went to the bank early. Since I didn't have to go. And I sent him the location. I went to the bank. I looked for a girl like this. I brought her to his face.

14:07

From 500?

14:08

No, from 2,000.

14:10

Oh, so you gave her a million?

14:12

Boom! And I told him, Carlos, pay what you have to pay here. Resolve the purchase, the food, the school for the child. I want him to go to the house of Alofoque. We read the contract, he read article 4.

"Your service and product truly is the best and best value I have found after hours of searching."

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14:25

I didn't read it.

14:26

You read it.

14:27

Relax, man.

14:28

I didn't read it.

14:29

I looked at the money, put the contract aside, and said let's go.

14:34

It's true.

14:35

And I'm going to tell you something.

14:36

A day before I wrote to you because I saw the feeling.

14:40

Where? Because you didn't have WhatsApp? I deleted it.

14:42

Ah. I deleted it. I wrote to you on the internet and I put it on disk. It gave me like to write. I said, get me in, I'm going to learn it.

14:48

And writing, I look at the boy.

14:50

So you're free and you go there.

14:52

Oh my cute.

14:54

Listen to me, I wrote to you, get me in, I'm going to learn it. And like I regretted it. I looked at the boy, I regretted it, I deleted it. And the other day you write to me, and I got excited when you wrote to me, I said, shit, I'm going crazy.

15:07

Carlos, you didn't give me the contract.

15:08

I read it to you.

15:11

And you didn't give it to me?

15:13

But it was a quick thing, because it was 11, and when everything closed, I told him, I'm coming to pick you up at 7. vengo a buscar a las 7 se hizo trenz el tipo pero la ropa la vaina y adivina quien llama la una chico permiso mire chico uno y uno una y dos una y tres una y cuatro una y cinco una y seis 60 ya madame chico por mi no sabía que meter en verdad cuando saliste a la casa no oye oye te digo algo. Yo dir, mira, crisis, crisis de la casa. Fueron varias. La salida de Jimenez fue una super crisis. Porque ahí se iba una trama.

15:53

Del bonitongolo, de la convergencia tuya con Cruzita y todo eso. Crisis fue cuando se fue la Pequi y Cruzita.a fue una super crisis Crisis where la salida de oese de aquí de la loca Pero muchísimo zero pero mucho de igual o es que la gg cuando yo meto una encuesta de un millón de seguidores y el 30% la quiere es una audiencia muy grande y el 70 que no la quiere también es pequeñito grande you know, I'm going to be in the United States and I'm going

16:25

to be

16:26

in the United States

16:28

and I'm going

16:29

to be

16:30

in the United States

16:32

and I'm going

16:33

to be

16:34

in the United States and I'm going to be in the

16:39

United States

16:40

and I'm going

16:41

to be in the United States and I'm going to be in the United States Oh! Why are you looking at me like that? Because it was for the people. I wasn't going to go inside, my love. 70% said no.

16:50

30% only. Do you know who were the 30%? The team of yours, but the 70% were the ones who didn't love you, my love.

16:56

Remember?

16:58

So, what's the deal?

17:00

You have money to pay my car. The deal is that if you divide each team of yours, Oh, yeah I know some of you crazy. I know some of you carola. I know some of you niñaño. I know some of you...

17:30

I'm jealous.

17:32

The envy that Carola has. She copies me to all the words. She copies me to all the words. She copies me to all the words. She has me like... I enjoy it. I love it.

17:44

I'm going to say something, love my love. Lydia, you have me, my love. You know why? You know why you envy me, my love? The one who copies me, you are me. I put, I put, look, I'm going to tell you something. So that you know, my love. We talk about creativity, my beautiful. You don't talk to me.

17:50

Don't get it wrong, my love. I'm on a little bit In Soledad by now, so I can't Get out of it

18:46

Like Oh Oh! Oh! Oh! Oh!

18:48

Oh! Oh! Oh! Oh! Oh! and he gave him a dynamism of the pinga the baira. Hazaroso. And the guy gave the 500% of him. The first day. So, Trujillo, be honest, it's ours.

19:10

24 hours of security.

19:12

Trujillo, Trujillo, hey Victoria, it's ours. I am the participant of ONCE. And here we are going to talk about the truth in the farewells, people. What mission did I dedicate to you? Tell it to yourself.

19:25

I knew it, let's go there.

19:26

Tell the mission.

19:28

Among the missions I had...

19:30

No, but the main one, which was it?

19:32

The main one? Because I had two main ones.

19:34

No, but the main one, tell me, which was it?

19:36

That you wouldn't let me sleep.

19:38

To what?

19:39

To everything.

19:41

Did you forget? Ah, the one that I put on was for Trujillo. For Trujillo. But it was your ugly one, really.

19:46

It was your ugly one.

19:48

Trujillo is yours. I told him, Trujillo is yours. I told him, take it, for you. Did you understand?

19:55

The first day I wanted to hang him.

19:57

Yes, I know. The first day. Victoria, Trujillo de derrota. Do you remember the day I was dressed like this? I was with a hoodie and glasses, defeated. It was when he told you, your battery is going to run out, you're not going to last 15 days,

20:18

I said, in high, wow, wow. In one, the Super Chad, because maybe he was already asleep early, it turned on from 12 to one and a half until two,

20:29

the super chat was bugging him, and he said, I need to sleep, open me, I want to go, I want to go.

20:40

And it's told, there are some images. It's so funny, man.

20:46

And I arrived the next day, Carlos.

20:48

And you arrived in Cuba.

20:50

I don't need you here. I came to help Santiago. I came to help you. And I... I got in the ego.

20:56

This is for the best.

20:58

The production didn't listen to me.

21:00

No.

21:02

I didn't go down.

21:04

I wrote him, there is a nail in the sink, don't open it! So I grab it, and the next day when I get home, and he comes in, because he slept, and we turn off the superchitte Tequitán, they turned it off! This is a favoritism. And then, it turns out that the next day, I was defeated because you won the first battle.

21:34

Did you understand?

21:36

Because you told him to go down. When I got there the next day, I hit him. I had 15 days there and I didn't know how it was dynamic. I was defeated because you beat me. And the other day I arrived, Carola.

21:50

Carola, it's me.

21:51

Sorry.

21:52

People get confused. Why?

21:53

They're envious. I arrived and said, Carlos, how are we going to raise morale?

22:02

Because outside we were... We were going outside. Really, what did you say outside?

22:10

Trujillo, Trujillo won.

22:12

Really, man.

22:14

The guy won Trujillo.

22:16

And so it started.

22:18

Son of the devil!

22:20

Get me out!

22:22

Get me out, I'm leaving!

22:24

And I arrived, defeated I arrived. When I was on my way there, ¿Qué vamos a hacer para levantar a la moda? Pero, logramos la misión, que era quitarte a Yeji,

22:25

porque no era el mejor, y no era el mejor, y no era el mejor, y no era el mejor,

22:43

y no era el mejor, y no era el mejor, ¿Qué vamos a hacer para levantar a Monarca? Jajajajaja

22:48

Pero, logramos la misión que era quitarte a Yeji porque los puntos estaban dividiendo. ¡Los villanos! ¡Los villanos! Pero yo no sabía que eso pasaba en el Superchat. ¿Cómo lo bailas?

22:58

Que yo no sabía que eso pasaba en el Superchat. Que si la gente mandaba, decía por decir

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23:02

¡Los villanos juntos! Si la gente mandaba... decía por decirlo. El contrato decía que se asignaban los...

23:05

Yo no leí el contrato, Santiago.

23:06

Ah, mamá mía. Tanto que a Zarate con el contrato del diablo. Una vaina. ¿Por qué aceptaste venir? Yo nunca he tenido esa relación contigo de hablar ni de bacanería. Yo te vi, tú a ti ya, hermano. Yo sentía que era una oportunidad. that I was an opportunity. How did you give up? How did you give up? I thought about Cruzita, Diaspora,

23:28

Sibaheña, Madre Soltera, a low profile girl, calm, without scandals, like that, very hardworking,

23:40

and we had met in several activities and everything, I say, Cruzita creo que es una buena representación de la diáspora. Porque yo pensé, como en cada segmento, un artista, estamos hablando de Gigi, tú sabes que...

23:54

Yo quiero saber qué fue que tú viste en mí.

23:56

Yo te voy para allá ahora. Voy para allá. Voy para allá.

23:59

Entonces, yo no te... Entonces, digo yo, déjame tirar el bond a ver si ella acepta.

24:07

Oye, ¿dígame que se aceptaba? Una mujer con hambre de seguir creciendo.

24:13

Es que yo no sabía, mi amor, de corazón.

24:15

Claro.

24:16

O sea, yo escribí, manifesté los nombres y dígame que comenzara a llamar. Y yo, cruzita, dime, ¿ready? Tú está adentro. La vaina, ¿ready? I don't know. ¿Qué tú piensas? No, porque tú me lo hiciste de una vez. Sí, pero ¿qué tú pensaste? No, yo no lo pensé, yo dije que sí, de una vez. ¿Por qué así? Porque eso no se piensa como así. Se piensa, dejar tus yo voy a hacer para allá.

25:06

Esa gente lo que quiere es pleito, seguramente,

25:09

yo no voy a pelear con nadie.

25:11

¿Y la primera persona que tú le contaste que venía?

25:14

Feli, porque mi amiga ve mucho a los Foca, entonces cada vez que ella veía el programa que mencionaban eso, Ella me decía, ¿cómo que tú te imaginas que te llaman y te inviten para allá? Y yo decía, a mí no me van a llamar para eso.

25:27

Sí. Yeye, dime ahora entonces.

25:33

Bueno, Yeye, tú sabes que tú eres...

25:34

La página azul.

25:35

No, no, no, no.

25:36

Claro, porque eso consume esa tarjeta. Mira, Yeye, apart you're a good DJ.

25:46

And everything.

25:51

And you play the guitar. I'm kidding. I respect you a lot. Remember that we have worked, we have done several interviews, many interviews, and in the interviews you were a very sincere person, you were very open, you were very dynamic. You were a super, super, super open person.

26:13

And, as I said, the Gigi, there would be a lot of content. Because you, the phrases, the phrasing, the dancing, you calm down with what you say and everything. But I really didn't know you were so crazy. foreign Algo. Ay. Tu decías siempre. En tu último, bueno, tu humo ni igual, ni el humo ni te lo voy a decir, que eso fue una falta de respeto, no lo dejo olvidarte.

26:48

Yo esta casa, me la cargué arriba, contenido. Que está aburrido.

26:54

Que es esto.

26:55

Que lo otro. Hasta, yo creo que te decían un meme, que cargando la casa así. Nunca se te obligó. Yo sé que no. A ti. Yo me encargué.

27:05

Porque vi el vacío y dije, espérate, deja eso a mí.

27:09

Que lo voy a prender.

27:10

Pero en qué momento de producción te dijo, joder.

27:13

A mí nadie nunca me dijo nada.

27:14

Déjalo claro entonces.

27:16

A mí nadie me dijo, mira, digo, wow, aquí hay pilas de gente viendo y esta gente es la que está sentada o hablando.

27:27

¿Quiénes estaban sentado o hablando?

27:29

Haciendo nada. Y yo dije, espérate, déjame, tú sabes, encagarme y prenderla.

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27:35

¿Con qué tú crees que tú la prendiste, Gigi?

27:37

Mira, yo hice una película en mi mente y cada día yo sabía que yo iba a levantar y a que yo iba a joder y que yo iba a decir y después

27:47

el día siguiente seguí con el película, todo.

27:51

Tú parabas acostada allí.

27:52

Pero cuando me levantaba lo aprendía.

27:54

A las siete de la tarde tú estudiabas solo allí.

27:56

Es que lo hacía.

27:58

Gigi, ¿cuál figura tú crees que tú como que le cogiste más baila pa' joder? ¿Pa' joder? You think you picked Mabaila to fuck? To fuck? To fuck. Let me fuck this figure. Who did you pick to hate? No, no, no. Who did you pick?

28:10

I don't hate anyone.

28:11

But who did you pick to make content? Who did you pick to make content with?

28:16

With Cruzita.

28:17

With Cruzita? Why with Cruzita?

28:19

Because she was number one.

28:21

Number one, yes.

28:22

And I wanted to be number one. Ella era el número uno. El número uno, sí. Sí, y yo, hombre, yo quería ser el número uno. Ese era como mi misión, ser el número uno. Me di por cruzista.

28:30

Ajá.

28:31

Cuando tú saliste la primera vez, yo quiero que la gente sepa, cuando le di el empujón a Carolina, que todavía estás rodando.

28:42

Amor, ¿sabes qué me gusta? -$10. $10. $10. $10. $10.

28:45

$10.

28:46

$10.

28:47

$10.

29:04

$10. I Think it was a

29:11

Little empuja a carola que rodo

29:20

I'm a father you know passing out a condo a la daña que el que viene la primera expulsión es cuando ella de barata la cama de carola

29:30

tuya sosa en ese punto nosotros estamos ya the bed of the carola I say that at that point we were already exhausted because gentlemen I want you to know the farewell that we made a documentary and you have to edit it we spent work with you gentlemen a super chat told the girl a super chat they stole your dog and we had to look for a dog at 5 in the morning super super super super super super super super le dio un ataque de ansiedad y después se fue a acostar porque duró tres horas mi perro mi perro mi perro mi perro y tuvo que mandar a buscar a mi perro

30:09

para que ella los viera. No, pero esa es tu compañera. Esa fue de la cosa que produció. No salió cana. Es un perro con... Por eso que nosotros estábamos tan irritados todo el tiempo con ustedes porque siempre veo una historia. Que bueno que lo acepten. Entendiste? I don't want to be accepted. You, Zarado, my clothes, we were your servants.

30:25

I was the one who hated Carola the most.

30:28

The one who hated Carola the most.

30:30

The GAAA was leaving.

30:32

I was asking for GAAA for 30 seconds.

30:34

Producciones!

30:36

The Patalocillos!

30:38

I hated Manaury.

30:40

GAAA!

30:42

I was left without GAAA. yeah when the line when the one who give me a pony so we're we're we're just only coming up here at a restaurant in a friend of mine take a lot of pose I eat a commando I eat a pension do you know my data say yeah what really oh my in la yo yo maldita sea otro leo ma en la casa y entonces como hay pocos participantes o de eliminar gente si va a quedar uno ahí pues cruzita cocina

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31:15

que si no había sido por ella no jode moto la cocina la limpieza entonces yo

31:20

vengo y estoy mirando el mar que hasta me graban tú sabes yo mirando el mar porque me senté ahí comenzó a mirar oceano y el mar caribe y yo mierda mar caribe no no no yo pensando y entonces y parece que se va a mudar 100 años la casa anda con 200 maletas 500 vaina y me la mandan en with 200 suitcases, 500 bags, and they send it to me in one of the last minute goa's. Bring it here to me. The crazy woman arrives.

31:50

But she's on the way.

31:52

Eh?

31:52

She's on the way to the window.

31:53

I'm alone!

31:54

No, I was crazy, I'm alone. And she arrives at the restaurant. She ate something there, I don't know, and say, I'm gonna go ahead and say, I'm gonna go ahead and say, I'm gonna go ahead and say,

32:10

I'm gonna go ahead and say,

32:22

I'm gonna go a little cure. I'm gonna make a little cure. I'm gonna make a little cure.

32:27

I'm gonna make a little cure. I'm gonna make a little cure. I'm gonna make a little cure.

32:44

I'm gonna make a little cure. I'm gonna make start. He talks a lot, so he can know. I can't do my story, then.

32:46

Talk, what a shame.

32:48

I'm going to play my story. I see a guy, I grab him. No, this is a devil's dance. What does Crazy do, man?

32:56

No, what he doesn't do at home.

32:58

The same thing he does at home.

33:00

The same thing at home. He's the best of all. He comes and does this. Lo mismo de la casa, mira. Esa es la chica. Viene, el mejor de todos. Viene y hace así. Viene y hace así.

33:10

Puso un huevo, puso un huevo.

33:22

mi casa.

33:24

Y allá y yo la llevo a mi casa y allá llega se ducha toda la vaina o sea está con la familia verdad? Llega allá para no ningún hotel ni nada, no malinterpreten, que llegó Gigi con lo fue que es un hotel, no nada de eso. Digo déjame llevar a la loca para allá a ver cómo yo pretend Yeah, yeah

33:57

So let me answer orient our You know, I'll let it go. We put a rose

34:03

There is a ye ye ye responde to You there is a whole day concurs it I ye ye oh He reponded to You today I had a whole day concurs it IE I'll do content a lot to I like it. Oh, yeah, it's too loose

34:14

Because it is a nap or one day. I tell you I think

34:17

Kema's I in El Mundo ahora mismo Gigi's or crucita

34:21

Yeah, I think I'll see that crucita Yeah, yeah, crucita crucita Que la mujer que cocina tiene hijo la mayoría lo que están guachando y el bailar no me entendían

34:31

Ok

34:33

Yo vengo pongo la primera encuesta en el vaina que en el usado en el grupo de whatsapp quieren que regrese la g70 30 pero ese 30 vale mucho son 400 mil votos de 30 in the WhatsApp group. They want the Gigi to come back, 70-30, but that 30 is worth a lot, it's 400,000 votes, that 30. And I say, shit, it's 400,000 viewers

34:52

who are not leaving ugly, or they get caught. And there the name, I say, well, Article 4. When I lose, I come back, and I do it on Instagram, too.

35:04

Nobody wanted her there.

35:06

Hey, I need two more records, I'm going to sign her on the street. I told her, what the fuck. Come, you come in tomorrow, damn it.

35:14

Without me, the game falls apart. Look, the competition with the points was like me and Cruzita.

35:22

It was cool, but I tell you something.

35:24

Without me, there te digo algo. Sin mí, no hay competencia.

35:26

No, fue chévere, pero Gigi, el día que tú no fuiste, metimos un millón normal.

35:31

Oíte.

35:32

Está bacana tú, te agradecemos, pero en el mundo, yo lo he dicho aquí en A lo Foque, las personas que se creen indispensable en todo, de eso está llenoera cementerio correcto cuando me dice de que yo soy Si mieto vamos a llegar se mete de un pronto ver mira es el indispensable es ese pero te agradezco que si en verdad hay una rivalidad dura de lo team

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35:58

Que fue lo que se te metió el día de la vaina del que le diste la tasa seguridad seguridad of the thing that you gave the security the cup. Crazy. No one has ever given a cup to security.

36:07

I always said that I didn't like to argue with people.

36:11

Because that gets me in trouble. But what lit that up? What happened that day?

36:16

When you arrived, you told me, you put shame on your family.

36:19

I'm going to explain. I have to be honest here, right?

36:22

Yes.

36:23

Sure.

36:23

OK. I'm going to explain. I have to be honest, right? Yes. Sure. Okay. A young woman wrote me on WhatsApp. Production was always on the lookout for all of you in every way. Security, food, everything. Did you see an ambulance? There's one all the time.

36:37

Yes.

36:38

I ended up with one of these Rosa Gould, Don Miguel. And a young woman wrote me. And among the speed of so many people who write me, foreign you Y yo guardé el vaina como familia cruzita. Y entendía que esa joven que venía de Santiago, porque se te cerró el Instagram fue, y ella venía para que le diéramos acceso al teléfono

37:15

para que le llegara el código, doble tap, ¿verdad? Para abrir el teléfono tuyo para seguir con el contenido y seguir con tu team incentivando a votar cuando ella llega y se arme el rey perpero ella me dice hay que vergüenza con la familia de cruzita y yo escuché entre el pleito otra vaina entonces cuando yo entro que estoy airado porque tengo un estrés Mmm. Cinco say año que Dios me dio gracia dio un poco de buenas economica con mijo grande

38:06

Yo yo yo ropa y ando con una semana comiendo lado para los festivales como dos muchachos normales Porque prince yo te viendo una paternidad con prince que no vivir con él Tú sabes yo quiero mi hijo grande se sienta parte de mi éxito my big son feels part of my success. He lives far away, man. If he lived in Puerto Rico or New York, he lives in Puropa, brother. In Switzerland, it's a Swiss countryside.

38:31

And I said, well, I'll do this show, production will be there, we'll be there putting more, we had a lot of real dynamics, people think we're not,

38:41

that we were going to improvise, but you guys changed everything with all the madness. no que te vamos a improvisar pero ustedes cambiaron todo con toda la lo que era está con los pichitos así dándole con los pechos y dios mío la vaina y yo no pude viajar y yo lloré maldita sea yo quería viajar de mi hijo más una semana y venir para atrás porque yo pensaba que todavía va a ser bajo control que todo todo el mundo va

39:04

a entender las reglas y todo pero al final, ¿verdad? que somos dominicanos la mayoría, que diablo nosotros, nosotros no pasamos un semáforo en rojo nosotros no matamos un amé porque yo era grande, manejando, ¿entendiste? entonces yo también entendí de que a la producción con todo respeto ustedes no lo respetaban that to the production with all due respect you did not respect them, you respected Alofoque when he entered but not Manori, the level of respect of Manori, Juvelina and Manuel and all the boys was not the same as when I entered. At the beginning, at the beginning. No, and I said,

39:39

hell, I have to become the player 11. I didn't want to be, well, I did say that from 11, from 9 to 11, team in a lot of loans a you know get it out you don't know you see this a academic the onset the new era on say crazy okay no I said not the new era on say Kali move the new era on say you simply have to be about one prime time polka the new era on say a key no so Baboon prank time. Second, if you look at the first day, Vitaly was there, we all went in and he was a chicken. And then, remember, it's our first reality. We are learning, we are writing, yes or no? And then we came to the conclusion that I was going to enter alone, from 9 to 11.

40:40

And that Dr. Nathrie was going to be in charge of the dynamics. That's why I saw a little of Vitaly and the others. That's why I stayed, because I was like a little authority, because I was the trust, I was the one who called you, I made the link with you, the production, and that's what happened. So, the Jeba, I escuché una cosa y dije eso

41:08

de una manera irritada, inconsciente, pero no con mala intención. Cuando dije que sentían vergüenza, era no vergüenza de lo que tú representabas, sino de el potazo que le diste al seguridad.

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41:22

No, porque eso fue antes. El potazo vino por eso. Tú entras y me dices, tú eres una vergüenza para tu familia. the slap you gave to security. No, because that was before. The slap came for that. You come in and you tell me,

41:28

you were a shame for your family.

41:30

And I said, and what did I do?

41:32

Poor thing, he was hit twice.

41:34

You kept quiet.

41:36

You kept quiet and you told me, you didn't tell me anything. And I stayed with that hot guy in my face, I can't tell you anything because you're the boss. con ese calentón en mi cara, no te puedo decir nada porque tú eres jefe, me quedo callada, entonces, como ella estaba en chisme conmigo, no me acuerdo qué fue lo que ella dijo y ahí... -¡Ay, oye! ¡Ay! No, no, no...

41:49

-¡No, no, no! No, no, no... -¡Cuando tú dijiste eso!

41:53

-¿Qué fue lo se armó el bololo.

42:05

El disparate.

42:07

¿Y te dijeron cuero? ¿Es verdad o no?

42:08

Yo no me acuerdo, pero yo lo que te voy a quillar.

42:10

Estaba borracha.

42:11

Ahora, oye, ese día, ese día tú dijiste...

42:14

No, yo tenía dos tragos I clarified it, I had a partner, I had, it was for interest and I consider it that way.

42:29

So you didn't like the guy?

42:30

No, a crazy.

42:35

No, it was.

42:38

Crazy, crazy, crazy.

42:40

Crazy, crazy, get together please. Look here, what did you really have in Crusitas realmente de tantas mujeres que tú has tenido? Porque por tu cama han pasado más de 150 mujeres.

42:51

Ay, elonious, George.

42:53

¿Y quién lleva esa contabilidad? No, hey. Crazy Colt en el aire, papi.

43:00

¿Qué dice?

43:01

En el aire, Colt. Este es un hombre nuevo esta semana de otra historia que ahora es un empresario calimbo de otra historia el elite por ese tipo hey es el negro de nosotros uno de los que ya es tuyo te digo algo entre nosotros y te cifres rápido dime uno de los que ya es tuyo fue que tú creas que todas las mujeres si van a

43:22

de pan pan al por ti que por lindón si está vendido si te viene el huevo you and I were, you thought all the women were going to pamper you, for being cute, and no one was in you.

43:25

Yes.

43:25

You saw the little egg.

43:27

Okay, ask the house who kissed three women in the house.

43:31

Because they were bored.

43:33

No.

43:33

Out of necessity.

43:34

Out of necessity.

43:35

Crazy. Cruzita, I'm talking about Cruzita, really, man, because you even cried, I grab him, I grabbed you, and I was like, fireworks, woof, woof, Jota, season 2, Sparta, this is season 2. And I was like, you're not like that. And you were crying, and I was dying, and you were crying, and we were both dying.

44:00

That's the crying you gave me.

44:03

I was sentimental. I left because I was drinking La Mama Juana. ¿Esa llora que tú diste? Estaba sentimental yo. Me fui porque estaba bebiendo la mamá Juana.

44:12

Sí, como que me refugié mucho en esa bebida. Yo te voy a ser sincero, fuera de reality y esa cosa.

44:23

Tú sabes que yo descubrí afuera de la casa ahora, Yo te voy a ser sincero, fuera de reality y esa cosa. Ajá.

44:28

Tú sabes que yo descubrí afuera de la casa ahora, o sea, estando en el apartamento ahora, en el hotel donde estábamos, yo quise como estudiar qué fue lo que realmente a mí, en lo personal, me gustaba de Crucito.

44:37

Ah, ya no.

44:38

Ay.

44:39

Ay.

44:39

O sea, no me gustaba nada.

44:41

O sea, ay. Oh! Oh! Oh! Oh! Oh!

44:45

Oh!

44:46

Oh!

44:47

Oh!

45:04

Oh! Oh! Oh! Oh! Oh! no tiene el horario fijo, no tiene su rutina que tiene por años, está fuera de su entorno, entonces ya fuera, déjame ver qué estaba pasando conmigo allá adentro. ¿Quién era el grusita realmente?

45:13

Continúa.

45:14

Continúa.

45:15

Entonces, yo en ese momento dije, aquí en el apartamento,

45:23

era la persona con la que yo me podía divertir un poco. I said, here in the apartment,

45:29

he was the person I could have fun with a little bit

45:33

within that stress, because you saw that I was going to sleep, that I was like, bye, but I'm a very thoughtful person. So when I saw Cruzita cooking, what's going on, what's going on, what's his mess, his sparks and his stuff, que pa' acá, que su carcajada, su chispa y su cosa, yo me sentía como alegre, como me gustaba verla sonreír, y eso me alegraba a mí en lo personal.

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45:51

Entonces yo veía en ella, no siquiera era una mujer como que... yo decía, yo quiero estar con Crucita, yo quiero comerme esa mujer,

45:58

que si o que, como ese molo y vaina. Because your stereotype of a woman has always been that voluminous woman... Like... Like that, like that.

46:05

What?

46:06

Nothing, just like that.

46:07

Go on, go on.

46:08

So, I felt good seeing her personality, her... She's crazy. She's a very uplifting person. She's a person who doesn't stop at anything. A personality that I know there are many women who identify with you. There are few.

46:26

The naturalness is already there.

46:28

For example, you see what you said, there are more gg's than crucitas nowadays.

46:31

Damn!

46:32

There are more gg's than crucitas? No, you're crazy.

46:34

You're crazy.

46:35

Yes.

46:36

It's true. Yes.

46:38

It's true. Yes.

46:40

It's true. Yes. In what way? How is Gigi, how is Cruzita? Explain to me. There are few women today who have the thought and values and behavior that Cruzita has.

46:49

That's true.

46:49

You are a whore.

46:51

The difference is that Cruzita runs for his family and I for my room.

46:55

That's the difference.

46:57

So you already answered. Today, the vast majority of women are behind the room. And you want to know how you get paid. at the back of the room. And Tiger Capocloteres has his hand like a choir. He's answering your mind.

47:06

And how did you get it off? Easily?

47:08

With massage and everything.

47:09

Continue like this.

47:10

Sir, please.

47:11

No, so in the personal, I'm in the person feeling a feeling, but I in the person can say something. I am a type of person that I fight for a point. How? I personally can I... I... I... What point? No, no, no, no, seriously.

47:30

No, give me a little.

47:32

Point, point, point, point, point and apart.

47:34

But a month is short. Let it flow, go ahead.

47:38

If you start to think about it, how I was living the house, for me it was a short time.

47:42

Why?

47:44

Because I knew how to clear my mind. yo estaba viviendo la casa para mí fue poco tiempo. ¿Por qué? Porque yo sabía cómo despejar mi mente. Ok. ¿Sabes lo que te quiero decir?

47:48

No te estamos entendiendo nada.

47:49

Bueno, yo me entiendo.

47:50

Ok, explica, explica bien.

47:52

Que yo sabía cómo despejar mi mente, ocupar mi mente, porque yo pienso mucho, yo no paraba y dije, tengo que hacer cocina pa' olvidarme de esto. Yo simplemente me iba a mi mundo, si me tenía que dormir me dormía, si tenía que tirarme a mi cama me tiraba a la cama, en la sala, en el mueble...

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48:09

¿Eres dientero?

48:10

Sí, me hasta el tiempo. Entonces, para mí la única persona que yo... bueno, después que llegó Carlos, que comenzamos con la Chechi y la Vane, me reía a piel con el loco pero mientras tanto yo yo me refugia mucho en vea cruzita en verla como ella y como tú la ves ahora luego que sabe no yo no conozco

48:31

porque porque por lo menos si salimos de ahí como que creo que tú estás ya Oye. Santiago Matias told me, you told him. What did I tell her?

48:45

That after you left the house,

48:47

we all agreed.

48:48

We don't even have 24 hours to go out, let me breathe. It was crazy, it was 31 days for a YouTube that they put me in, let me breathe. That little cross told you to wait a month. No, you're suffocating me, but it's like you tell me, oh, bye, like I my kids waiting for me outside. It's been a while since I knew what was going on. I'm not starting as a man, as crazy, as a faggot.

49:08

No, no one is starting anything. It's my kids, the ones I go out to see, my kids, my family.

49:13

And you can't come and say, what's up?

49:15

Crazy, you're an illusionist.

49:16

Hey, what did you say? you saying that, you have to give me my, I don't know. Still, Cruzita, you have to give me more time. Give me more time. I had a day there, that if I want, that Cruzita made me laugh, but we left there and it was like, I don't know her. But that's what you told us, Cruzita. Like I'm a totally different person outside of reality.

49:50

Cruzita, but those are your feelings, let it be expressed.

49:53

No, but I can also express myself, I have an hour here and there. Okay.

49:57

I can't do it. I can't do it? I can't do it. I can't do it?

50:06

I can't do it? I can't do it? I can't do it? I had a vertebrae that called me that name. Yeji, Yeji. You were from the spine, tell me.

50:26

Yeji, you give your body so easily in life.

50:31

No, I'm a very prized girl.

50:35

With your body?

50:36

With my body. Why did you ask production in a private way, you call me. I want to talk to Santiago Matías, I go to the house. llamas quiero hablar con santiago matías voy a la casa sales cuando sales al patio donde estaba la pre-producción no el motor home me dice santiago tu me

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50:54

permites ducharme con creces hay lo que pasa que yo soy una mujer de metas y mis metas me gusta cumplirlo. Una de mis metas era hacer uki uki en la casa y tu sabes, el chico me estaba, tu sabes, todo lo otro, yo dije, espérate, si me dejan agarrarlo, yo lo agarro.

51:16

O sea, ¿que le hiciste gustar o no? ¿Te gustó lo que le hiciste en ese momento o fue?

51:19

No dije que él, like, ah, pero el me lo estaba subiendo. Estaba subiendo la nota. ¿Usted le dijiste subimos a Trujillo, loca? Después que se, que le hicimos la bajo la nota, él te comenzó a subirme lo.

51:31

O sea, ¿y por qué Carlos nunca te la subió?

51:34

Porque ese es mi hermano. No, porque yo se la subí un día en Boston.

51:37

¿De verdad? Yes, it's true. Cruz? No, I don't know. There's a respect between me and Carlos.

51:46

No, of course there's a respect.

51:47

She asked me, from the bottom of her heart, the day she did the stripper... The massage. The massage. Then she did the massage with the menstruation, because she was full of blood.

51:58

She was like, you know...

51:59

She was like, I'm going to get it.

52:00

Yes. foreign foreign que no que no aceite modo drag y había un olor como hemoglobina

52:26

olor a óxido

52:28

como a óxido

52:30

como matrimonio de carro hecho fue público

52:34

y se quedo siempre la estoy comiendo

52:36

y un bajo a óxido arriba

52:38

no yo yo eres de afán yo de verdad yo me divertí mucho con todo y todo yo me cubro pilas con cual tu viviste mejor el momento I really had a lot of fun with everything, I covered my batteries.

52:45

Which moment did you have the best time with? With Gigi, with Dappa, or with Cruzita? No, with Cruzita.

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52:51

Cruzita?

52:52

I want to know...

52:53

No, no, no, the Yoi G, Yoi Crazy, that was for a moment,

52:56

that was something small, that was like two days, right?

52:58

That was content.

52:59

One and a half day. Un día y medio después lo boté. Yo lo que quiero saber es una vaina, no, públicamente es que yo quiero saber una vaina, fuera de que de personajes y vainas y de casa del diacho y esa vaina, oíste de eso. ¿Por qué fue que tú, el pique que ese día del rebooker, le diste el potazo al tipo y de todo, ¿por qué tuviste que tú pagar esa vaina conmigo? Si yo no te había hecho nada. ¿De qué? ¿De qué? ¿Qué te dije con el botazo a ti? No, no, no, a ella. Que ella agarró la zapatilla, la botó, la flor la quería romper.

53:27

Un lío, ella pagó... Entonces se pide conmigo.

53:29

Ok. ¿Por qué? Porque tú me dijiste a mí, ¿verdad? Ya yo lo he dicho. Que tú tenías una estrategia, no, que tú sabes lo de la estrategia, fue verdad que tú lo dices, pero es verdad que lo estoy sintiendo. Yo dije, coño, pero no pasó ni 24 horas,

53:50

ni que el hombre se enamoró.

53:51

No enamoró, no, que estaba...

53:52

Está bien, ok, ok. Cuando tuve la conversación contigo, that if you wanted something with me, you had to put it out, right? I didn't tell you to be my enemy. The next day I got up and I was still doing the chorus, and you got away, right? And right there, you got away. And what did you start doing? Look at the girl, she's running there and stuff.

54:16

So I said, you see, there I just confirmed what I was thinking.

54:20

That you're a dog.

54:21

That Krayzie was me a light change He was next to the girl

54:26

And she was looking at that

54:28

And I saw it

54:30

What did crazy do to you?

54:34

Smiling, talking to me with his eyes

54:36

Like babe

54:38

It's true, it's true

54:40

Luis says For many, you were ungrateful 100% You were a boring guy Luis, for many, you were ungrateful. 100%.

54:45

Let's confirm that.

54:46

You were a boring guy. 100%. Zero feelings.

54:49

100%.

54:50

In the sense that you got gifts, people came with a lot of affection, and you were indifferent. Why?

54:56

The only part that I think I was not indifferent, but like... I want to explain this, it's not the same as seeing a million people through the screen, that you have ten people in front of you, that are focused on you. quiero explicar esto que no es lo mismo que te estén viendo un millón de personas a través de la pantalla que tiene 10 gente adelante que están enfocados en ti. Entonces, yo vengo de cero a cien, o sea, yo vengo de abajo y de repente me ponen cien gente adelante o la cantidad que me ponga, me ponen a cantarle a un público, en ese caso.

55:19

No tanto cantarle, un ejemplo, en muchísimo momento llegaba mucha gente, dale cari times, many people would come and say, Ale, how are you? And you'd be like, hey.

55:25

No, I greet them normally, how are you? Thank you very much. And then I do the unboxing, thanking them as well. There are many videos out there, that people just focus on what we do wrong.

55:36

Uh-huh.

55:37

I want to clarify something that I saw on social media about Luis. I don't know if you've seen it, that he doesn't deserve that changan, that you deserve it, and I don't know what. I told them, I think I told everyone, I felt like a winner from day one, because I was the least known, the one with the least followers, and I lasted 31 days. So, for me, a Gipeta, as you say, of course, it's important, everyone wants to have something, but that's not why I'm going to start crying and making drama. He deserves it, Cruzita deserves it, Carola deserves it, the G, everyone deserves it. To clarify that, because I have seen many comments a lot of comments, a lot of labels. That the Jepeta, that I don't know what, that Luis, that the other, each one did their way, I feel like they are deserving.

56:30

I think you really fell, you were doing it right, and I told you. That arrogance that you have, I'm under you, because you were always above. You have an arrogance, you see the moon, you see the moon,

56:39

I told you, arrogance is going to fall on you. te va a tumbar, y tu ah, el lunes te va a ganar. No, no, no, yo te voy a decir cuál fue el trateo. Eche pa'cá. Yo más bien te levanté a ti, muchacho, y tú ni hablabas. Yo lo atacaba de pa' que era buena, y después...

56:51

¿Qué se siente, qué se siente que un mueble te quitó el puerto y se fue con la changanga?

56:55

Anda, diablo. Oh, oh. I saw the cuts, where you were saying, how are you? And you, no, from the bottom of your heart.

57:32

I'm not a tiger of anyone.

57:35

I'm not a tiger of anyone.

57:37

I'm not a tiger of anyone, but in a month I'll take your place.

57:42

Carola, in your country, they ate me up a lot. There, my language, maybe with character, maybe, you know, with shouting, I think it's active. Vainita, a lot of people thought, and your sister, who I saw last night.

57:58

She's daring.

58:00

It's all fixed. Carola...

58:26

She was about to defend herself. Luis is third. uh-huh No, he saw the show and they gave the Jepeta to Mercedes. Oh, my God, we also won that show. Imagine how we won.

58:27

Oh, of course, how she got the house.

58:29

And I don't respect myself.

58:31

That's why I think she has a real criminal record. She charged a lot of money.

58:35

I want you to answer sincerely. Do you think that without the Jeezy,

58:38

the reality would have gone to the real Pique? real que la del contenido tu escucha mental todos son complementos todos son complementos que pena y la llegue le daba un complemento desde otro punto de vista al contenido yo como productor veía cosas que ustedes no ven por eso te pregunto si por eso no sé si se sorprendieron cuando yo entre de nuevo claro y la vaina así que tú te quedaste ya tú sabes porque ella le daba un picante conjuntamente con carlos hasta la batalla de super chat en te cruz y t eso fue épico porque la dos como que

59:23

se sincerizaron como que hablaron se vieron como desde dos puntos de vista diferente de chat and that was epic because the two of them were like that they were sincere as they spoke they were seen as from two different points of view of two people of different personalities and it was very epic that and she had a ball at 66 to 33 in the super chat that's fine, I'm telling you what happened. I don't feel bad.

59:45

Congratulations to her. She deserved it.

59:48

I'm clear. And they both started talking. And I said, look how things flow. For example, when the women left, from Rumba, that I took, with all the hate in the world,

1:00:01

because I wanted that day for me. I wanted to be in Santiago, in my tarima, I had to come with this woman and get her out of there.

1:00:08

Carola hitting herself.

1:00:13

You know it.

1:00:14

It was the best day of your lives. Yes, it's that those women are unlucky.

1:00:19

Without women.

1:00:20

It's that those women are unlucky. Without women.

1:00:22

I was liking Trujillo. I was liking Trujillo.

1:00:26

Listen, you thought you were going to be the winner? Because I'll tell you something, you're giving Gigi a lot of attention. But I give that bonus to Gigi. No, I thanked her. I said, thank you. I said, look, take your bonus.

1:00:44

You enter the group of winners. No say thank you. Thank you. Thank you. Thank you.

1:00:45

Thank you.

1:00:46

Thank you. Thank you.

1:01:04

Thank you. No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no Yes. Carola sabe el concepto realmente de un reality. Lo entendió, lo adaptó.

1:01:28

Mira, mira, eso es lo que ella quería.

1:01:31

Y déjame decirte, dónde yo te jodí, que tú no quedaste en el top tres o top dos. ¿Cómo? Tú estabas para ganar. Después de... Tú me quedaste en el top tres y te jodí en el top tres.

1:01:42

¿Por qué? You were going to be in the top 3 and you fucked up the top 3. Why? Because you challenged me. Like the contract.

1:01:47

Oh yeah.

1:01:48

Yeah bro, I'll tell you something. The one who challenged me, I'm going with him to the top 3.

1:01:53

But I was right or not?

1:01:54

At no time. Because I had the 21. I had the 21 and I didn't know it. The 21 is harder than the 4. It's a trend, the 4. Maduro Calcuato a tendency of cuatro de sus lo que hizo todo interesante este reality rompió Ahora tiene los realities los realities los realities que hacen las cadenas grandes tienen problema cambiado formato porque mira

1:02:18

aislamiento total No por en altista de abaltista que increíblemente cuando se llame el artista se llama Burle. Miren el super cierre que hicimos. Tu miren ese montaje ayer. Esa locura. Todos los regalos, toda la vaina. Todo eso y un tipo 11 que cambia las reglas ahí mismo. Y lo interesante de todo era que la gente no sabía que esperar en la noche. Que todo era orgán that people didn't know what to expect at night.

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1:02:45

Everything was organic, they didn't give us a script.

1:02:47

Nothing!

1:02:48

Just the dynamics.

1:02:50

Yes!

1:02:50

We never talked about when that bathroom thing happened.

1:02:54

We never talked about that.

1:02:55

Ah, when the bathroom overflowed. The bathroom was crazy, and it was Gigi who covered it.

1:03:00

No, that was me.

1:03:01

This kid would be there in the bathroom, I would have the vibrations. I would almost not go to the bathroom, Fokker.

1:03:06

No, I'm going to be honest, that day, I fucked up like never before.

1:03:11

I threw the...

1:03:14

That day, mine was first. And he started to go up, and I was already crossing, look, it's coming out of there, it's coming out of there, and he says, that's not shit anymore, la cruzita cruzita mira está saliendo de ahí, está saliendo mieda de ahí y dice ya no eso no es mieda

1:03:26

y sigue trapeando y después Gigi entró y sale jugando guay lo tapé el mío y cuando yo miro yo digo bueno hay problema

1:03:35

fue entre yo y la Gigi. En verdad. En equipo. Oh What? It went down? I went to Jota and I'm not going there. At least those things, in other realities, they don't happen. You know what? They don't happen. And we did.

1:04:11

Damn, the production went down. They went there.

1:04:15

Now the production is the best.

1:04:17

Now it's the best.

1:04:23

Santiago, let me say something because I have to go.

1:04:26

Yes, go ahead.

1:04:27

I want to publicly thank the whole team that participated, that reality, that dynamic, the whole team from outside, the coach, as you mentioned a name that I don't finish now, I'm going to remember that for the rest of my life. It was something that marked me musically. I think I also thank Santiago for giving me the opportunity.

1:04:52

I know that each one of us, also those who have already left the house, were participants in that too. From here I feel that it is a new beginning of my career. I sincerely wish each one of you that from here you take advantage of this, because I personally will do it, as never in my life. And really, thank God for so much blessing. I have to go because I have activities.

1:05:15

No, no, no, stay calm. Give me a couple of minutes, give me five minutes. I want to ask you one last question, because there are things to save later. una última pregunta porque hay cosas que guardar más adelante a bueno me desmonté del tercero con la cuestión de los puntos cuando estaba con gigi que ya estaba muy fuerte cruzita y estaba muy fuerte con terra no villano villano lo quiero mucho trujillo y gigi y ahí los puntos a repartir en todo yo mandé a este a misionar que lo lo separaran, pa jodete con el puto. Tú hiciste así.

1:05:45

Eso todo el mundo lo sabe, que tú del Diablo no me querías eliminar, eso es una novedad. No, no te eliminé.

1:05:51

Pero me querías sacar del Diablo. No, tampoco. Porque tú hiciste de todo para que yo te elimine. Y no te eliminé, y no te voy a eliminar.

1:05:57

Tú empujaste. you know what I mean? Basically what he

1:06:06

you left him working alone to see if he could get to his point because he was going up with him

1:06:10

Don't you remember that he was looking at you and he was in the middle, fucking Bro, but all of you should feel ashamed for me All of you should feel ashamed He's basically with the 90,000 followers Don't come with that

1:06:22

Wait, you had 500,000 followers on Instagram He lost the account foreign foreign

1:06:26

foreign

1:06:29

foreign

1:06:33

foreign

1:06:41

foreign you know you're doing the victim and listen to this and what do you expect or what expectations do you have after this experience in 30 seconds in 30

1:06:55

seconds not like my perspective for the future of the poet of the second give it to close the perspective is you go out to make good Expectations? You know, make better music, collaborations, make a lot of money, be a... and my status as a celebrity, go up on the charts.

1:07:14

Crazy. Expectations after this experience?

1:07:21

No, because you know that my world is really music. experience no focus I get a little me or element a little me or a musica yo de ahí de esa de esa exposición es hicimos lo para musical y voy a seguir trabajando ario no pensaba que vamos para música de adn o si si verdad si de verdad una vaina la pregunta breve si cruzita se te declara tía ahora que What's going on? I have feelings for her. But I'm not really trying to do anything. I prefer to distance myself.

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1:07:59

That sounds so ugly.

1:08:01

Because I don't want to feel bad about myself. Because she's not going to support you, right? -. Yo salí de ahí y así... O sea, todavía tú no has digerido. Asimilado. Yo me levanté pensando que estaba en la casa, después coño, yo quiero cocinar aquí, me sentía vacía, me sentía rara,

1:08:30

es un sentimiento raro, yo no he pensado.

1:08:32

Yo me levanté y yo fui a la cama. ¿Tú pensabas tener una Mercedes-Benz así en tu vida? I'm not a pro. I'm a pro. I'm a pro. I'm a pro. I'm a pro.

1:08:45

I'm a pro.

1:08:46

I'm a pro. I'm a pro.

1:08:57

I'm a... I'm a liar. You think you're retired? I sent you from my town to Terebaina. You're a fool.

1:09:05

I haven't checked anything.

1:09:06

Okay, fine.

1:09:07

It's hard.

1:09:08

Expectations, you?

1:09:09

After reality.

1:09:10

Uh-huh.

1:09:11

No...

1:09:12

Let everything flow.

1:09:13

I would really like to think a little bit, but I want to come and live here, really.

1:09:21

In the Dominican Republic? Yes. here. He pays that, he generates what the monthly house generated. If he pays 4.5 dollars. And how much did the house generate?

1:09:48

Oh yeah, we're in loss. With the food I'm giving you...

1:09:54

Listen to me, I was going to tell you something important about Nastra. What happens is that I feel that one in life has to take the opportunities quickly. And I honestly wanted to maybe meet him at the time and he didn't stop me.

1:10:07

So, blessings.

1:10:09

Hey Luis.

1:10:10

Normal.

1:10:11

Tell me, do you have the bad attitude, the guy who doesn't care about anything?

1:10:16

No, let's talk about my expectations. I, without the intention of sounding arrogant, I have always had that feeling that I was going to be the famous one in my family. Once I entered the reality, I noticed that I'm a surprise box, I really like acting and I think I'm going for that, modeling...

1:10:33

Do you know how I'm going to work for you? Excuse me. I'll work... that you're in the fashion show.

1:10:41

Fashion week.

1:10:42

Fashion week. Of fashion. fashion show, fashion week, fashion week de moda. Estoy hablando con Angelica, la manager de Tokisha, también parte de mi manejo, ella tiene muchos buenos contactos y quiero que te que hagan test contigo, porque yo creo que el modelaje es lo tuyo.

1:11:00

Yo lo dije, que tiene que ponerse para eso.

1:11:02

También Cris se lo dijo. Pero en cuanto a mi expectativa... No, de verdad, Cris le dio eso del día uno. I told him to put that on. Chris also told him. But as for my expectations... No, really, Chris told him that on the first day.

1:11:07

And also on the third place. Ask for your consultation.

1:11:11

It's true.

1:11:12

Hey! Ask him.

1:11:14

Ask one, Gigi, two, Luis, three. It's true, he told him.

1:11:18

I never had in mind that we would win the award or anything like that.

1:11:21

I always knew, man were going to win. So, you're famous in your family. What happened?

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1:11:25

As for my expectations, seeing that I can take different directions, I don't know. I'm open.

1:11:32

Yes, very open.

1:11:33

Open, open, open.

1:11:34

Very open.

1:11:35

Very open.

1:11:36

I'm going to open up to opportunities.

1:11:41

That's a good cut, Edy.

1:11:43

I'm open to opportunities and nothing, may God give me God gave me the ability to accept and take advantage of them. Tell me, the truth is that I am sincere, I am surprised with all the support I have seen from all Dominicans. I feel grateful for that. I was talking to Carola about how nosotros como extranjeros hemos visto el apoyo genuino de la gente de República Dominicana y eso lo aprecio mucho. Y mi expectativa es de que yo estoy dispuesto a trabajar, yo tengo una familia, tengo mi mujer, tengo mi hija y yo voy a hacer cualquier cosa para darle un mejor futuro a mi hija. Todo lo que sea trabajo, bienvenido. una vaina Trujillo. Trujillo, una cosa.

1:12:25

¿Sabes que un día, ya para terminar, Trujillo estaba en Chulima, no sé con quién, y cuando yo le di los 10 minutos a usted para llamar, y se metió en una esquina, y yo por amor de Dios,

1:12:39

y yo estaba todo...

1:12:41

¿Y dónde está Trujillo? Y él encontró.

1:12:44

Y él le contó, mi amor, si tú ves cualquier cosa... And where is Trujillo? He's hiding. And he's hiding. My love, if you see anything...

1:12:47

Trujillo, the cell phone.

1:12:49

No, man, really...

1:12:50

Now, this is a tiger. You sent me to get your wife to cool down, cool down. If you had arrived in Bolivia, you would have died.

1:12:56

No, my wife is worth gold, because she deserves everything, really. She has endured many things and... It shows. muchas cosas y es una buena mujer es humilde tranquila es una piedra de mujer y ella ella de posición y aguanta todo por amor entonces yo me quedo con eso hasta el punto que yo le dije cuánto dinero tiene porque yo le encontré los

1:13:16

cuartos ahí. Carlos dime, el prime time. you know, crazy in a total negotiate but okay you see that Louis

1:13:56

acquired the police he died

1:14:01

the

1:14:02

management

1:14:03

the

1:14:04

commercial is a people this is para que ellos tengan... Estamos amarrados. Ajá, una... ¿Qué gente está ahí tirándole a uno? Sí, hay un manejo. El lunes, si Dios quiere, martes, estamos armando un equipo para la cuestión de todos los hosts, la cuestión de la publicidad y todo eso, porque queremos que ellos potencialicen 100% lo que está sucediendo con ellos. um All of us in season 2, no one expects it. You know that. I'm going to tell you... Listen, you're telling me...

1:14:45

and that Carola doesn't sign, people are going to think I'm not going to work.

1:14:48

I'm going to work.

1:14:49

Carola, you signed, you signed.

1:14:50

Tomorrow. I signed tomorrow.

1:14:52

The thing is that I asked for a few things.

1:14:54

And I want to say one last thing. I want to say one last thing for Carlos, me seguieron cuenta de él mediante su juego y todas sus cosas en la mañana, él estaba predicando y es una buena persona, nos pedimos disculpas y él va a ser mi amigo de ahora en adelante. Amén. Si no odio, más amor.

1:15:31

Eso es lo que dice que en mi casa está su orden.

1:15:33

Sí, él me dijo.

1:15:34

Yo le dije que en mi casa está su orden.

1:15:36

Luís, ya para terminar. What does Boca Chica say about your neighborhood? How did they receive you? Everyone was sleeping.

1:15:46

I got there at 5 in the morning.

1:15:48

4 or 5 in the morning. And they didn't say anything?

1:15:56

So they don't see me.

1:15:58

Hey, Boca Chica. You're going to cover up the class? No, no, no. So they don't say, look, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, hey, hey. Hey, hey, hey. Hey, hey, hey. Hey, hey, hey. Hey, hey, hey.

1:16:25

Hey, hey, hey.

1:16:26

Hey, hey, hey.

1:16:27

Hey, hey, hey.

1:16:35

Hey, hey, hey. he put a hotel in the house like this and he turned everything off and he closed the door 80 thousand people, hey hey, hey, hey

1:16:50

you are a sound guy

1:16:52

the devil!

1:16:54

you can say who was the little girl

1:16:56

little girl really little girl is the wife of my brother Hector de Spartes he is a woman Fernando! sposa de mi hermano Hector de Spartesh. foreign foreign but there was a robot... I saw him. At night.

1:17:46

There was a robot... There was a robot... Jota! There was a robot... There it was erased. There was a robot that they were programming

1:17:58

and it was going to have clothes and everything a suit and everything

1:18:02

and I was going to be the robot's voice.

1:18:04

And I was going to enter with robot's voice. No! I was going to enter with...

1:18:05

I saw it, I saw it.

1:18:06

You saw it?

1:18:07

I would have liked it.

1:18:14

I thought he was going to like it more than the doctor.

1:18:16

But he didn't give us time. Santiago, to finish, tell a secret. A house secret that no one knew. A house secret that no one knew. Ximena's cell phone and I found it in the gym.

1:18:31

Oh!

1:18:32

What?

1:18:33

Ximena's cell phone and I found it in the gym.

1:18:35

So it was the girl who had it.

1:18:37

Ximena left her cell phone and I grabbed it. And I gave it to her.

1:18:41

You see?

1:18:42

You see?

1:18:43

No. And then you... Beat him! Beat him! No, I think people said that you were...

1:18:45

Beat him! You don't have the respect that you deserve.

1:18:48

Don't give me that story of terror.

1:18:50

You betrayed me.

1:18:51

Listen to me.

1:18:52

It was yours.

1:18:53

No, it wasn't hers. Go crazy.

1:18:55

It wasn't hers.

1:18:57

I'm going to talk.

1:18:58

I have proof that it wasn't hers. I'll explain. When I see Jimen that day, in Diablao, that he came with an opportunity that the King gave him, right?

1:19:07

Yes.

1:19:07

That I love him very much, because the kid, what hurts me about Jimen is that he never showed who he was. He wanted to be a gangster, the most tiger, the most fag.

1:19:16

Who is he for you? Who is he?

1:19:18

He, a boy. You are very interested in him, you know? no muchacho un chamaquito con con trabajador en el sentido de que siempre está joseando de la hamburguesa para hablar la fuerza el chamaquito conmigo conmigo yo le digo un ejemplo bro lao esto lo otro colaborador de corazón el chamaquito el chamaquito bacana lo cual humilde el médico me chon el no tipo de que con con ego a mí me ha foreign foreign

1:19:47

foreign foreign foreign foreign no mostrara esa parte. Si él mostrara esa parte de bacanería, otro hubiera sido la historia. Pero quería como, sé como él probó, como el que manda en la casa. Y ese no era él. Ese no era él. No fue él. Él jugó un papel que no era. Él fue como un Gigi pero le salió mal.

1:20:17

Entonces, cuando se le dio el break de nuevo de entrar, él entró al teléfono. La Gigi no entró, o él. I tried to log in again. He logged in. He did? No, he did. He logged in. And I realized, because when I saw him with the attitude of wanting to kill and fight with everyone

1:20:34

I got on my bike and I was going to take him out by the neck. And he realized, because I was watching the transmission. Of the phone that had logged in. Of the phone that had logged in. They recorded it. del teléfono que había entrado. Del teléfono que había entrado. Me lo grabaron.

1:20:46

Un iPhone negro. Y el tuite que recogió antes de yo llegar, para decir yo me fui, que no me votaron. Porque él sabía que yo estaba camino para la casa.

1:20:56

¿Y cómo la G se quedó con el teléfono?

1:20:58

No creemos. Porque él lo votó. Yo tengo... tenemos todas las grabaciones. I have all the recordings, there are 24 cameras, even the smallest ones.

1:21:06

That's why I asked you to tell a secret that we didn't know.

1:21:08

He voted for the phone and he got it. That's why when I arrive, listen to me, I told my lawyer on the way, don't cut it. What is it? I mean, I checked it, I mean, don't check anything le revise nada porque tú aunque estamos en un reality estamos apegados a las leyes dominicanas y tú si él se va verdad o tú lo expulsa tú no tiene derecho a revisarle sus cosas tú estando en el reality dentro para la seguridad que se quiere que tú tenés un cuchillo una vaina ahí sí pero

1:21:41

me dice mi abogado como él se va no che cheque nada de lo de porque la ley no te lo permita t tú no lo policía ni fiscal ni juez y lo de hey pero el teléfono lo hizo así lo tiró votó por eso por yo la señora la guagua yo la vire mil pedazos si o no la guarda la mercedes que lo busqué por todos lados la La Mercedes hice así por todos lados, por todos lados la Mercedes, buscando y donde está el maldito teléfono. En qué momento tú le quitaste el teléfono a la Gigi? and they sent me to the bathroom, and I said, look there. And I grabbed the crazy woman, I pulled her to a point where she gave me blind,

1:22:27

I said, give me the phone, and she gave it to me. And I told you, I chanced you again. Revealed secret of the house of Alonso.

1:22:35

Carola, don't talk, that's your secret, you know I'm not a whore.

1:22:38

That, that to the bathroom. I'm going to go to the bathroom. I'm going to go to the bathroom. I'm going to go to the bathroom. I'm going to go to the bathroom.

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1:22:50

I'm going to go to the bathroom. I'm going to go to the bathroom. I'm going to scare the monkey, he's going to go crazy again. Calm down, princess.

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